Aesthetic hedonism is the view that to be aesthetically good is to please. For most aesthetic hedonists, aesthetic normativity is hedonic normativity. This paper argues that Kant's third critique contains resources for a non-hedonic account of aesthetic normativity as sourced in autonomy as self-legislation. A case is made that the account is also Kant's because it ties his aesthetics into a key theme of his larger philosophy.

One question that leads us into aesthetics is: why does beauty matter? Or, what do aesthetic goods bring to my life, to make it a life that goes well? Or, how does beauty deserve the place we have evidently made for it in our lives? A theory of aesthetic value states what beauty is so as to equip us to answer this question. According to aesthetic hedonism, aesthetic values are properties of items that stand in constitutive relation to pleasure. Contemporary (...) versions of aesthetic hedonism don’t explain what makes aesthetic values aesthetic, but they do explain what makes them normative, stating what makes it the case that aesthetic value facts lend weight to what an agent should do, for the fact that acting yields pleasure is always a reason to act. This book introduces and defends an alternative to aesthetic hedonism. According to the network theory, aesthetic value facts lend weight to its being an achievement for an agent to act. Since agents achieve by acting in coordination with one another, the theory takes seriously the sociality of aesthetic activity. The main argument for the network theory is that it better explains six facts about aesthetic activity than does aesthetic hedonism. The book also discusses the relationship between aesthetic value and pleasure, the point and distinctive character of aesthetic discourse, and the metaphysics of aesthetic value. Two final chapters use the network theory to shed light on how aesthetic value matters to us as individuals and as members of collectives. (shrink)

Images are double agents. They receive information from the world, while also projecting visual imagination onto the world. As a result, mind and world tug our thinking about images, or particular kinds of images, in contrary directions. On one common division, world traces itself mechanically in photographs, whereas mind expresses itself through painting.1 Scholars of photography disavow such crude distinctions: much recent writing attends in detail to the materials and processes of photography, the agency of photographic artists, and the social (...) determinants of the production and reception of photographs. As such writing makes plain, photographs cannot be reduced to mechanical traces.2 Yet background conceptions of photography as trace or index persist almost by default, as no framework of comparable explanatory power has yet emerged to replace them. A conception of photography adequate to developments in recent scholarship is long overdue. Rather than constructing such a conception top-down, as philosophers are wont to do, this paper articulates it by examining selected works by James Welling.3 There are several reasons for this: Welling’s practice persistently explores the resources and possibilities of photography, the effect of these explorations is to express a particular metaphysics of the mind’s relation to its world, and appreciating why this metaphysics is aptly expressed by exploring photography requires a revised conception of what photography is. In as much as it provides a framework for a richer interpretation of Welling, the new conception is also capable of underwriting a wide range of critical and historical approaches to photography. (shrink)

An approach to the semantics of fiction that uses the tools of truth relativism provides an alternative to Meinongian and pretence-based approaches. The approach is consistent with the deep motivations of John Wood's Truth in Fiction.

Cooperation among arts scholars is thought to be hampered by the division of research on the arts into two cultures, one scientific, one humanistic. This paper proposes an alternative model for research into the arts wherein multiple levels of explanation focussed on well-bounded phenomena integrate research across academic disciplines. Two case studies of research that fits the model are presented.

Aesthetic preferences and practices vary widely between individuals and between cultures. How should aesthetics proceed if we take this fact of aesthetic diversity, rather than the presumption of aesthetic universality, as our starting point? How should we theorize the cultural origins and cultural basis of aesthetic diversity? How should we think about the value and normativity of aesthetic diversity? In an effort to model what the turn toward diversity might look like in aesthetic inquiry, each author defends a different account (...) of aesthetic diversity, and they engage in a collective dialogue about these issues. (shrink)

Feminists have always been concerned with how the clothes women wear can reinforce and reproduce gender hierarchy. However, they have strongly disagreed about what to do in response: some have suggested that the key to feminist liberation is to stop caring about how one dresses; others have replied that the solution is to give women increased choices. In this paper, we argue that neither of these dominant approaches is satisfactory and that, ultimately, they have led to an impasse that pervades (...) the contemporary feminist debate. The problem is that both sides of the debate understand women’s complicity in patriarchal subordination as a matter of what women wear and do. Instead, we propose a phenomenological analysis that understands complicity as based in our relations to our clothes. Starting from this phenomenological perspective, we sketch a new relational feminist ethics of dressing. This alternative ethical paradigm cannot yield a simple recipe for how to dress or tell us what garments are off-limits. But it can offer a way to make critical feminist judgements about clothes without veering into a stifling new prescriptivism. (shrink)

Theorists of aesthetic value since Hume have traditionally aimed to justify at least some comparative judgments of aesthetic value and to explain why we thereby have more reason to appreciate some aesthetic objects than others. I argue that three recent theories of aesthetic value—Thi Nguyen’s and Matthew Strohl’s engagement theories, Nick Riggle’s communitarian theory, and Dominic McIver Lopes’ network theory—face a challenge to carry out this explanatory task in a satisfactory way. I defend a monotonicity principle according (...) to which the strength of our aesthetic reasons to appreciate varies monotonically with aesthetic value and claim that these theories, because they do not respect the principle, are non-monotonic. If they cannot find a plausible way to preserve the link between the aesthetic goodness of an object and our aesthetic reasons to appreciate it, these non-monotonic theories should be rejected. (shrink)

A review of Aesthetic Life and Why It Matters (OUP, 2022), by Dominic McIver Lopes, Bence Nanay, and Nick Riggle. In this short but rich book, three leading specialists in aesthetics have teamed up to introduce the topic of aesthetics as a branch of value theory.

In recent years, online “involuntary celibate” or “incel” communities have been linked to various deadly attacks targeting women. Why do these men react to romantic rejection with not just disappointment, but murderous rage? Feminists have claimed this is because incels desire women as objects or, alternatively, because they feel entitled to women’s attention. I argue that both of these explanatory models are insufficient. They fail to account for incels’ distinctive ambivalence toward women—for their oscillation between obsessive desire and violent hatred. (...) I propose instead that what incels want is a Beauvoirian “Other.” For Beauvoir, when men conceive of women as Others, they represent them as simultaneously human subjects and embodiments of the natural world. Women function then as sui generis entities through which men can experience themselves as praiseworthy heroes, regardless of the quality of their actions. I go on to give an illustrative analysis of Elliot Rodger’s autobiographical manifesto, “My Twisted World.” I show how this Beauvoirian model sheds light on Rodger’s racist and classist attitudes and gives us a better understanding of his ambivalence toward women. It therefore constitutes a powerful and overlooked theoretical alternative to accounts centered on objectification and entitlement. (shrink)

One of the key insights of Simone de Beauvoir’s The Second Sex is the idea that gender-based subordination is not just something done to women, but also something women do to themselves. This raises a question about ethical responsibility: if women are complicit, or actively implicated in their own oppression, are they at fault? Recent Beauvoir scholarship remains divided on this point. Here, I argue that Beauvoir did, in fact, ethically criticize many women for their complicity, as a sign of (...) what she called “bad faith”. I challenge recent accounts by Nancy Bauer and Manon Garcia, who both read Beauvoir as exonerating complicit women. According to this reading, women emerge as human “freedoms” within a social world where a “destiny” of inferiority is already prepared for them. Their self-subordination is then an inevitable product of acting in a patriarchal world. I argue, however, that this interpretation generates a crucial tension, leading Bauer and Garcia to call on women to stop being complicit, while also claiming they cannot avoid complicity. I propose instead a different interpretation, on which feminine complicity is often fueled by criticizable ethical attitudes that are far from inevitable. By revisiting Beauvoir’s notion of “bad faith”, I show that this account is compatible with recognizing the limitations imposed on women’s agency and I show that this feminist ethical criticism is itself an important part of a collective project of social transformation. (shrink)

Nietzsche mobiliza recursos retóricos de natureza heterogênea em sua obra, que podem ser distribuídos em pelo menos quatro grandes rubricas: elementos que (1) incidem sobre a materialidade sonora e rítmica da linguagem (dimensão expressiva associada à prova ética); (2) orientam a adoção de um conjunto de estratégias argumentativas que variam conforme as necessidades filosóficas do momento (dimensão argumentativa ou dialética); (3) dizem respeito a escolhas relativas à forma de apresentação dos argumentos, ou à sua inserção no interior de diferentes gêneros (...) literários (aqui vale a tese do pluralismo defendida por Nehamas, pois Nietzsche explora as potencialidades de diferentes formas de apresentação para as suas ideias, sendo a principal delas um gênero híbrido que incorpora elementos do aforismo e do ensaio); finalmente, (4) retomam aspectos relativos à invenção (dimensão heurística do paradigma indiciário, com a valorização da inferência abdutiva). Neste artigo pretendo mostrar, através de uma caracterização sumária da prática discursiva de Nietzsche, assim como de uma rápida retomada de sua tematização da retórica, como essas diversas dimensões (expressiva, inventiva, argumentativa e expositiva) se integram em seu projeto filosófico, tornando-se uma parte constitutiva do mesmo. Essa leitura se contrapõe a uma tradição que nega relevância filosófica à dimensão retórica da obra de Nietzsche, relegando-a a uma suposta dimensão exotérica de seus escritos. Há formas implícitas e explícitas pelas quais um intérprete pode chegar a esse resultado. Dentre as formas implícitas de contornar o desafio retórico posto pela filosofia de Nietzsche, a mais célebre é a de Heidegger. Ela se funda em sua decisão filologicamente controversa, no limite indefensável, de conferir primazia aos póstumos em detrimento dos livros publicados pelo filósofo, que deveriam, segundo ele, ser tomados como fachada. Paul de Man representa a forma explícita dessa recusa, mas com resultados curiosamente próximos aos de Heidegger, ainda que movido por intenções filosóficas distintas. No presente ensaio recuso ambas as estratégias de evasão e procuro mostrar que os diversos aspectos retóricos presentes na obra de Nietzsche se integram de forma relativamente harmônica ao seu projeto filosófico de cunho perfeccionista. (shrink)

At the end of 2017, Kristen Roupenian’s short story, Cat Person, went viral. Published at the height of the #MeToo movement, it depicted a ‘toxic date’ and a disturbing sexual encounter between Margot, a college student, and Robert, an older man she meets at work. The story was widely viewed as a relatable denunciation of women’s powerlessness and routine victimization. In this paper, I push against this common reading. I propose an alternative feminist interpretation through the lens of Simone de (...) Beauvoir’s notion of narcissism: a form of alienation that consists in making oneself both the subject and the ultimate project of one’s life. Framing Margot as a narcissist casts her as engaging, not in subtly coerced, undesired sex, but rather in sex that is desired in a tragically alienated way. I argue that Beauvoir’s notion of narcissism is an important tool for feminists today – well beyond the interpretation of Cat Person. It presses us to see systematic subordination not just as something done to women, but also as something women do to themselves. This in turn highlights the neglected role of self-transformation as a key aspect of feminist political resistance. (shrink)

De uma perspectiva comportamentalista radical, o eu é um repertório verbal complexo, que, como tal, tem uma gênese social. O reconhecimento da origem social do “eu” abre caminho para uma análise política, incluindo uma discussão do pa- pel das relações de poder na constituição do eu. Entretanto, uma concepção radicalmente social do “eu”, como a proposta pelo comportamentalismo, suscita um problema político: se o eu é integralmente produto do ambiente social, de onde viria uma eventual “vontade” de romper com esse (...) sistema? Parece que para reconhecer a possibilidade de ação política transformadora seria preciso preservar uma noção descontextualizada de “eu”. Considerando essa dificuldade, o objetivo deste artigo é propor uma interpretação política da constituição do “eu” no âmbito do comportamentalismo radical, mantendo no horizonte a possibilidade de uma ação política transformadora. Para tanto, destacamos como “eus” oprimidos são tornados submissos, mas também como de certas contingências podem emergir “eus” subversivos, que se opõem a um sistema social opressivo. Esse “eu” subversivo é caracterizado por um repertório de autoconhecimento mais amplo, que inclui a discriminação do papel das relações de poder e do controle promovido por instituições. Concluímos, com isso, que um “eu” socialmente constituído pode ser politicamente ativo. (shrink)

This chapter begins by sketching an account of morally responsible agency and the general conditions under which it may fail. We discuss how far individuals with psychiatric diagnoses may be exempt from morally responsible agency in the way that infants are, with examples drawn from a sample of diagnoses intended to make dierent issues salient. We further discuss a recent proposal that clinicians may hold patients responsible without blaming them for their acts. We also consider cognitively impaired subjects in the (...) light of related issues in moral and political theory, asking whether they have been unjustly excluded from liberal conceptions of political community due to their presumed lack of agency. (shrink)

Bertrand Russell was neither the first nor the last philosopher to engage in serious theorizing about propositions. But his work between 1903, when he published The Principles of Mathematics, and 1919, when his final lectures on logical atomism were published, remains among the most important on the subject. And its importance is not merely historical. Russell’s rapidly evolving treatment of propositions during this period was driven by his engagement with – and discovery of – puzzles that either continue to shape (...) contemporary theorizing about propositions, or ought to do so. Russell’s creative responses to these puzzles also laid the foundation for many later accounts (most obviously, contemporary ‘Russellian’ accounts of propositions). In this entry we provide an opinionated overview of Russell’s influential treatment of propositions, with a focus on the evolution of his views from 1903 to 1919. A growing secondary literature is dedicated to Russell’s changing views during this period, and their often complex or opaque motivations. We do not intervene overmuch in this ongoing scholarly discussion. Instead, our aim is to trace some of the central motivations for Russell’s evolving views, and highlight the extent to which these motivations remain relevant to contemporary theorizing about propositions. (shrink)

The paper examines the relationships between the contents of imaginative episodes and the mental images that often play a central role within them. It considers, for example, whether the presence of mental imagery is required for a mental episode to count as an imagining.

We often ascribe possibility to the scenes that are displayed by mental or nonmental sensory images. The paper presents a novel argument for thinking that we are prima facie justified in ascribing metaphysical possibility to what is displayed by suitable visual images, and it argues that many of our imagery‐based ascriptions of metaphysical possibility are therefore prima facie justified. Some potential objections to the arguments are discussed, and some potential extensions of them, to cover nonvisual forms of imagery and nonmetaphysical (...) forms of possibility, are endorsed. (shrink)

Williamson has argued against scepticism concerning our metaphysically modal knowledge, by arguing that standard patterns of suppositional reasoning to counterfactual conclusions provide reliable sources of correct ascriptions of possibility and necessity. The paper argues that, while Williamson’s claims relating to necessity may well be right, he has not provided adequate reasons for thinking that the familiar modes of counterfactual reasoning to which he points generalise to provide a decent route to ascriptions of possibility. The paper also explores another path to (...) ascriptions of possibility that may be extracted from Williamson’s ideas, before briefly considering the general status of counterfactual reasoning in relation to our knowledge of possibilities. (shrink)

The representations of deep convolutional neural networks (CNNs) are formed from generalizing similarities and abstracting from differences in the manner of the empiricist theory of abstraction (Buckner, Synthese 195:5339–5372, 2018). The empiricist theory of abstraction is well understood to entail infinite regress and circularity in content constitution (Husserl, Logical Investigations. Routledge, 2001). This paper argues these entailments hold a fortiori for deep CNNs. Two theses result: deep CNNs require supplementation by Quine’s “apparatus of identity and quantification” in order to (1) (...) achieve concepts, and (2) represent objects, as opposed to “half-entities” corresponding to similarity amalgams (Quine, Quintessence, Cambridge, 2004, p. 107). Similarity amalgams are also called “approximate meaning[s]” (Marcus & Davis, Rebooting AI, Pantheon, 2019, p. 132). Although Husserl inferred the “complete abandonment of the empiricist theory of abstraction” (a fortiori deep CNNs) due to the infinite regress and circularity arguments examined in this paper, I argue that the statistical learning of deep CNNs may be incorporated into a Fodorian hybrid account that supports Quine’s “sortal predicates, negation, plurals, identity, pronouns, and quantifiers” which are representationally necessary to overcome the regress/circularity in content constitution and achieve objective (as opposed to similarity-subjective) representation (Burge, Origins of Objectivity. Oxford, 2010, p. 238). I base myself initially on Yoshimi’s (New Frontiers in Psychology, 2011) attempt to explain Husserlian phenomenology with neural networks but depart from him due to the arguments and consequently propose a two-system view which converges with Weiskopf’s proposal (“Observational Concepts.” The Conceptual Mind. MIT, 2015. 223–248). (shrink)

Kripkean examples of necessary a posteriori truths clearly provide a challenge to attempts to connect facts about possibility to facts about what people can conceive. The paper argues for a general principle connecting imaginability under certain special circumstances to possibility; it also discusses some of the issues raised by the resulting position.

(Open Access article, freely available to download from publisher's site.) Our visual experiences of objects as located in external space, and as having definite three-dimensional shapes, are closely linked to our implicit expectations about what things will look like from alternative viewpoints. What sorts of contents do these expectations involve? One standard answer is that they relate to what things will look like to us upon changing our positions. And what sorts of mental representations do the expectations call upon? A (...) standard answer is that they involve our powers of visual imagery; this answer requires us to allow for the possibility of unconscious visual imagery, however. The current paper presents an alternative model of the contents of our implicit visual expectations, one that regards them as wholly nonreflexive. It also argues that, once we ascribe the relevant contents to the expectations, there is no longer any reason for holding that they involve our powers of visual imagery. (shrink)

This essay examines the possibility that phenomenological laws might be implemented by a computational mechanism by carefully analyzing key passages from the Prolegomena to Pure Logic. Part I examines the famous Denkmaschine passage as evidence for the view that intuitions of evidence are causally produced by computational means. Part II connects the less famous criticism of Avenarius & Mach on thought-economy with Husserl's 1891 essay 'On the Logic of Signs (Semiotic).' Husserl is shown to reaffirm his earlier opposition to associationist (...) (Humean) and adaptationist (Darwinian) explanations of our thought-machine on the ground that they cannot reconstruct the notion of truth and its syntactic mental preservation in symbolic thought-trains. Part III reveals Husserl's interesting commitment to the idea that descriptive sciences necessarily transform into explanatory sciences on pain of contradicting the essence of science as a rational ideal. Since explanation in relation to phenomenology means causal explanation, and causal explanation in the form of the Denkmaschine accounts for phenomenological intuition, it is inferred that the rationally compelling ideal of explanatory science requires a computationalist reading of the subsequent logical investigations. (shrink)

Yoshimi has attempted to defuse my argument concerning the identification of network abstraction with empiricist abstraction - thus entailing psychologism - by claiming that the argument does not generalize from the example of simple feed-forward networks. I show that the particular details of networks are logically irrelevant to the nature of the abstractive process they employ. This is ultimately because deep artificial neural networks (ANNs) and dynamical systems theory applied to the mind (DST) are both associationisms - that is, empiricist (...) theories that derive the principles of thought from the causal history of the organism/system. On this basis, I put forward a new aspect of the old argument by noting that ANNs & DST are the causal bases of the phenomena of passive synthesis, whereas the language of thought hypothesis (LOT) and the symbolic computational theory of mind (CTM) are the causal bases of the phenomena of active synthesis. If the phenomena of active synthesis are not distinct in kind from and are thus reducible to those of passive synthesis, psychologism results. Yoshimi’s program, insofar as it denies this fundamental phenomenological distinction, is revealed to be the true anti-pluralist program, by essentially denying the causal efficacy of the mechanistic foundations of active synthesis by referring phenomenology exclusively to associationism for its causal foundation. (shrink)

Visualizings, the simplest imaginings which employ visual imagery, have certain characteristic features; they are perspectival, for instance. Also, it seems that some but not all of our visualizings are imaginings of seeings. But it has been forcefully argued, for example by M.G.F. Martin and Christopher Peacocke, that all visualizings are imaginings of visual sensations. I block these arguments by providing an account of visualizings which allows for their perspectival nature and other features they typically have, but which also explains how (...) we can visualize things without thereby imagining visual sensations. (shrink)

Why do we tend to ascribe possibility to what we can imagine? One strategy for answering that question involves the thought that, just as sensory episodes often involve its seeming to us as though the world is certain ways, so imaginings involve its seeming to us that what we have imagined is possible. This chapter argues that while some imaginings do feature appearances of possibility, very many others do not; and it explores the broader relevance of its conclusions for modal (...) epistemology. (shrink)

This paper compares Nietzsche ́s views on the relationship between philosophical reflection and empirical sciences against the background of some of the debates in the so-called transcendental tradition, in order to characterize his position in terms of a liberal kind of methodological naturalism. Initially, it will be shown that there are some similarities between the debates in the German academic philosophy of the second half of the nineteenth century and the Postquinean contemporary debates on naturalism. I discuss subsequently F. A. (...) Lange ́s historical views concerning the emergence of methodical discipline within the materialistic tradition, as well as Nietzsche ́s reception of them. Next, I present Spir ́s arguments against the naturalizing programs of his time, as well as Nietzsche ́s response to him. In the last section, I discuss the meaning of Nietzsche ́s orientation to a speculative philosophy of the will to power in his late works and whether it is compatible or not with his more liberal conception of naturalism mainly supported in his middle period works. (shrink)

Public reason liberalism is the political theory which holds that coercive laws and policies are justified when and only when they are grounded in reasons of the public. The standard interpretation of public reason liberalism, consensus accounts, claim that the reasons persons share or that persons can derive from shared values determine which policies can be justified. In this paper, I argue that consensus approaches cannot justify fair educational policies and preserving cultural goods. Consensus approaches can resolve some controversies about (...) teaching values in the educational system, such as curriculum choice. But they cannot determine which culture goods, e.g., architecture, artwork, or language ought to be preserved in the education system. Consensus approaches cannot fairly resolve competing claims about these kinds of disputes. -/- I propose that convergence accounts of public reason, which allow individuals to draw on their own comprehensive doctrines in limited ways, can remedy these weaknesses in the mainline public reason tradition. The convergence approach can justify a pluralist state that can advance valuable community goods. John Henry Newman’s advocacy of liberal arts education finds resonance in other cultures, notably among Confucians, illustrating that there can be a shared moral vision and inquiry into the good life across deep substantive disagreements about educational values and policies, once we expand our notion of justification to be more inclusive. (shrink)

The addition of "actually" operators to modal languages allows us to capture important inferential behaviours which cannot be adequately captured in logics formulated in simpler languages. Previous work on modal logics containing "actually" operators has concentrated entirely upon extensions of KT5 and has employed a particular modeltheoretic treatment of them. This paper proves completeness and decidability results for a range of normal and nonnormal but quasi-normal propositional modal logics containing "actually" operators, the weakest of which are conservative extensions of K, (...) using a novel generalisation of the standard semantics. (shrink)

Some philosophers—for example, Husserl, Alva Noë and Susanna Siegel—have claimed that the contents of visual sensations standardly include references to the later visual episodes that one would have under certain conditions. The current paper claims that there are no good reasons for accepting that view. Instead, it is argued that the conscious phenomena which have been cited as manifesting the presence within visual contents of references to ways that things would look in the course of later visual sensations are better (...) explained in another manner: in terms of references within the contents of ordinary visual sensations to ways that things actually then look from various perspectives. (shrink)

[Open Access.] Perceptual experiences have presentational phenomenology: we seem to encounter real situations in the course of visual experiences, for instance. The current paper articulates and defends the claim that the contents of at least some perceptual experiences are inherently presentational. On this view, perceptual contents are not always forceless in the way that, say, the propositional content that 2 + 2 = 4 is generally taken to be, as a content that may be asserted or denied or merely supposed; (...) rather, there are perceptual contents such that any mental state or episode which has the relevant content must be one in which things seem to the given subject to be a certain way. Intuitive motivation for the view is presented and an explanatory line of argument in support of it is developed: it is argued that the recognition of inherently presentational perceptual contents allows us to explain certain representational limitations to which ordinary visualizations and other forms of perceptual mental imagery are subject. Some potential objections to the position are explored, leading to further elaboration of it. (shrink)

The literature has indicated some approximations between Skinner’s and Wittgenstein’s proposals, such as a critical standpoint on traditional psychological language conceptions. For Wittgenstein, the critique refers to the impossibility of a private language. On the other hand, Skinner’s critique culminates in defense of the concept of private events. However, this concept seems inconsistent with Wittgenstein’s proposal. Based on this assumption, this paper aims to reevaluate the role of the concept of ‘private events’ in Skinnerian behaviorism in the light of Wittgenstein’s (...) critical discussions. For this, Wittgenstein’s and Skinner’s proposals were systematically compared. It is concluded that the concept of private events is not to escape Wittgenstein’s criticisms of the traditional psychological language. (shrink)

Interpreters of Hume on causation consider that an advantage of the ‘quasi-realist’ reading is that it does not commit him to scepticism or to an error theory about causal reasoning. It is unique to quasi-realism that it maintains this positive epistemic result together with a rejection of metaphysical realism about causation: the quasi-realist supplies an appropriate semantic theory in order to justify the practice of talking ‘as if’ there were causal powers in the world. In this paper, I problematise the (...) quasi-realist reading of Hume on causation by showing how quasi-realism does not speak to inductive scepticism. I also offer evidence that Hume takes inductive scepticism to result from his theory of causation, and that his scepticism is tied to his rejection of metaphysical causal realism. (shrink)

O presente texto tem por simples objectivo o comentário sistemático ao capítulo 2 do Livro V da Metafísica de Aristóteles, onde o autor apresenta uma sistematização sobre o chamado modelo das quatro causas. Teremos também no horizonte de análise o famoso capítulo 3 do Livro I do mesmo tratado, onde Aristóteles inicia a crítica à tradição precedente justamente à luz deste modelo de causalidade. O objectivo é apenas comentar e esclarecer o texto original, cujas hesitantes formulações podem levantar alguns obstáculos (...) de interpretação. (shrink)

I examine two startling claims attributed to some philosophers associated with Megara on the Isthmus of Corinth, namely: Ml. Something possesses a capacity at t if and only if it is exercising that capacity at t. M2. One can speak of a thing only by using its own proper A6yor;. In what follows, I will call the conjunction of Ml and M2 'Megaricism' .1 The lit­ erature on ancient philosophy contains several valuable discussions of Ml and M2 taken individually .2 (...) But there is no discussion of them together, much less of their logical relations. I intend to remedy that lack, and to show why it is a lack worth remedying. My aims are both philosophical and historical. Inevitably, in saying anything new and interesting about Megaric views, I will be adopting assumptions scarcely free from controversy, and indulging in quite a bit of charitable recon­ struction. But the resulting picture is of considerable interest. For it explains why, although Ml and M2 seem to have little to do with one another, it is in fact small wonder that anyone who held one would hold the other, for, as I attempt to show, they entail each other. It explains why the Megarics are associated in the primary literature with the names of such diverse philosophical ancestors as Parmenides and Protagoras. And it explains why, although they are both false, Ml and M2 were claims taken seriously by both Plato and Aristotle, who in developing their own views on modality and language saw reason to mention Megaricism, and to argue against it. (shrink)

This paper discusses two theses about Plato that Nietzsche defends in his lectures on the Athenian philosopher offered by him at the University of Basel during the 1870s. Nietzsche’s first claim concerns Plato’s philosophy: relying on Aristotle, Nietzsche holds that Plato was initially brought to a metaphysically motivated version of scepticism as a result of his affiliation to the Cratilian interpretation of Heraclitus. Although the Socratic method of defining and testing concepts as well as its metaphysical complement, the theory of (...) Forms, has allowed Plato to overcome this kind of metaphysically motivated scepticism, Nietzsche argues that such an overcoming is only provisional if one needs to accept the authenticity of Parmenides, then the arguments displayed in this later dialogue lead to a sceptical conclusion regarding the theory of Forms. The second claim advanced by Nietzsche in his lectures concerns Plato’s philosophical character, which is identified with the figures of the legislator and the political reformer. According to Nietzsche, all of Plato’s philosophical commitments must ultimately be interpreted in the light of his political project, for here there is no place for scepticism anymore. (shrink)

This paper addresses the following problem: to what extent do ontological considerations about musical works affect our evaluation of performances of those works? I argue for the claim that at least some important grounds on which performances are evaluated are specific to them, in that these grounds are either independent from, or related but not fully determined by, the properties of the works they are of. In the first part of the paper, I explore the relations between good-making features of (...) works and of performances of them. The second and third parts develop two kinds of example in favour of the claim above. In the last part, I discuss the significance of those examples in relation to the ways in which performances are assessed, and explore some further ramifications of them. (shrink)

This article considers two alternative responses to the question of the motivation behind the suspensive argumentation developed by the Pyrrhonic version of the ancient scepticism and also shows their respective difficulties: a) the therapeutic motivation, that takes the suspension of assent for the condition to reach not only a state of mental tranquillity concerning matters of opinion but also a moderate attitude towards passions; b) the epistemic motivation, which states that the suspension corresponds to the unique possibility to preserve philosophical (...) life in the absence of rational criteria to decide among competing philosophical theories. The latter kind of motivation, which consists in creating propitious conditions for the search for the truth, has nothing to do with the methodic motivation characterizing the modern reception of ancient scepticism. Although this motivation was not present in the Pyrrhonic scepticism, it could not be unknown to the academic sceptics because of their Socratic origins. (shrink)

This is the first of a series of papers in which I present a defense of moderate objectivism about the evaluation of performances of musical works in the Western classical tradition.

Nota do tradutor: O escopo da psicologia é o primeiro capítulo do tratado The principles of psychology (Os princípios de psicologia) de William James (1842-1910), publicado originalmente em 1890. Nesse capítulo inaugural, James enfrenta uma questão central e perene na psicologia: a necessidade (e dificuldade) da demarcação do campo psicológico. Como representante de uma tradição que ainda falava da psicologia no singular, James vê na multiplicidade de assuntos, métodos e problemas da psicologia um desafio para uma disciplina que se pretendia (...) científica. De um lado, era necessário assumir o caráter plural dos assuntos que merecem ser agrupados pela palavra psicologia, negando um reducionismo grosseiro, que, em favor de uma integração teórica, alijasse a “vida mental” de sua riqueza imanente. De outro lado, havia ainda a esperança de uma sistematização que pudesse evitar a completa fragmentação do campo psicológico. A história parece ter mostrado que a preocupação de James era, de fato, legítima, pois o que se viu a partir do século XX foi o fracasso de diferentes sistemas de psicologia, levando a um círculo vicioso no qual a dificuldade de demarcação do campo psicológico fragmenta cada vez mais a psicologia, o que, por sua vez, torna ainda mais distante a possibilidade de se encontrar critérios que possam sistematizar toda essa diversidade. Nesse sentido, O escopo da psicologia não é apenas uma introdução ao livro Os princípios de psicologia, mas uma introdução à psicologia moderna. (shrink)

The aim of the present article is to display and debate the main interpretive and philosophical claims defended by Simon Robertson in his Nietzsche and Contemporary Ethics. Robertson presents innovative and stimulating arguments that might interest primarily readers willing to better understand the Nietzschean moral theory and researchers interested in broader issues of contemporary moral theory, particularly in the analytic tradition. The author covers the main debates in the area, taking sides in disputes going on in normative theory, metaethics, moral (...) psychology and Nietzschean studies. Robertson mobilizes a set of interpretive and (purely) philosophical arguments, which deliver to the reader a final picture of Nietzsche’s perfectionist ideal. It is a theoretically consistent ideal that can be endorsed as a relevant alternative in the contemporary landscape of ethical theories. This alternative involves a powerful critique of the normative authority of morality, a sentimentalist moral psychology, a conception of the good life that combines the goods of excellence and flourishing, a modest conception of normativity that brings together internalist and externalist elements, and, finally, an irrealist metaethics that differs both from realism (which presupposes ontologically robust normative properties)and from reformist views (such as fictionalism and non-cognitivism). The article reconstructs Robertson's main arguments in favour of this set of claims, seeking to assess (1) to what extent they are convincing, both in their philosophical and interpretive ambitions and (2) how capable his methodological choices are to address critical challenges. (shrink)

The first part of my paper offers a brief characterization of what I call the non-hegemonic tradition of interpretation of Nietzsche's metaphilosophical program. In the second part, I suggest some small adjustments in the main argument of this tradition of interpretation. In general terms, the non-hegemonic tradition can be characterised by the claim that Nietzsche is a legitimate heir of the metaphilosophical programme first formulated by Friedrich Albert Lange in his ˜History of Materialism and Critique of its Significance for the (...) Present". None of the main interpreters of Nietzsche that I affiliate with this tradition of interpretation has formulated this claim quite explicitly, but I do not think that this characterization is inappropriate and I submit they could all accept it in the terms put forward in the present article. The main thesis states that Lange provides Nietzsche not so much with substantive theses as with the formal aspects of a philosophical programme whose content is drawn from other sources. This is the case, for example, in the attempt (in his early works) to mobilise Schopenhauer's metaphysics without committing himself to his epistemic claims. The attempt to execute this programme is surrounded by tensions that result not so much from Lange's sceptical theses as from what ultimately motivates them: the imperative of intellectual consciousness. This conflict remains unresolved as long as Nietzsche remains committed to the thesis of practical idealism according to which it is up to philosophy to satisfy certain metaphysical needs that are anthropologically unavoidable. The commitment to this anthropological thesis is what effectively places the young Nietzsche in the company of Kant, Schopenhauer and Lange. As soon as Nietzsche has abandoned this youthful commitment, he is prepared to revise his metaphilosophical convictions. (shrink)

Este artigo aborda as principais teorias sobre a natureza metafísica das obras de arte, cobrindo as propostas eliminativistas, monistas e pluralistas. Entre estas últimas, é dado destaque ao trabalho sobre a ontologia das artes performativas, e em particular, da música. Termina-se com uma referência à recente viragem da discussão para o campo da meta-ontologia e a polémica sobre a plausibilidade do revisionismo ontológico no caso de artefactos ou objectos sociais.

This paper discusses two theses about Plato that Nietzsche defends in his lectures on the Athenian philosopher offered by him at the University of Basel during the 1870s. Nietzsche’s first claim concerns Plato’s philosophy: relying on Aristotle, Nietzsche holds that Plato was initially brought to a metaphysically motivated version of scepticism as a result of his affiliation to the Cratilian interpretation of Heraclitus. Although the Socratic method of defining and testing concepts as well as its metaphysical complement, the theory of (...) Forms, has allowed Plato to overcome this kind of metaphysically motivated scepticism, Nietzsche argues that such an overcoming is only provisional if one needs to accept the authenticity of Parmenides, then the arguments displayed in this later dialogue lead to a sceptical conclusion regarding the theory of Forms. The second claim advanced by Nietzsche in his lectures concerns Plato’s philosophical character, which is identified with the figures of the legislator and the political reformer. According to Nietzsche, all of Plato’s philosophical commitments must ultimately be interpreted in the light of his political project, for here there is no place for scepticism anymore. (shrink)

Colonialism’s legacy in South Africa includes persistent economic inequality which, since the country’s universities charge fees, bars many from higher education, perpetuating the marginalisation of those previously disadvantaged by the apartheid regime. In 2015-6, country-wide unrest raged across university campuses, as students protested the yearly cycle of tuition increases under the slogan #FeesMustFall, demanding “free, decolonised education”. Protests ended in December 2017 when the government announced a sliding-scale payment policy alleviating the economic burden for poorer students. This paper sets the (...) #FMF movement and its twin demands within the context of decoloniality, and argues that while free education has been achieved, imagining and implementing decolonised education for South Africa in an increasingly globalised world is a more challenging, elusive goal. (shrink)

A hipótese que procuro defender neste ensaio é a seguinte: a famosa expressão " Am Leitfaden des Leibes", que surge nos póstumos de 1884 e desaparece um ano depois, contabilizando pouco mais de dez ocorrências no conjunto dos fragmentos póstumos e nenhuma na obra publicada, é uma expressão cujo sentido e intenção devem ser desvendados tendo como pano de fundo o crescente interesse de Nietzsche, na virada da primeira para a segunda metade dos anos oitenta, na reabilitação da atividade especulativa. (...) Minha segunda hipótese é que, ao cunhar esta expressão, Nietzsche se inspira na reivindicação metodológica de Schopenhauer, segundo a qual o corpo é o único fio condutor que nos resta se queremos nos mover com alguma segurança pelo labirinto da especulação. Por "corpo próprio‘" (Leib), Schopenhauer designa um tipo específico de experiência intuitiva que teria sido negligenciada por Kant: a experiência do conjunto de nossa vida afetiva. Segundo a minha hipótese, a partir da segunda metade dos anos oitenta Nietzsche estaria disposto a reconhecer que a intuição metodológica de Schopenhauer estava correta. O erro de Schopenhauer teria consistido simplesmente em partir de uma concepção equivocada do corpo e do tipo de acesso que temos a ele. A divergência, portanto, não incidiria sobre o método próprio à especulação, mas sobre o conteúdo ao qual o método se aplicaria, ou seja, sobre a representação do corpo próprio e dos traços que lhe seriam essenciais. Persistem as divergências quanto ao que implica seguir este preceito metódico (por exemplo, sobre o que deve e o que não deve ser evitado no antropomorfismo subjacente ao método de projeção analógica), ou quanto ao meio mais apropriado de se obter uma representação do corpo próprio. Segundo Schopenhauer, nós teríamos uma intuição do que é essencial no corpo mediante a experiência imediata do querer. Segundo Nietzsche, somente após um longo e penoso processo que envolve tanto a investigação empírica quanto a reflexão conceitual chegamos a alguns resultados tímidos. Portanto, mesmo a especulação que se serve do corpo como fio condutor representa uma extrapolação em relação ao que estaríamos autorizados a inferir em um ambiente epistemicamente mais rigoroso. E isso não apenas pela razão de que a inferência analógica é por si mesma uma inferência logicamente abusiva (mas tolerável, na ausência de outro recurso), mas também pelo fato de que aquilo que serve de base para a inferência analógica é uma imagem seletiva e arbitrariamente construída, cuja legitimidade epistêmica, mesmo quando restrita ao domínio da fisiologia humana, é apenas relativa. Estas considerações fornecem parte das razões (as de ordem epistêmica) de porque Nietzsche nunca conseguiu se persuadir inteiramente de que o seu projeto de reabilitação da filosofia especulativa era legítimo. Esta indecisão o levou a postergar e, segundo alguns intérpretes, a finalmente abandonar a sua execução, ou pelo menos a sua tradução em uma obra literária sistemática. (shrink)