____________________________________________________________ Report Information from ProQuest September 01 2021 12:47 ____________________________________________________________ ____________________________________________________________ 目录 1. The natural sublime: Romanticism and the aesthetics of wilderness å‚考书目 ____________________________________________________________ 第 1 个文档,共 1 个 The natural sublime: Romanticism and the aesthetics of wilderness 作者: Hitt, Christopher James. 出版物信æ¯: University of Oregon. ProQuest Dissertations Publishing, 2001. 3018373. https://www.proquest.com/dissertations-theses/natural-sublime-romanticism-aesthetics-wilderness/docview/304715172/se-2?accountid=44563 摘è¦: From eighteenth-century writers such as James Thomson, Edward Young, William Gilpin, and Ann Radcliffe, to the Romantic poetry of William Wordsworth and Percy Shelley, this study explores the taste for the “sublime†in nature and its relevance to ideas of wilderness. I argue that the natural sublime is, in an age of increasing environmental devastation, more than ever worthy of endorsement. To be sure, accounts of “sublime†experiences all too often record the subject's vanquishing of nature, his (or in rare instances her) apotheosis of self at the expense of the external world. Accordingly, I formulate a critique of certain aspects of the traditional sublime, interrogating the ways in which it has led to the domestication, appropriation, or erasure of nature. Yet the sublime also appears ecological in its capacity to evoke wonder and humility before nature, as well as for its acknowledgment that the nonhuman world exceeds our ability to define or contain it. Thus, I ultimately find an incipient ecologism in the Romantics—not through their happy discovery that mind and nature are “exquisitely fitted,†as Wordsworth writes in the “Prospectus†to The Recluse , but rather through their (often anxious) recognition of nature's radical alterity, its discontinuity with the mind. In theorizing this discontinuity, I situate the sublime within a philosophical trajectory from Locke to Kant, showing how in a post-Enlightenment episteme the relationship between mind and nature comes to be felt as unstable. The sublime emerges as a mark of this epistemological uncertainty and, concomitantly, of the limits of human language's referential capacity. Eighteenth-century writers tended to respond to this instability by seeking to bridge the gap between mind and nature, through rhetorical or tropological gestures which privileged human reason or imagination over the external world. However, in the Romantic period the untenability of such gestures becomes increasingly evident, and as a result the real, material solidity of nature is underscored. In Shelley especially, nature's opacity and alterity is registered without any such defensive reflex—yielding a distinctly ecological sublime. 自然的崇高。浪漫主义和è’é‡Žç¾Žå¦ ä»Žå八世纪的作家,如詹姆斯-汤姆森ã€çˆ±å¾·åŽ-æ¨ã€å¨å»‰-å‰å°”平和安-拉德克利夫,到å¨å»‰-åŽå…¹åŽæ–¯å’Œç€è¥¿-雪莱的浪漫主义诗æŒï¼Œæœ¬ç ”ç©¶æŽ¢è®¨äº†å¯¹è‡ªç„¶ç•Œä¸ "崇高 "çš„å“味åŠå…¶ä¸Žè’野æ€æƒ³çš„ç›¸å…³æ€§ã€‚æˆ‘è®¤ä¸ºï¼Œåœ¨ä¸€ä¸ªçŽ¯å¢ƒç ´å日益严é‡çš„时代,自然的崇高比以往任何时候都更值得赞åŒã€‚å¯ä»¥è‚¯å®šçš„是,对 "崇高 "体验的æ述往往记录了主体对自然的å¾æœï¼Œä»–(或在æžå°‘æ•°æƒ…å†µä¸‹å¥¹ï¼‰ä»¥ç‰ºç‰²å¤–éƒ¨ä¸–ç•Œä¸ºä»£ä»·å¯¹è‡ªæˆ‘è¿›è¡Œç¥žåŒ–ã€‚å› æ¤ï¼Œæˆ‘æå‡ºäº†å¯¹ä¼ ç»Ÿå´‡é«˜çš„æŸäº›æ–¹é¢çš„批判,质疑它导致了对自然的驯化ã€å 有或抹æ€çš„æ–¹å¼ã€‚然而,崇高在其唤起对自然的惊奇和谦å‘的能力ä¸ï¼Œä»¥åŠåœ¨å…¶æ‰¿è®¤éžäººç±»ä¸–界超出了我们定义或控制它的能力ä¸ï¼Œä¹Ÿæ˜¾å¾—具有生æ€æ€§ã€‚å› æ¤ï¼Œæˆ‘最终在浪漫主义ä¸å‘现了一ç§åˆæ¥çš„生æ€ä¸»ä¹‰--ä¸æ˜¯é€šè¿‡ä»–们快ä¹åœ°å‘现心çµå’Œè‡ªç„¶æ˜¯ "完美契åˆçš„",就åƒåŽå…¹åŽæ–¯åœ¨ã€Šæ²‰æ€å½•ã€‹çš„ "åºè¨€ "ä¸å†™çš„é‚£æ ·ï¼Œè€Œæ˜¯é€šè¿‡ä»–ä»¬å¯¹è‡ªç„¶çš„æ ¹æœ¬æ”¹å˜ã€å®ƒä¸Žå¿ƒçµçš„ä¸è¿žç»æ€§çš„(通常是焦虑的)认识。在将这ç§ä¸è¿žç»æ€§ç†è®ºåŒ–时,我将崇高置于从洛克到康德的哲å¦è½¨è¿¹ä¸ï¼Œè¡¨æ˜Žåœ¨åŽå¯è’™æ—¶ä»£çš„认识论ä¸ï¼Œå¿ƒçµä¸Žè‡ªç„¶ä¹‹é—´çš„关系如何被认为是ä¸ç¨³å®šçš„。崇高的出现是这ç§è®¤è¯†è®ºçš„ä¸ç¡®å®šæ€§çš„æ ‡å¿—ï¼ŒåŒæ—¶ä¹Ÿæ˜¯äººç±»è¯è¨€çš„指称能力的æžé™ã€‚å八世纪的作家倾å‘于对这ç§ä¸ç¨³å®šæ€§åšå‡ºå›žåº”,他们通过修辞å¦æˆ–象å¾ä¸»ä¹‰çš„姿æ€ï¼Œå°†äººç±»çš„ç†æ€§æˆ–想象力置于外部世界之上,从而寻求弥åˆå¿ƒçµä¸Žè‡ªç„¶ä¹‹é—´çš„å·®è·ã€‚然而,在浪漫主义时期,这ç§å§¿æ€çš„ä¸ç¨³å®šæ€§å˜å¾—越æ¥è¶Šæ˜Žæ˜¾ï¼Œå› æ¤ï¼Œè‡ªç„¶çš„真实性ã€ç‰©è´¨æ€§å¾—到了强调。特别是在雪莱那里,自然的ä¸é€æ˜Žæ€§å’Œæ”¹å˜æ€§è¢«è®°å½•ä¸‹æ¥ï¼Œæ²¡æœ‰ä»»ä½•è¿™æ ·çš„防御性åå°„--产生了一ç§æ˜Žæ˜¾çš„生æ€å´‡é«˜ã€‚ 通过www.DeepL.com/Translator(å…费版)翻译 链接: http://www.yidu.edu.cn/educhina/educhina.do?artifact=&svalue=The+natural+sublime%3A+Romanticism+and+the+aesthetics+of+wilderness&stype=2&s=on http://pqdt.calis.edu.cn/SearchResults.aspx?pm=0&q=3018373 http://sfx.zzu.edu.cn:3410/sfxlcl41?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&genre=dissertations+%26+theses&sid=ProQ:&atitle=&title=The+natural+sublime%3A+Romanticism+and+the+aesthetics+of+wilderness&issn=&date=2001-01-01&volume=&issue=&spage=&au=Hitt%2C+Christopher+James&isbn=978-0-493-29504-6&jtitle=&btitle=&rft_id=info:eric/&rft_id=info:doi/ ____________________________________________________________ å‚考书目 ç´¢å¼•æ ·å¼: APA 6th - American Psychological Association, 6th Edition Hitt, C. 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