Jorge Luis Borges displays an ambivalence in his writings towards the reality of time’s flow. On the one hand, he seems to accept arguments from various thinkers refuting the reality of time. “And yet, and yet…” Borges appears unable to feel completely reconciled to such a view of time. I argue that this is because a view that refutes time denies the observer too along with it. I conclude with demonstrating how Borges, by trying to identify a reconciliation between a (...) refutation of time and acknowledgment of its reality, addressed this problem. (shrink)

In this paper I discuss how Borges uses his ideas on selfhood to explore the “central problem of literature” that Andre Maurois highlighted and how in the process projects to the reader his idea of reality. I argue also that the self that Borges tries to present in his work may nevertheless not be always congruent with the self he may have wanted to convey. This is because his quest is influenced by a number of factors, not least the fact (...) that the self-creation process is affected by our interplay with the external world. (shrink)

Is aesthetics only about art that is beautiful as conventionally understood? If not, what purpose does art that may not be so serve?

In this article I consider the idea that Glasersfeld’s “radical constructivism” offers an ideal framework for putting in place such a reality of the best fit for us. Along with this, I examine also the fundamental biological and epistemological limitations that we are faced with when trying to fathom objective reality and, secondly, the inescapable gap between language – which we use as a primary cognitive tool in our attempt to comprehend the world. The paper then show that literature – (...) especially fiction – best meets the criteria for addressing these gaps and constructing such a model of reality in line with what radical constructivism proposes. (shrink)

In this essay I argue that art is able to open a new window on to reality only when art can transcend reason and the confines of language. Moreover, both logic and language have their limitations when used as tools for the creation of meaning and that art helps us overcome these inadequacies in the way it transcends — or even transgresses — the absolutes that underpin our “rational” view of the world. Lastly, the violation of the strictures of logic (...) by art is also emblematic of art’s heightened awareness of certain unique features of reality — in particular, its dynamic and fluid nature — which are not normally readily visible to a mind tied to thinking in terms only of binary truth values. (shrink)

Poet and philosopher Fernando Pessoa (1888-1935) described himself as someone who is an “exile from the country of which he had always considered himself a citizen…” Is it apposite to associate exile with someone who — apart from spending nine years in South Africa during his youth — essentially never stirred out of his native Portugal? This essay examines this question by comparing Pessoa to another famous exile, Albert Camus.

The development of manufacturing technologies for new materials involves the generation of a large and continually evolving volume of information. The analysis, integration and management of such large volumes of data, typically stored in multiple independently developed databases, creates significant challenges for practitioners. There is a critical need especially for open-sharing of data pertaining to engineering design which together with effective decision support tools can enable innovation. We believe that ontology applied to engineering (OE) represents a viable strategy for the (...) alignment, reconciliation and integration of diverse and disparate data. The scope of OE includes: consistent capture of knowledge pertaining to the types of entities involved; facilitation of cooperation among diverse group of experts; more effective ongoing curation, and update of manufacturing data; collaborative design and knowledge reuse. As an illustrative case study we propose an ontology focused on the representation of composite materials focusing in particular on the class of Functionally Graded Materials (FGM) in particular. The scope of the ontology is to provide information about the components of such materials, the manufacturing processes involved in creation, and diversity of application ranging from additive manufacturing to restorative dentistry. The ontology is developed using Basic Formal Ontology (BFO) and the Ontology for Biomedical Investigations (OBI). (shrink)

This paper is a commentary on the target article by Lokendra Shastri & Venkat Ajjanagadde [S&A]: “From simple associations to systematic reasoning: A connectionist representation of rules, variables and dynamic bindings using temporal synchrony” in same issue of the journal, pp.417–451. -/- It puts S&A's temporal-synchrony binding method in a broader context, comments on notions of pointing and other ways of associating information - in both computers and connectionist systems - and mentions types of reasoning that are a challenge (...) to S&A's system (amongst many other connectionist systems, recognizing that S&A's is much more capable as regards reasoning than most other contemporary systems). (shrink)