The article considers the problem of the meaning of a musical discourse from the perspec-tive of hermeneutic phenomenology. The analysis is based on the collected essays by Paul Ricoeur, included in the book 'Language, Text, Interpretation'. The author of the article aims at contextualization of such terms as discourse, event, meaning, distance, appropriation, interpretation, self-understanding, projection of ‘the world of work’ and the projection of the possibility of ‘being-in-the-world’ with reference to a musical work of art.

Since Ricoeur has largely been identified with hermeneutics, he is very seldom associated with critical theory – a regrettable case since his hermeneutics actually holds the access to his critical theory. Hence in this paper I will explore the critical side of Ricoeur’s hermeneutics within the sphere of his interpretation of symbols. It is hoped that through this venture some of the aspects of the frequently ignored, disregarded, and forgotten relationship between Ricoeur’s hermeneutics and critical theory, will (...) be brought to light. (shrink)

Presents Ricoeurs theory of metaphor as an attempt to give a conceptual analysis of metaphor and discusses various criticisms.

This paper argues that Paul Ricoeur’s hermeneutical philosophy attempts to reopen the question of human transcendence in contemporary terms. While his conception of language as self-transcending is deeply Husserlian, Ricoeur also responds to the analytical challenge when he deploys a basic distinction in Fregean logic in order to clarify Heidegger’s phenomenology of world. Ricoeur’s commitment to a transcendental view is evident in his conception of narrative, which enables him to emphasize the role of the performative in literary (...) reading. The meaning of the self in time provides Ricoeur with a discursive basis for distinguishing his own position from that of Kant and other philosophers in the transcendental tradition. (shrink)

Ricoeur’s application of phenomenology to the existential human condition brings us to an understanding of human freedom in the light of an embodied human existence that is acting or willing or choosing freely, voluntarily, and responsibly. Human will is not therefore a concept or an abstract manipulated by the powers of the intellectuals. Rather, it is about man’s action, his agency, his being a doer, the one willing, instead of being just the one thinking or loving. Likewise, Ricoeur’s (...) recourse to existentialism sheds light to our faulted condition. We could say of a negation of man as a willing being: while man is capable of willing, he wills with recognition of his limitations. He always wills within the bounds of his finitude. Indeed, there is always this tension yet there is also this fusion. Nonetheless, it is possible for man to live in this contradiction as contradictions. Man is harmonic in contradictions. His will is always his ability, not his in- or dis-ability. (shrink)

In this paper, I aim to show that the critical appropriation of political power can be a potential tool in transforming political structures into just institutions. To achieve this aim, I will employ Ricoeur's hermeneutics of symbols because in his different political essays, he consistently regards political power as akin to a symbol. Thus, for him, the critical appropriation of political power requires a hermeneutical procedure. And so in my discussion, I will devote one section for Ricoeur's hermeneutics (...) of symbols, one for his thoughts on political power, and another one for the critical appropriation of political power through the hermeneutics of symbols. To put Ricoeur's political and hermeneutical thoughts in a better light, I will introduce these sections with a separate section on his philosophical anthropology. In my conclusion, I will affirm that transforming political structures into just institutions is very much possible through the critical appropriation of political power. It is such a potential tool in effecting these transformations because the critical appropriation of political power involves a hermeneutical procedure that follows a three-step process of reflection. And reflection, which makes way for the critical appropriation of political power, is what ensures that power rests only in the hands of those who are more likely to advance the common good, resulting into a greater possibility for the transformation of political structures into just institutions. (shrink)

This contribution offers an analysis of the essays gathered and published by François Courtine in 1992 (Phénoménologie et Théologie), and authored by Jean-Louis Chrétien, Michel Henry, Jean-Luc Marion, and Paul Ricoeur. Attention is paid to the possibility of investigating the phenomena of the ‘religious sphere’, by taking into account the historical-cultural context typical of contemporary society, the role of art, and the problem of intersubjectivity. -/- .

This essay examines Paul Ricœur’s views on recognition in his book The Course of Recognition . It highlights those aspects that are in some sense surprising, in relation to his previous publications and the general debates on Hegelian Anerkennung and the politics of recognition. After an overview of Ricœur’s book, the paper examines the meaning of “recognition” in Ricœur’s own proposal, in the dictionaries Ricœur uses, and in the contemporary debates. Then it takes a closer look at the ideas of (...) recognition as identification and as “taking as true.” Then it turns to recognition (attestation) of oneself, in light of the distinction between human constants (and the question “What am I?”), and human variables (and the question “Who Am I?”). The last section concerns the dialectics of struggles for recognition and states of peace, and the internal relationship between the contents of a normative demand and what counts as satisfying the demand. . (shrink)

Of the theologians and philosophers now writing on biblical narrative, Hans Frei and Paul Ricoeur are probably the most prominent. It is significant that their views converge on important issues. Both are uncomfortable with hermeneutic theories that convert the text into an abstract philosophical system, an ideal typological structure, or a mere occasion for existential decision. Frei and Ricoeur seem knit together in a common enterprise; they appear to be building a single narrative theology. I argue that the (...) appearance of symmetry is an illusion. There is a fundamental conflict between the ‘pure narrativism’ of Frei and the ‘impure narrativism’ of Ricoeur. I give reasons for thinking that Ricoeur’s is the stronger position. (shrink)

English title: Ricoeur and Derrida — the Heritage of Death. In this article the author juxtaposes two different attempts of defending life against Heidegger’s horizon of death (Sein zum Tode) (the survie (survival) of Jacques Derrida and the “Living up to Death” of Paul Ricoeur). Their false proximity introduces a new insight into the discussion about the paradoxical positiveness of deconstruction. Ricoeur’s concept of life makes impossible the understanding of deconstruction as faithfulness to the other not in (...) his identity, but precisely in his otherness. (shrink)

This paper focuses on the rule of metaphor in Paul Ricoeur's philosophy of language. In his MultiDisciplinary Studies in the Creation of Meaning in Language (1975), the French philosopher shows the fundamental power of human language in constructing the world we perceive. He reveals the processes by which linguistic imagination creates and recreates meaning through metaphor. He develops a "linguistic philosophy of freedom," and a hermeneutics of the subject based on human capabilities. According to Ricoeur, to exist is (...) to act: speaking, doing, telling, and assuming responsibility for the act committed. The very "being" of human beings is to act and the effort to be. In this perspective, the human interiority is considered as dynamic production (enérgeia, conatus): it is a complex ontology of homo capax based on the human freedom and possibilities of language. Being as act and potentiality is the dominant meta-category that governs Ricoeur's philosophical anthropology, widely developed in the work Oneself as Another (1990). (shrink)

This work aims to spell out clear the tensions manifested by the meeting between the project of a reflexive philosophy and psychoanalysis, from a very specific event: the publication, in 1965, of the thesis De l'interprétation: essai sur Freud by Paul Ricoeur. Our question arises from the fact that psychoanalysis has introduced one of the greatest embarrassments to the philosophies of consciousness, as it established the unconscious psychic as foundation and array of subjectivity. In contrast, Paul Ricoeur strengthens (...) its belonging to the reflective tradition initiated by Husserl, but with a fundamental deviation: in your access to subjectivity, this reflexive philosophy must take the form of a hermeneutics that interprets the signs of man’s existence. Given this, the present study seeks to find out what difficulties, tensions and contributions the reading of Freud offers to hermeneutic project proposed by Ricoeur. The article aims to show how the philosophical reading of Freud allowed Ricoeur to arbitrate the different and sometimes conflicting hermeneutics approaches around the problem of symbol. (shrink)

In reaching his narrative view of the self in Oneself as Another, Paul Ricoeur argues that, while literature offers revealing insights into the nature of the self, the sort of fictions involving brain transplants, fission, and so on, that philosophers often take seriously do not (and cannot). My paper is a response to Ricoeur's charge, contending that the arguments Ricoeur rejects are not flawed in the way he suggests, and that his own arguments are sometimes guilty of (...) the very charges he lays at the door of his opponents. (shrink)

A review of a collection of papers by Paul Ricoeur edited by Domenico Jervolino. The collection highlights Ricoeur's journey from the reflexive philosophy to analytic philosophy through hermeneutics.

O artigo esboça o desenvolvimento da hermenêutica filosófica de Paul Ricoeur a partir de sua fenomenologia da vontade em direção a uma hermenêutica da revelação, mostrando como o projeto radical de destranscendentalizar a subjetividade, subjacente à recepção francesa copntemporânea de uma hermenêutica da suspeita, terma por favorecer um retorno pós-hegeliano a Kant e reformula a filosofia transcendental numa correlação histórica e socialmente mediada entre linguagem e subjetividade, juntamente com uma dialética entre poesis e práxis.

Traditionally, the ideas of “intuitive” and “discursive” forms of understanding have been seen as near opposites. Whereas an intuitive understanding could have a direct grasp of something, a discursive understanding would always depend on what is given to it, as mediated by concepts. In this essay, I suggest that Paul Ricoeur’s conception of analogy presents a way of overcoming this opposition. For Ricoeur, an analogy works within discursive understanding, but it depends on an eventful insight that leads beyond (...) what is merely given in discourse. The analogy “gives more” for thought. Yet, as I argue, what analogy gives for thought is always explicable in conceptual terms: any intuitive understanding is commensurate with a discursive one. I illustrate Ricoeur’s mediation of discursive and intuitive understanding in particular with his conception of metaphor, which vividly depends on overcoming a discursive contradiction by analogical and intuitive means. Before introducing Ricoeur’s conception, I discuss the Kantian background of the intuitive/discursive distinction. In particular, I suggest how Goethe’s attempt to revitalize a notion of intuitive understanding can be compared to Ricoeur’s conception, though Ricoeur improves upon Goethe by grounding intuition in the specific phenomenon of analogy. (shrink)

What I would like to study is the presence of Cartesian manner of thinking in the Ricoeurian comprehension of subjectivity. I focus particularly on what is not saying expressis verbis in his argumentation. I do not say that the Ricoeurian conception of dialectical subject which is expressed as “oneself as another” places itself as continuation of the tradition of absolutization of cogito. By no means. Ricoeur’s investigation that pertains to subjectivity aims at elaborating its new formulation. Philosophy of Descartes (...) might be interpret in various ways not only as the synonym of “egology”. In my paper I indicate two formulas of ego which are included in Cartesian Meditations (ego cogito, ergo sum and ego sum, ego existo) that give rise to the different interpretations of ego. I analyse the Ricoeurian stance that relates to the consequences of introducing by Descartes the very formula ego sum, ego existo. In the second part I concentrate on issue on what sense rereading Meditations could be helpful in entering into discussion with structuralist critique of the subject. Also I get an approach to the theoretical framework of Ricoeurian argumentation which is established according to defend the subject. -/- W artykule staram się pokazać obecność elementów Kartezjańskiego sposobu rozumowania w Ricoeurowskim deklaratywnie „antykartezjańskim” ujęciu subiektywności. Nie twierdzę, że Ricoeur w proponowanej przez siebie koncepcji podmiotu dialektycznego wyrażonego jako "ten-który-jest-sobą-jak-i-innym" sytuuje sie po stronie tradycji absolutyzującej cogito. Moim celem jest przesledzenie tych momentów Ricoeurowskiej argumentacji prowadzonej na rzecz wypracowania nowej formuły podmiotowości, w których obecny jest (najczęściej implicite) wątek Kartezjański. W samej filozofii Kartezjusza obecna jest droga, która nie prowadzi do egologii. By pokazać dwie różne perspektywy odczytania Kartezjańskiego cogito, przywołuję dwie formuły: ego cogito ergo sum oraz ego sum, ego existo, by następnie poddac je analizie. W pierwszej cześci artykułu skupiam się na ukazaniu konsekwencji płynących z wykorzystania formuły ego sum, ego existo w dyskusji dotyczącej subiektywności. W drugiej cześci staram się dowieść, na jakiej drodze możliwe jest wykorzystanie Kartezjańskiej koncepcji podmiotu w konfrontacji ze strukturalistyczną krytyką podmiotu. (shrink)

On March 9th, 1985, Paul Ricoeur and Cornelius Castoriadis met at the studio of the France Culture “Le Bon Plaisir” radio broadcaster. In 2016, the transcript of their dialogue, their only public debate, was published. This publication is significant not only because it highlights the points of convergence and divergence between the two prominent thinkers, but also because the issues they discuss: the relation between society and history, tradition and creativity, imagination and collective action, are relevant to the philosophical (...) and political discourse of our time. (shrink)

This review shows how Pierre Gisel's comments on Ricoeur are redundant; how Graham Ward gets Ricoeur's understanding of evil clearly; but then it goes on to show how both Gisel and Ward do not understand/mention the influence of St. Paul and Jürgen Moltmann on Ricoeur.

Reacting against the turn to transcendence that heavily characterized the medieval worldview, the modern worldview is fundamentally exemplified by a threefold turn to immanence, consisting of a subjective turn, a linguistic turn and an experiential turn. Language plays a pivotal role here since it mediates between the subjective and the experiential. Ricoeur’s treatment of metaphor, significantly laid out in his The Rule of Metaphor, is crucial in bringing about this linguistic turn that mediates the subject and its experience of (...) the world. Through an analysis of “seeing as” as a poietic reconfiguration of reality in the subject’s experience, language transforms and founds the world as a “being as.” What is disclosed in this interpretative transformation of reality is not simply an hermeneutical ontology but possibly—also through language—an hermeneutical axiology. (shrink)

The trajectory of Paul Ricoeur’s thought from the fallible to the capable human person offers a hopeful vision of human nature constitutive of our shared political life. Yet, by necessity, hope arises in response to the tragic, which also features in Ricoeur’s work at the existential and ethical levels. At the same time hope and tragedy represent concepts at the limit of philosophical reasoning, introducing meeting points with religious discourse. Exploring those meeting points reveals the contribution of religious (...) thinking to the understanding of hope and tragedy and establishes Ricoeur’s political thinking as ultimately shaped by their interplay. (shrink)

La pesquisa pretende analizar las principales tesis presentes en el pensamiento de Paul Ricœur y Emmanuel Lèvinas, a propósito de la muerte y, a partir de sus postulados, establecer un diálogo del cual emerjan desavenencias y concomitancias respecto al tema.

Detendo-se no pecado enquanto construção histórico-cultural e sociorreligiosa em um processo que encerra os seus aspectos mítico-religiosos, o artigo assinala que o conceito que expressa a sua noção guarda raízes nas fronteiras envolvendo o fracasso humano no sentido de corresponder ao arcabouço paradigmático e o seu sistema de tabus, leis e códigos morais. Dessa forma, convergindo para os aspectos etimológico-literários e bíblico-religiosos do pecado, o artigo sublinha que, encerrando o sentido de errar o alvo, a tradução do referido termo como (...) “pecado” mantém correspondência com a transposição textual instaurada pela versão Septuaginta em um movimento de abstração da noção de culpa moral. Baseado na leitura dos aspectos filosófico-teológicos do pecado em Paul Ricoeur, o artigo sublinha que o pecado não consiste em um termo capaz de esgotar o sentido da realidade que implica como símbolo da ruptura entre essência e existência, convergindo para a sua caracterização como símbolo do mal e “grandeza mítica” através de uma construção que assinala o pecado enquanto intersecção envolvendo o mal e o mundo e atribui a sua emergência ao ato e determina a sua identificação como produto e simultaneamente causa. Assim, detendo-se nos aspectos bíblico-teológicos do pecado em Paul Tillich e na construção do conceito como alienação entre a “não-fé” e o “não-amor”, o artigo enfatiza o caráter irredutível da concepção que, segundo o Apóstolo Paulo, encerra a condição de um poder quase pessoal que controla este mundo, o que implica a sobreposição de um estado de coisas caracterizado pela objetividade e a configuração do acontecimento ora designado como ruptura envolvendo essência e existência em um movimento que possa representar a separação humana do “Ser-em-Si” e expressar o elemento de responsabilidade pessoal imbricado em sua dinâmica existencial. (shrink)

In Gaudium et Spes, the Catholic Church describes marital discernment as the married couple’s “common reflection and effort… [that] involves a consideration of their own good and the good of their children” and also as “an estimation of the good of the family… [that necessitates] prudent reflection and common decision.” With this description, we can say that the Catholic Church expects and desires married couples to resolve marital and family conflicts by coming together in discernment. And yet, how should married (...) couples discern? How should they exercise marital discernment? Since one cannot just go on discerning blindly without minding some rules, without following some basic steps, Ricoeur would emphasize that “discernment calls for a hermeneutics.” But how should hermeneutics be integrated into the process of marital discernment? This paper makes an attempt to integrate hermeneutics into the process of marital discernment by drawing some key principles from Paul Ricoeur’s hermeneutic phenomenology and Karol Wojtyła’s phenomenology of spousal love. In so doing, this paper considers how the dynamics of marital discernment can be rendered more balanced, and hence more effective, in attaining conflict resolution within the family. (shrink)

Paul Ricoeur (1913 – 2005) développe une réflexion dense autour de la polysémie de la reconnaissance. Celle-ci se révèle un parcours transformateur. Les soins palliatifs concernent les soins dans ce stade d’ultime vulnérabilité face à la mort prochaine. La reconnaissance peut trouver sa juste place en soins palliatifs. Elle soutient là cet art fragile des soins, mais encore, achemine vers la guérison le sujet blessé, parfois en crise existentielle face à cette menace de la mort, pourtant inscrite tôt ou (...) tard dans sa condition d’homme. (shrink)

Paul Ricoeur argues that narration is lived life. Therefore, human experience has a narrative dimension, ie, it has a narrative structure and every effort you want to make for the human need to consider the narrative. For this reason, the text theory is converted to Ricoeur in a general model for the study of human action, since this is conceived as an open work to anyone who can read it. Given this general framework for discussion, we have deepened (...) the notion of the patient as “text”, and described their richness for reflection of bioethics and medical act, rescuing the value of listening, prudence, responsibility and rediscovering a place for the principle of autonomy and casuistry. -/- Paul Ricoeur sostiene que la narración es vida vivida. Por lo tanto, la experiencia humana posee una dimensión narrativa, es decir, tiene una estructura narrativa y todo esfuerzo que quiera dar cuenta de lo humano tendrá que contar con lo narrativo. Por esta razón, la teoría del texto se convierte para Ricoeur en un modelo general para el estudio de la acción humana, pues esta es concebida como una obra abierta a cualquiera que pueda leer. Teniendo en cuenta este marco general de reflexión, hemos profundizado en la noción del paciente como “texto”, y describimos su riqueza para la reflexión de la bioética y el actuar médico, rescatando el valor de la escucha, la prudencia, la responsabilidad y redescubriendo un lugar para el principio de autonomía y la casuística. (shrink)

This paper is an attempt to bring together the convergent elements in J.L. Austin’s and Paul Ricoeur’s philosophies of language. Though a number of studies have already claimed that Ricoeur has in some ways been influenced by Austin, to date, not a single study has been made that exclusively focuses on the interrelatedness between Austin’s and Ricoeur’s philosophies of language. Thus, in this paper, I will start with a general exposition of the philosophical connection between Austin and (...) Ricoeur. I will then show how Austin and Ricoeur define and also understand the nature of words, the central component of every language. I will next explore the interplay of meaning and hermeneutics through a detailed discussion of the Speech Acts Theory (Austin) and the Hermeneutics of Symbols (Ricoeur). Afterward, I will argue that in Austin and Ricoeur, words, meaning, and hermeneutics constitute the art of making sense of things and of interpreting certain aspects and features of language. (shrink)

Detendo-se no pecado enquanto construção histórico-cultural e sociorreligiosa em um processo que encerra os seus aspectos mítico-religiosos, o artigo assinala que o conceito que expressa a sua noção guarda raízes nas fronteiras envolvendo o fracasso humano no sentido de corresponder ao arcabouço paradigmático e o seu sistema de tabus, leis e códigos morais. Dessa forma, convergindo para os aspectos etimológico-literários e bíblico-religiosos do pecado, o artigo sublinha que, encerrando o sentido de errar o alvo, a tradução do referido termo como (...) “pecado” mantém correspondência com a transposição textual instaurada pela versão Septuaginta em um movimento de abstração da noção de culpa moral. Baseado na leitura dos aspectos filosófico-teológicos do pecado em Paul Ricoeur, o artigo sublinha que o pecado não consiste em um termo capaz de esgotar o sentido da realidade que implica como símbolo da ruptura entre essência e existência, convergindo para a sua caracterização como símbolo do mal e “grandeza mítica” através de uma construção que assinala o pecado enquanto intersecção envolvendo o mal e o mundo e atribui a sua emergência ao ato e determina a sua identificação como produto e simultaneamente causa. Assim, detendo-se nos aspectos bíblico-teológicos do pecado em Paul Tillich e na construção do conceito como alienação entre a “não-fé” e o “não-amor”, o artigo enfatiza o caráter irredutível da concepção que, segundo o Apóstolo Paulo, encerra a condição de um poder quase pessoal que controla este mundo, o que implica a sobreposição de um estado de coisas caracterizado pela objetividade e a configuração do acontecimento ora designado como ruptura envolvendo essência e existência em um movimento que possa representar a separação humana do “Ser-em-Si” e expressar o elemento de responsabilidade pessoal imbricado em sua dinâmica existencial. (shrink)

The purpose of this study is to develop a system of corporate ethics based on an understanding and interpretation of the ethical demand of human beings who are in relation with each other according to Emmanuel Levinas' teachings and the responsibility the human being has to and for herself and others whom she encounters based on Paul Ricoeur's teachings on human action, text and hermeneutics. While the philosophies to which we will be referring may not overtly present a normative (...) ethic, we shall convey them in such a way that is reasonably germane to the development of our system of corporate ethics that would, indeed, demonstrate why (and, perhaps, how in some instances) the human being must act in response to the demand of the other whom she encounters. -/- We must not abandon the discussion as it relates to the economy but rather include it in a broader and more comprehensive dialogue about working to promote, support and protect the human dignity of all people using the advancements of technology to improve the human condition. The broader discussion must include but not be limited to developing a working definition of corporate ethics. To engage in discussions about the economy as an indicator for human success, we must speak openly and honestly about all stakeholders that participate and are affected by the economy. Without forsaking other stakeholders, we find the corporation - the entity whose actions have the farthest reaching and, in some cases, longer lasting impact on the human condition - to be an appropriate point of departure for this endeavor. (shrink)

Detendo-se no pecado em Pelágio como possibilidade enquanto exercício da liberdade e responsabilidade individual, o artigo assinala a defesa da neutralidade envolvendo a criação do ser humano e a sua capacidade para o bem e o mal, sublinhando a liberdade da vontade e a sua absoluta indeterminação, o que atrela o pecado à escolha. Dessa forma, o texto mostra o pecado em Agostinho como fato e ato enquanto liberdade, responsabilidade e culpa pessoal, na medida em que o ser humano é (...) constituído enquanto tal em estado de santa inocência em um processo que atribui ao pecado a condição de um produto da escolha humana através do exercício de sua liberdade e plena consciência, convergindo para um acontecimento que, baseado na atitude de Adão, impõe a sua posteridade a condição de absoluta depravação e inescapável culpa. Assim, examinando o pecado como símbolo racional entre Pelágio e Agostinho segundo Paul Ricoeur, a pesquisa afirma a necessidade de um processo que seja capaz de desconstruir o conceito em função da emergência da intenção ortodoxa enquanto sentido reto e eclesial. (shrink)

Detendo-se no pecado em Pelágio como possibilidade enquanto exercício da liberdade e responsabilidade individual, o artigo assinala a defesa da neutralidade envolvendo a criação do ser humano e a sua capacidade para o bem e o mal, sublinhando a liberdade da vontade e a sua absoluta indeterminação, o que atrela o pecado à escolha. Dessa forma, o texto mostra o pecado em Agostinho como fato e ato enquanto liberdade, responsabilidade e culpa pessoal, na medida em que o ser humano é (...) constituído enquanto tal em estado de santa inocência em um processo que atribui ao pecado a condição de um produto da escolha humana através do exercício de sua liberdade e plena consciência, convergindo para um acontecimento que, baseado na atitude de Adão, impõe a sua posteridade a condição de absoluta depravação e inescapável culpa. Assim, examinando o pecado como símbolo racional entre Pelágio e Agostinho segundo Paul Ricoeur, a pesquisa afirma a necessidade de um processo que seja capaz de desconstruir o conceito em função da emergência da intenção ortodoxa enquanto sentido reto e eclesial. (shrink)

Al correlacionar el aspecto histórico de la Escritura y su estatus como logos, Rudolf Bultmann introduce un procedimiento exegético-hermenéutico basado en la investigación histórico-crítica de la Escritura e impone, a su vez, la interpretación del logos como kerigma en un proceso que involucra las posibilidades de conocimiento presentes en un determinado contexto histórico-cultural y que conduce a la necesidad de corresponder a la cosmovisión de la época actual. Así, a partir del análisis crítico de Paul Ricoeur, el artículo se (...) centra en la desmitologización como distinción entre kerigma y mito en un movimiento que se solapa con el artificio mitológico y converge en el cuestionamiento de su significado original a través de un proceso que, al fin y al cabo, requiere su permanencia bajo el horizonte de la interpretación. El artículo señala que Ricoeur muestra que Bultmann prescinde de la reflexión que involucra al lenguaje lato sensu como objeto, superponiendo el lenguaje de la fe al lenguaje del mito en un movimiento que, aunque pretendiendo suplantar al sacrificium intellectus, finalmente converge hacia un construcción que tiende a exigir el sacrificium intellectus en las fronteras de la desmitologización y en el lenguaje de la fe que interviene en su proceso. (shrink)

El documento expone los antecedentes sugeridos por Paul Ricoeur sobre lo que podría denominarse “la polémica epistemológica en ciencias sociales”, referidos a la formulación de un método legítimo para la investigación en dichas ciencias que responda a las particularidades propias de su objeto de estudio. En este sentido, se rastrea la cuestión en la tradición hermenéutica romántica, concretamente en el pensamiento de Wilhelm Dilthey, pasando por la teoría estructural de estudio del texto escrito y la formulación de una teoría (...) de la acción anglosajona, para finalmente terminar en la ricoeurtiana consideración hermenéutica de la acción significativa, que asume al texto como paradigma y propuesta de superación de los escollos en torno a la referida polémica. (shrink)

Éric Delassus | : Selon Fabienne Brugère, un point de rencontre existe entre l’éthique spinoziste et les éthiques du care, le care pouvant être envisagé comme une réactualisation du conatus spinoziste. Cet article vise à démontrer que cette convergence peut s’établir à partir d’une éthique narrative inspirée de la pensée de Paul Ricoeur. Cela concerne principalement la perception que l’on peut avoir de soi en tant que corps et esprit, dans la mesure où l’esprit est défini par Baruch Spinoza (...) comme « idée du corps ». L’éthique spinoziste invite à se rendre utile aux autres pour augmenter notre puissance d’être et nous libérer d’une servitude qui n’est pas sans rapport avec la vulnérabilité telle que définie dans les éthiques du care. L’humain.e vulnérable a besoin pour se sentir exister d’avoir une idée cohérente de son corps, et le récit est l’une des voies lui permettant de progresser dans cette direction. Encore faut-il, pour y parvenir, trouver des pourvoyeuses et pourvoyeurs de care disposé.e.s à écouter, aptes à susciter en soi le désir de se raconter. | : According to Fabienne Brugère, there is common ground between Spinoza’s ethics and the ethics of care, which can be regarded as a renewal of the Spinozan concept of ‘conatus.’ This article aims to demonstrate that this form of convergence can be based upon a narrative ethic as inspired by Paul Ricoeur’s thought. It is mainly about how people can perceive themselves both as mind and body, insofar as “mind” is defined by Spinoza as the “idea of the body.” The Spinozan ethic leads us to make ourselves useful to other people in order to expand our capacity to be and to free ourselves from a form of servitude that is somewhat linked to vulnerability as it is defined in the ethics of care. Therefore, vulnerable people each need to develop consistent ideas of their bodies if they wish to feel that they do exist. Narrative is one of the many ways of advancing in that direction. However, vulnerable people should not be alone; they must be accompanied by care providers who have a sympathetic ear and who can arouse in them the desire to tell and share their stories. (shrink)

Detendo-se no pecado em Pelágio como possibilidade enquanto exercício da liberdade e responsabilidade individual, o artigo assinala a defesa da neutralidade envolvendo a criação do ser humano e a sua capacidade para o bem e o mal, sublinhando a liberdade da vontade e a sua absoluta indeterminação, o que atrela o pecado à escolha. Portanto, atribuindo à vontade a condição de locus da instauração da experiência ético-lógico existencial envolvendo o exercício da liberdade, Pelágio se contrapõe a tese do pecado original (...) enquanto herança psico-biológica, intelecto-afetiva e volitivo-consciencial transmitida pelo arquétipo humano em Adão para a sua descendência. Dessa forma, assinalando a vontade como a causa do pecado em um movimento que converge para encerrar a sua imputação ao agente enquanto detentor da vontade em exercício, o texto mostra que Agostinho afirma, paradoxalmente, a tendência humana para a prática do mal como resultante da herança adâmica, que impõe a sua posteridade a condição de absoluta depravação e inescapável culpa, na medida em que o ser humano é constituído enquanto tal em estado de santa inocência em um processo que atribui ao pecado a condição de um produto da escolha humana através do exercício de sua liberdade e plena consciência. Finalizando, a pesquisa examina o pecado como símbolo racionalentre Pelágio e Agostinho segundo Paul Ricoeur, que afirma a necessidade de um processo que seja capaz de desconstruir o conceito em função da emergência da intenção ortodoxa enquanto sentido reto e eclesial. (shrink)

This study aims at assessing the meaning and the extent of the possible relationship between philosophy and literature in and from two significant contemporary thinkers, Maurice Blanchot and Paul Ricoeur. -/- Based on the assumption that both represent the human effort of touching and configuring an essential bottom which seems to escape an immediate seizure – although it is generally considered that philosophy does it through the conceptual/critical discourse and literature through the metaphorical/poetic discourse – the key problem we (...) wish to answer is to know, in that attempt, whether the mentioned activities can or must come close, especially the first in relation to the second. Such problem inevitably disseminates itself in a set of questions which we propose ourselves to think by having the mentioned authors as a starting point: can literature, in its specificity, open new possibilities of expression or mediation of a being or a neuter which precedes us and, therefore, assume itself as a privileged locus for (the calling for) philosophical reflection? Is it philosophically desirable, or even inevitable, a proximity to literature? Or, more radically, is the defense of a clear separation between philosophy and literature sustainable? In that sense, the essay is divided in three moments: in the first, we clarify the conceptions of the language, of the written text and of the relation author-work-reader from which the authors go from; in the second, we intend to think about how the poetic text opens new possibilities of expression or mediation due to its own world and devices; lastly, we will assess more thoruoghly the meaning and the extent that the relation philosophy-literature acquires in each of the proposals. -/- Although they share a few assumptions, our authors’ perspectives will display different concerns or impulses – one we shall call retrospective and another we shall call prospective – which will lead us to different answers. (shrink)

Indagando a possibilidade e o sentido de uma poética do eu, será nosso objetivo clarificar, a partir do contributo incontornável do filósofo francês Paul Ricœur, de que forma o texto poéticose assume como uma mediação fundamental da compreensãodo si, bem como da sua configuração e refiguração enquanto um si mesmo. Neste sentido, atentaremos especialmente nas obras Temps et Récit (1983‑85) e Soi-Même Comme un Autre (1990), fulcrais para entendermos a relação que o filósofo tece entre narrativa, tempo e identidade, mais (...) especificamente a importância da mediação narrativa para a superação das apo‑rias ligadas às experiências humanas da temporalidade e da construção identitária. Gravitaremos, neste contexto, em torno da noção seminal de identidade narrativa –enquanto ponto de mediação entre uma identidade idem e uma identidade ipse. (shrink)

This article presents Paul Ricœur’s hermeneutic of the productive imagination as a methodological tool for understanding the innovative social function of texts that in exceeding their semantic meaning, iconically augment reality. Through the reasoning of Rastafari elder Mortimo Planno’s unpublished text, Rastafarian: The Earth’s Most Strangest Man, and the religious and biblical signification from the music of his most famous postulate, Bob Marley, this article applies Paul Ricœur’s schema of the religious productive imagination to conceptualize the metaphoric transfer from text (...) to life of verbal and iconic images of Rastafari’s hermeneutic of word, sound and power. This transformation is accomplished through what Ricœur terms the phenomenology of the iconic augmentation of reality. Understanding this semantic innovation is critical to understanding the capacity of the religious imagination to transform reality as a proclamation of hope in the midst of despair. (shrink)

Focusing on sin as a historical-cultural and socio-religious construction in a process that encompasses its mythical-religious aspects, the article points out that the concept that expresses its notion is rooted in the borders involving human failure to correspond to the paradigmatic framework and its system of taboos, laws and moral codes. Thus, converging on the etymological-literary and biblical-religious aspects of sin, the article emphasizes that, by ending the meaning of missing the mark, the translation of the aforementioned term as “sin” (...) corresponds to the textual transposition established by the Septuagintversion in a movement of abstraction from the notion of moral guilt. Based on Ricoeur's reading of the philosophical-theological aspects of sin, the article that points out that sin is not a term capable of exhausting the meaning of reality that it implies as a symbol of the rupture between essence and existence, converging to its characterization as a symbol of eviland “mythical grandeur” through a construction that marks sin as an intersection involving evil and the world and attributes its emergence tothe act and determines its identification as a product and simultaneously a cause. Thus, focusing on the biblical-theological aspects of sin in Tillich and on the construction of the concept as an alienation between “non-faith” and “non-love”, the articleemphasizes the irreducible character of the conception that, according to the Apostle Paul, encloses the condition of an almost personal powerthat controls this world, which implies the superposition of a state of affairs characterized by objectivity and the configuration of the event now designated as a rupture involving essence and existence in a movement that may represent the human separation from the “Being-in-itself” and expressing the element of personal responsibility imbricated in its existential dynamics. (shrink)

The two volumes of _Maus_ composed by Art Spiegelman were the first graphic novels to be awarded the Pulitzer Prize. These volumes introduced a new genre of graphic novel in the form of comics. The present study examines the hierarchical content and subtexts of Maus and the unique presentation methods of comics. The researcher employed the concepts of “Threefold mimesis” proposed by the French philosopher Paul Ricoeur, to see how Maus interpretate the Jewish history of suffering in Holocaust and (...) the postmemory. Spiegelman is the icon of the graphic novel world, however, so far research on his work still seems to be rare in Taiwan. This study starts from Ricoeur’s Hermeneutics, hope to elucidate how the new model of contemporary autobiographical comic was created. (shrink)

This paper aims to investigate the possibility to define Ricoeur’s dialectic between explanation and understanding within the horizon of Heidegger and Gadamer’s hermeneutics of “parallel discourse” as proposed by Furia Valori. The paper is focused on the possibility to understand the alternative between explanation and understanding as a mediation which leaves the two terms in an alternative but parallel course of meaning which lies undisclosed under the tensions of language. In this sense, this contribution aims to show a deep (...) connection of the whole investigation proposed by Ricoeur starting from his analysis of poetic language until his investigation on alterity. (shrink)

This article approaches the reflections of Paul Ricoeur regarding testimony to befound in his work Memory, History,Forgetting. Through reading of this work, we pos-tulate the idea that to consider others as readers or spectators of our actions forms animportant part of the construction of human subjectivity. The thesis that subjectivityarises as a discourse towards the other is proposed here, inasmuch as human experi-ences are transmitted narratively in the form of testimony, which stands as an examplefor the understanding of the (...) experiences of the past. (shrink)

This article shows that Paul Ricoeur and Carol Gilligan develop their theories of the self by borrowing critically from Freudian aesthetics, adding an ethical dimension missing in it. Ricoeur critiques, completes and endorses the Freudian interpretation of the Oedipus, while Gilligan rejects it, since she considers it distorted by patriarchal ideology. Both are reclaiming the Freudian theory of culture by focusing on what Freud called the «life drive» as opposed to the «death drive». But Ricoeur does not (...) pay the same attention as Gilligan to patriarchal ideology conveyed by Greek tragedies. Thus, his ethics remains deeply rooted in the language of the tragic conflict (Oedipus, Antigone), while Gilligan’s ethics seeks to renew the language of pleasure (Cupid and Psyche). -/- ----------- Cet article montre que Paul Ricœur et Carol Gilligan développent leurs théories du soi en puisant de manière critique à l’esthétique freudienne, y ajoutant la dimension éthique manquante. Si Ricœur critique, complète et entérine l’interprétation freudienne de l’Œdipe, Gilligan se distingue davantage de Freud, qu’elle juge biaisé par l’idéologie patriarcale. Tous deux se réapproprient la théorie freudienne de la culture en mettant l’accent sur ce que Freud appelait la «pulsion de vie» par opposition à la «pulsion de mort». Mais comme Ricœur n’accorde pas la même attention que Gilligan à l’idéologie patriarcale véhiculée par les tragédies grecques, son éthique reste profondément enracinée dans le langage du conflit tragique (Œdipe, Antigone), alors que celle de Gilligan cherche à renouveler le langage du plaisir (Cupidon et Psyché). (shrink)

Nonviolent movements mainly characterized by not taking part in and resist-ing violent practices developed no multiple levels have had a significant contribution inputting an end to wars and oppressive systems. However, it is worth asking whether theyhave, consequently, contributed to the construction of peace. This article, centered onGandhi, reflects upon the general contribution of nonviolence for historical changes ar-ticulated through Paul Ricoeur’s critique and interpretation of the influence of these move-ments in the intricate relationship between politics and violence. -/- (...) . (shrink)

Comment penser la possibilité pour une conscience de faire le mal, de commettre une faute qu’elle sait répréhensible ? Reconnaissant à la fois la longue tradition qui avant lui s’est intéressée à ce problème éternel pour la philosophie et la théologie, Ricœur ressent le besoin de revenir sur cette question en même temps qu’il juge nécessaire de donner à sa démarche phénoménologique un tournant herméneutique. Afin de comprendre ce choix, nous proposons ici une synthèse critique de La symbolique du Mal, (...) second tome du cycle de la Philosophie de la volonté de Ricœur ; y seront exposées les principales composantes de sa démarche ainsi que les grands moments de ses conclusions. Nous espérons par notre travail montrer pourquoi le problème du mal, plus particulièrement l’expérience de la faute, empêche de penser une subjectivité pleine, maîtrisée et transparente à elle-même. Pour cette raison, l’herméneutique semble s’imposer comme démarche pour appréhender le sujet brisé par la faute, et pour comprendre la juste valeur des symboles par lesquels cette expérience a été exprimée. (shrink)

I discuss Ricoeur's intriguing account of the phenomenology of the will, which focuses on deciding rather than desiring as the experientially paradigmatic exercise of the will.

This paper aims to show how Paul Ricoeur's hermeneutics, namely in the specificity of the Conflict of interpretations category, is a fruitful resource in the constitution of Women's Studies as well as to legitimize the need for its full integration in the canons of humanistic knowledge. In general, they continue to ignore the immense body of knowledge and perspectives that Women's Studies have produced in recent decades. In this sense, it begins by presenting the general features of the hermeneutic (...) problematic and the theme of Conflict of Interpretations, and then showing its proven contribution to the development of Women's Studies and defending its possible contribution to enhancing their integration into canons. (shrink)