20th Century Japanese Philosophy, Misc

Why would a philosopher choose to convey his ideas in the form of Manga? This discussion between Masahiro Morioka, author of Manga Introduction to Philosophy, and the translator of its French edition, Pierre Bonneels, shows how philosopher and artist Morioka became acquainted, through images, with fundamental abstract notions. After a short historical analysis of the aesthetic advantages of Manga, consideration is given to this unique way of provoking thought. On this basis, theoretical aspects of “time” and the “I” proposed by (...) Ōmori Shōzō are compared with Morioka’s Manga presentation. Although the questions raised are universal, the authors note that the use of Japanese metaphors enables these two thinkers to draw on a concrete understanding of notions like temporality and identity. (shrink)

The essay that follows is, in substance, a lecture delivered in Brussels on 7 December 2016 to the 2nd International Conference of the European Network of Japanese Philosophy. In it I argue that the strategy of qualifying nothingness as an “absolute,” which was adopted by Kyoto School thinkers as a way to come to grips with fundamental problems of Western philosophy, is inherently ambiguous and ultimately weakens the notion of nothingness itself. In its place, a proposal is made to define (...) nothingness in terms of “connectedness.” The discussion is bound on both ends by an apology for transgressing established academic boundaries. On one end, I open with a brief digression on a common ground for philosophies East and West as a mestizaje to which no tradition can claim dominance. On the other, I close with an appeal for restoring respect for the role of mythical narration as a way to bridge the connection between theory and practice without having to revert to moral absolutes, particularly as it relates to safeguarding this fragile planet of ours from the ongoing sepsis of economic “progress.”. (shrink)

In an attempt to place Kashiwagi historically, this article traces the formation of his thinking. Despite having inherited his father’s Shin Buddhist temple, Kashiwagi chose to work as a Christian pastor. Later in life he turned his attention to specifically Christian philosophy, but his early exposure to Buddhism as well as a primary education in Confucianism were decisive in shaping his ideas. In this sense, Kashiwagi represents one prototype of Meiji Japan’s adoption of Christianity: having grown up with the writings (...) of Shinran and the Chinese classics, he remained grounded in his own multi-religious and intercultural background without sliding into simple syncretism. From this standpoint he took part in the prevailing controversy over the emperor system. Without compromising his commitments to universal Christian orthodoxy on the one hand, and critical thinking on the other, Kashiwagi argued for the special significance of the emperor, as these pages will document. (shrink)

This paper attempts to locate modern Zen and psychoanalysis in terms of contemporary philosophy of mind, particularly in view of dominant theories of cognitivism that see the mind as informational and material, with meaning being mere information in disguise. Psychoanalysis and modern Zen hold to the contrary view that the mind is “semantic,” not “syntactic,” and that the meanings we have in our heads are not reducible to the physical informational processes from which they have emerged. Meaning, as non-reducible, is (...) infinite and uncaused. However, the structure of meaning entails a split between a knower and what is known. This split creates problems in the mind which can be confronted through more, not less, engagement with the meanings in our minds, until we are self-aware and, perhaps, self-identical, with the mechanisms of consciousness that produce the meanings in our head. Such self-awareness is seen as being self-liberating rather than self-reducing. (shrink)

In Social Imaginaries, vol. 1, nr. 1 (Spring 2015) due out in May 2015.

The essay is a written version of a talk Nakamura Yūjirō gave at the Collège international de philosophie in Paris in 1983. In the talk Nakamura connects the issue of common sense in his own work to that of place in Nishida Kitarō and the creative imagination in Miki Kiyoshi. He presents this connection between the notions of common sense, imagination, and place as constituting one important thread in contemporary Japanese philosophy. He begins by discussing the significance of place (basho) (...) that is being rediscovered today in response to the shortcomings of the modern Western paradigm, and discusses it in its various senses, such as ontological ground or substratum, the body, symbolic space, and linguistic or discursive topos in ancient rhetoric. He then relates this issue to the philosophy of place Nishida developed in the late 1920s, and after providing an explication of Nishida’s theory, discusses it further in light of some linguistic and psychological theories. Nakamura goes on to discuss his own interest in the notion of common sense traceable to Aristotle and its connection to the rhetorical concept of topos, and Miki’s development of the notion of the imagination in the 1930s in response to Nishida’s theory. And in doing so he ties all three—common sense, place, and imagination—together as suggestive of an alternative to the modern Cartesian standpoint of the rational subject that has constituted the traditional paradigm of the modern West. (shrink)

In this essay I will illustrate how a Japanese philosopher reacted to a newly imported discipline, “bioethics,” in the 1980s and then tried to create an alternative way of looking at “life” in the field of philosophy. This essay might serve as an interesting case study in which a contemporary “western” way of thinking succeeded in capturing, but finally failed to persuade, a then-young Japanese researcher’s mind.

This essay examines how the standpoint of the gaijin (foreigner) shapes and challenges the act of philosophizing, through the experience of overwhelming cultural difference. I examine three challenges the foreigner faces—the need to understand a foreign culture, the need to contribute to a foreign culture, and the need for caution and self-awareness vis-à-vis the excesses and dangers of this attempt. -/- First, through a reading of Thomas Kasulis’ Intimacy or Integrity: Philosophy and Cultural Difference (2002), I take the reader through (...) the experience of trying to understand a foreign culture by examining the kind of relationships that are prioritized in a particular culture. Kasulis discusses intimacy-oriented cultures as those that stress internal relationships between interdependent individuals, and integrity-oriented cultures as those that stress external relationships between autonomous individuals. He then shows how this affects the way this influences the worldview and norms of a particular culture. -/- Next, through a reading of various writings of Watsuji Tetsurô on culture and ethics, I explore the attempt to go beyond cultural difference—seeking a universal standpoint from which one can contribute to or criticize another culture despite cultural difference. I discuss the relationship Watsuji presents between universal ethics and national morality in his “Theory of National Morals” (1932), and connect it with his project in Ethics (1937, 1942/46, 1949) that tries to resolve the contradiction between individuality (integrity) and totality (intimacy) through a “dual-negative structure.” -/- Finally, through an examination of Sakai Naoki’s Translation and Subjectivity: On “Japan” and Cultural Nationalism (1997), I explore the dangers latent in Kasulis’ and Watsuji’s approach. I delve into the danger of schematizing “us vs. them” or “gaijin vs. nihonjin,” which can be present in the attempt to understand cultures. Then I examine Sakai’s warning as to the danger of trying to have a universal standpoint and its tendency to deny the embeddedness of one’s position. -/- Through a dialogue with these three thinkers, I thus attempt to explore in a relatable but nuanced way, what it might mean for the foreigner to confront cultural difference in a manner that both respects cultural difference but transcends it. (shrink)