View topic on PhilPapers for more information
Related categories

79 found
Order:
More results on PhilPapers
1 — 50 / 79
  1. added 2019-09-02
    Othered Body, Obscene Self(Ie): A Sartrean Reading of Kim Kardashian-West.Elese B. Dowden & Elese Dowden - 2017 - Hecate 43 (2):117-130.
    In this existential reading of Kim Kardashian-West's International Women's Day selfie of 2016, I focus on the rise of selfie culture and public discourse around emerging digital representations of women's bodies. The selfie is a relatively new phenomenon, and is particularly curious because of the subject/object paradox it creates; in taking a selfie, a person asserts control over their own image, but at the same time, becomes object in their own gaze. My argument is that selfies, like other assertions of (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  2. added 2019-07-26
    Individual Style After The End Of Art.Regina Wenninger - 2005 - Postgraduate Journal of Aesthetics 2 (3):105-115.
    In The Transfiguration of the Commonplace (1981)1 Arthur Danto construes individual style as something “given” that belongs to the artist “essentially” and “inseparably.” By contrast, his theory of the end of art, set forth in After the End of Art (1997) and elsewhere,2 suggests the liberation of artists from any stylistic commitments. How do these two theories go together? Can there be individual styles after the end of art? Examining the compatibility between Danto’s end of art thesis and his essentialist (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  3. added 2019-07-06
    Solaris, Directed by Andrei Tarkovsky - Psychological and Philosophical Aspects.Nicolae Sfetcu - manuscript
    About the main psychological and philosophical aspects detached from the film Solaris directed by Andrei Tarkovski, as well as the cinema techniques used by the director to convey his messages to the spectator. In the "Introduction" I briefly present the relevant elements of Tarkovski's biography and an overview of Stanislav Lem's Solaris novel and the film Solaris directed by Andrei Tarkovsky. In "Cinema Technique" I talk about the specific rhythm of the scenes, the radical movement triggered by Tarkovsky in modern (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  4. added 2019-07-02
    Review of Illuminations by Walter Benjamin. [REVIEW]Subhasis Chattopadhyay - 2019 - Prabuddha Bharata or Awakened India 124 (7):576 & 582.
    This review highlights how fascism and populism qua, popular culture feeds each other. Hannah Arendt's introduction too is commented upon.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  5. added 2019-06-14
    Про виявлення пам’яток і зворотні процеси.Sergii Rudenko - 2017 - NaUKMA Research Papers. History and Theory of Culture 191:83-89.
    У статті розглянуто недосліджену в науці проблему виявлення та елімінації пам’яток. Практичний досвід у цій царині є досить багатим, але досі ніким не узагальнений. Мета статті – сформулювати емпіричні правила виявлення пам’яток, які роблять їх стійкими до штучних елімінацій. Основні правила: брати до уваги ефект Лінді, «менше – означає більше», опціональність, збереженість шарів автентичності, природно сформований комплекс; не брати велику кількість одиничних розрізнених пам’яток, не шукати вигоди від виявлення пам’яток. При відборі пам’яток згідно із емпіричними правилами до уваги не беруть (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  6. added 2019-06-06
    Visualität und Geschichte. Bilder als historische Akteure im Anschluss an Verkörperungstheorien.Martina Sauer - 2015 - In Grüne Niels & Oberhauser Claus (eds.), Jenseits des Illustrativen. Visuelle Medien und Strategien politischer Kommunikation. V&R uni press. pp. 39-60.
    Do have pictures an impact on future? Yes, say theories of embodiment by making perceptual foundations in place of representational arrangements responsible for it. -/- Wirken sich Bildern auf die Zukunft aus? Ja sagen Verkörperungstheorien und machen dafür weniger Repräsentationsmodelle als Wahrnehmungsweisen verantwortlich.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark   3 citations  
  7. added 2019-05-15
    Conceptual And Nonconceptual Modes Of Music Perception.Mark Debellis - 2005 - Postgraduate Journal of Aesthetics 2 (2):45-61.
    What does it mean to say that music perception is nonconceptual? As the passages from Meyer and Budd illustrate, one frequently encounters claims of this kind: it is often suggested that there is a level of perceptual contact with, or understanding or enjoyment of, music—one in which listeners typically engage—that does not require conceptualization. But just what does a claim of this sort amount to, and what arguments may be adduced for it? And is all musical hearing nonconceptual, or are (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark   1 citation  
  8. added 2019-05-11
    Directions For A New Aestheticism.Jeffrey Petts - 2005 - Postgraduate Journal of Aesthetics 2 (1):20-31.
    The idea of a new aestheticism is now explicit in both philosophical aesthetics and cultural theory with the publication of Gary Iseminger's The Aesthetic Function of Art and an anthology of essays edited by John Joughin and Simon Malpas critiquing the anti-aestheticism of literary theory. Both are significant in marking a wider trend reacting to, broadly speaking, intellectualised and historicised accounts of art, refocusing on the idea of appreciation itself, and working away from the emphasis on ideology and disregard for (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  9. added 2019-05-11
    Evaluative Standards In Art Criticism: A Defence.Julia Peters - 2005 - Postgraduate Journal of Aesthetics 2 (1):32-44.
    To a superficial consideration, art criticism might appear as a profession of a parasitic nature, nourishing itself on what is produced by others: by artists. In fact, however, the relation between artistic practice and its criticism is more adequately conceived of as a sort of symbiosis. For, while it is true that criticism depends on and presupposes the existence of its objects - that is, works of art - on the other hand nothing would prevent good art from being equated (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  10. added 2019-05-09
    Why Does Feminism Matter To Aesthetics?Joshua Shaw - 2005 - Postgraduate Journal of Aesthetics 2 (1):1-11.
    Peter Lamarque recently reported on current trends in aesthetics in the Postgraduate Journal of Aesthetics. Noticeably absent from his list, however, is the emergence and acceptance of feminist approaches in aesthetics, especially among analytic philosophers. Yet feminism is an important movement, one that should have been included among those he discusses. Indeed, my goal is to convince you that feminism should have made it onto Lamarque’s list. Rather than criticize him, however, I want to use his oversight to ask why (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  11. added 2019-05-06
    Art Historical Explanation Of Paintings And The Need For An Aesthetics Of Agency.Daniel Davies - 2004 - Postgraduate Journal of Aesthetics 1 (3):86-98.
    Why should a person, and in the context of this conference particularly an art historian, take seriously the notion of the aesthetic, its discovery and/or rediscovery? Aesthetics might after all be considered at best something of a distraction from bread and butter historical and sociological analysis, and at worst entirely incompatible with it. Pursuing the line further it might be urged that, since on the one hand aesthetics is about 'how things appear'—i.e. is subject to individual predilection, taste and feeling—and (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  12. added 2019-05-02
    The Fear of Aesthetics in Art and Literary Theory.Sam Rose - 2017 - New Literary History 48 (2):223-244.
    Is aesthetics, as has recently been claimed, now able to meet the accusations often levelled against it? This essay examines counters to three of the most common: that aesthetics is based around overly narrow conceptions of "art" and "the aesthetic"; that aesthetics is politically disengaged; and that aesthetics fails to engage with actual art objects and their histories.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  13. added 2018-12-04
    Ästhetik Versus Kunstgeschichte?: Ernst Cassirer Als Vermittler in Einer Bis Heute Offenen Kontroverse Zur Relevanz der Kunst Für Das Leben.Martina Sauer - 2018 - In Stefan Niklas & Thiemo Breyer (eds.), Ernst Cassirer in Systematischen Beziehungen: Zur Kritisch-Kommunikativen Bedeutung Seiner Kulturphilosophie. De Gruyter. pp. 239-260.
    Aesthetics versus Art History? Ernst Cassirer as Mediator in an ongoing Controversy on the Relevance of Art for Life. Against the background of Ernst Cassirer’s cultural philosophy, art studies are to be classified as cultural studies. Central to this is Cassirer’s philosophy as the basis for answering a question that has been posed by the methods of formal aesthetics and iconology since the 19th century but is still unanswered today, namely the question of the relevance of the arts for life. (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  14. added 2018-11-21
    Filtration Failure: On Selection for Societal Sanity.Adrian Mróz - 2018 - Kultura I Historia 34 (2):72-89.
    This paper focuses on the question of filtration through the perspective of “too much information”. It concerns Western society within the context of new media and digital culture. The main aim of this paper is to apply a philosophical reading on the video game concept of Selection for Societal Sanity within the problematics of cultural filtration, control of behaviors and desire, and a problematization of trans-individuation that the selected narrative conveys. The idea of Selection for Societal Sanity, which derives from (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  15. added 2018-09-06
    How Artistic Creativity is Possible for Cultural Agents.Aili Bresnahan - 2015 - In Nordic Studies in Pragmatism. Helsinki, Finland: pp. 197-216.
    Joseph Margolis holds that both artworks and selves are ”culturally emergent entities." Culturally emergent entities are distinct from and not reducible to natural or physical entities. Artworks are thus not reducible to their physical media; a painting is thus not paint on canvas and music is not sound. In a similar vein, selves or persons are not reducible to biology, and thought is not reducible to the physical brain. Both artworks and selves thus have two ongoing and inseparable ”evolutions”—one cultural (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  16. added 2018-07-23
    Faszination - Schrecken. Zur Handlungsrelevanz Ästhetischer Erfahrung Anhand Anselm Kiefers Deutschlandbilder.Martina Sauer - 2018 - Heidelberg, Germany: arthistoricum.
    How do we perceive the world and pictures? The book is based around the hypothesis that we initially perceive the world as well as pictures by feelings and that there is a direct connection between the two. By debating fascination and horror, such as can be triggered by Anselm Kiefer´s Deutschlandbilder, the author discusses their consequences and conclusions for our cultural self-perception. The author develops a comprehensive theory on image and culture which is new in this field of research and (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  17. added 2018-07-18
    Making Sense of Taste: Food and Philosophy (Review). [REVIEW]Lisa M. Heldke - 2002 - Hypatia 17 (3):283-286.
    This is a book about taste--the thing your tongue (and nose) do. It’s also a book about Taste--the thing the art critic has. It’s a book about food, art, and the relations between food and art. Do those two categories overlap? Where and how? How we might best understand and appreciate food in light of the way we understand and appreciate art? It’s a book about how the divergent histories of taste and Taste have left us with an impoverished understanding (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  18. added 2018-07-03
    Culture Weaponized: A Contrarian Theory of the Sometime Appropriateness of the Destruction, Theft and Trade of Art and Cultural Artifacts in Armed Conflict.Duncan MacIntosh - manuscript
    This paper argues that culture itself can be a weapon against the disentitled within cultures, and against members of other cultures; and when cultures are unjust and hegemonic, the theft of and destruction of elements of their culture can be a justifiable weapon of self-defense by the oppressed. This means that in at least some conflicts, those that are really insurgencies against oppression, such theft and destruction should not be seen as war crimes, but as legitimate military maneuvers. The paper (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  19. added 2018-05-01
    The Woman-and-Tree Motif in the Ancient and Contemporary India.Marzenna Jakbczak - 2017 - In Retracing the Past: Historical Continuity in Aesthetics from a Global Perspective. Santa Cruz: International Association for Aesthetics. pp. 79-93.
    The paper aims at critical reconsideration of a motif popular in Indian literary, ritual, and pictorial traditions – a tree goddess (yakṣī, vṛkṣakā) or a woman embracing a tree (śālabhañjīkā, dohada), which points to a close and intimate bond between women and trees. At the outset, I present the most important phases of the evolution of this popular motif from the ancient times to present days. Then two essential characteristics of nature recognized in Indian visual arts, literature, religions and philosophy (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  20. added 2018-03-27
    Leo Tolstoy’s tragic death and his impacts on Max Weber and György Lukács: On autonomy of arts and science/ O tema da morte trágica de Liev Tolstói e set impacto em Max Weber e György Lukács: Sobre a autonomia nas ciências e na arte.Luis F. Roselino - 2014 - Revista História E Cultura 3 (1):150-171.
    The tragic death in Tolstoy's writings has helped both Max Weber and György Lukács in characterizing the modern pathos as a tragic contemplation of the emptiness of life. Through Tolstoy's readings, Weber and Lukács found an interesting source of denying arts and modern sciences autonomy, considering, from the aesthetics sphere, the meaningless of this new immanent reality. Both has assumed Tolstoy main theme from the same perspective, contrasting ancient and modern worldviews. Max Weber presented this theme in his disenchantment of (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  21. added 2018-03-13
    The Space of Reception: Framing Autonomy and Collaboration.Jennifer A. McMahon & Carol A. Gilchrist - 2017 - In Brad Buckley & John Conomos (eds.), Who Runs the Artworld: Money, Power and Ethics. Faringdon, UK: Libri Publishing. pp. 201-212.
    In this paper we analyse the ideas implicit in the style of exhibition favoured by contemporary galleries and museums, and argue that unless the audience is empowered to ascribe meaning and significance to artwork through critical dialogue, the power not only of the audience is undermined but also of art. We argue that galleries and museums preside over an experience economy devoid of art, unless (i) indeterminacy is understood, (ii) the critical rather than coercive nature of art is facilitated, and (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  22. added 2018-02-14
    The Arts and the Radical Enlightenment.Arran Gare - 2007/2008 - The Structurist 47:20-27.
    The arts have been almost completely marginalized - at a time when, arguably, they are more important than ever. Whether we understand by “the arts” painting, sculpture and architecture, or more broadly, the whole aesthetic realm and the arts faculties of universities concerned with this realm, over the last half century these fields have lost their cognitive status. This does not mean that there are not people involved in the arts, but they do not have the standing participants in these (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   1 citation  
  23. added 2018-02-14
    Review of 'The Nature of Order: An Essay on the Art of Building and the Nature of the Universe, Book Two, The Process of Creating Life' by Christopher Alexander. [REVIEW]Arran Gare - 2005/2006 - The Structurist 45:29-34.
    Book Review of Christopher Alexander, 'The Nature of Order: An Essay on the Art of Building and the Nature of the Universe, Book Two, The Process of Creating Life'.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  24. added 2018-02-14
    Architecture and the Global Ecological Crisis: From Heidegger to Christopher Alexander.Arran Gare - 2003/2004 - The Structurist 43:30-37.
    This paper argues that while Heidegger showed the importance of architecture in altering people's modes of being to avoid global ecological destruction, the work of Christopher Alexander offered a far more practical orientation to deal with this problem.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  25. added 2018-01-30
    ONT Vol 3.Paul Bali - manuscript
    contents -/- i. weed weakens / compels me -/- ii. an Ender's Game after-party -/- iii. playroom is a realm of the dead -/- iv. a precise german History -/- v. short review: STATUES ALSO DIE -/- vi. Kenneth Clark, curator for Fascism -/- vii. a protest poem, in industry lit -/- viii. Lawrence and the English Romance .
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  26. added 2017-11-13
    A Spinozist Aesthetics of Affect and Its Political Implications.Christopher Davidson - 2017 - In Gábor Boros, Judit Szalai & Oliver Istvan Toth (eds.), The Concept of Affectivity in Early Modern Philosophy. Budapest, Hungary: Eötvös Loránd University Press. pp. 185-206.
    Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  27. added 2017-08-10
    Feminism and Tradition in Aesthetics.Peg Zeglin Brand Weiser & Carolyn Korsmeyer (eds.) - 1995 - Pennsylvania State University Press.
    Feminism and Tradition in Aesthetics takes a fresh look at the history of aesthetics and at current debates within the philosophy of art by exploring the ways in which gender informs notions of art and creativity, evaluation and interpretation, and concepts of aesthetic value. Multiple intellectual traditions have formed this field, and the discussions herein range from consideration of eighteenth century legacies of ideas about taste, beauty, and sublimity to debates about the relevance of postmodern analyses for feminist aesthetics. Forward (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  28. added 2017-08-08
    Parody.Peg Zeglin Brand Weiser - 2014 - In Michael Kelly (ed.), Encyclopedia of Aesthetics, 2nd Ed. Oxford University Press. pp. 69-72.
    The term "parody" derives from the ancient Greek word parodia and has come to include a variety of meanings connected with correlative terms such as "pastiche," "quotation," "satire," and "allusion." At the present time, more than a few commentators are eager to discuss contemporary parody as an art form particularly relevant to our era. Most approaches share a basic foundation that treats parody as a complex multilayered type of imitation (sometimes referred to as intertextuality). Only some theorists, however, include a (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  29. added 2017-08-08
    The Beauty of the Game.Peg Zeglin Brand Weiser & Myles Brand - 2007 - In Jerry Walls (ed.), Basketball and Philosophy. Lexington: The University Press of Kentucky. pp. 94-103.
    Imagine a deep philosophical conversation about a beautiful shot by a college player in a Final Four basketball game!
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  30. added 2017-08-08
    Reivew of Sally Banes' Dancing Women: Female Bodies on Stage. [REVIEW]Peg Zeglin Brand Weiser - 1999 - Dance Research Journal 31 (2):114-117.
    Sally Banes' analysis, Dancing Women: Female Bodies on Stage, is an exemplary model for future feminist criticism of all the arts. The reason is that Banes deliberately avoids judgments about dancing bodies that are overwhelmingly negative or positive, that is, inflexible indicators of either victimization or celebration. What she teaches us instead is the practice of looking.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  31. added 2017-08-07
    How Beauty Matters.Peg Zeglin Brand Weiser - forthcoming - In Lee B. Brown David Goldblatt (ed.), Aesthetics: A Reader in Philosophy of the Arts. Routledge.
    How do we view, understand and appreciate a complex and challenging work of visual art such as Leon Mostovoy's Transfigure and how, in our encounter with it, does beauty matter? Transfigure Project--a 2013 book, film and photographic installation that is now also an interactive website (http://transfigureproject.com/)--is "a project of corporal self-expression, presented as an experimental, visual feast" by which 'transfigure' means "to transform into something more beautiful or elevated." Photographs of fifty nude trans-identified figures can be playfully arranged in numerous (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  32. added 2017-08-07
    The Aesthetics of Childbirth.Peg Brand & Paula Granger - 2012 - In Sheila Lintott & Maureen Sander-Staudt (eds.), Philosophical Inquiries into Pregnancy, Childbirth, and Mothering: Maternal Subjects. Routledge. pp. 215-236.
    Images abound of women throughout the ages engaging in various activities. But why are there so few representations of childbirth in visual art? Feminist artist Judy Chicago once suggested that depictions of women giving birth do not commonly occur in Western culture but can be found in other contexts such as pre-Columbian art or societies previously considered "primitive." Chicago's own exploration of the theme resulted in the creation of The Birth Project (1980-85): an unprecedented series of eighty handcrafted works of (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  33. added 2017-08-07
    Introduction: Feminism and Aesthetics.Peg Zeglin Brand Weiser & Mary Devereaux - 2003 - Hypatia 18 (4):ix-xx.
    This special issue of HYPATIA: A Journal of Feminist Philosophy we co-edited highlights the expanded range of topics at center stage in feminist philosophical inquiry to date (2003): recontextualizing women artists (essays by Patricia Locke, Eleanor Heartney, and Michelle Meagher), bodies and beauty (Ann J. Cahill, Sheila Lintott, Janell Hobson, Richard Shusterman, Joanna Frueh), art, ethics, politics, law (A. W. Eaton, Amy Mullin, L. Ryan Musgrave, Teresa Winterhalter, Joshua Shaw), and review essays by Estella Lauter and Flo Leibowitz.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  34. added 2017-08-07
    Glaring Omissions in Traditional Theories of Art.Peg Zeglin Brand Weiser - 2003 - In Steven Cahn (ed.), Philosophy for the 21st Century: A Comprehensive Reader. Oxford University Press. pp. 779-813.
    I investigate the role of feminist theorizing in relation to traditionally-based aesthetics. Feminist artworks have arisen within the context of a patriarchal Artworld dominated for thousands of years by male artists, critics, theorists, and philosophers. I look at the history of that context as it impacts philosophical theorizing by pinpointing the narrow range of the paradigms used in defining “art.” I test the plausibility of Danto’s After the End of Art vision of a post-historical, pluralistic future in which “anything goes,” (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   2 citations  
  35. added 2017-08-07
    Beauty Matters.Peg Zeglin Brand - 2000 - Indiana University Press.
    Beauty has captured human interest since before Plato, but how, why, and to whom does beauty matter in today's world? Whose standard of beauty motivates African Americans to straighten their hair? What inspires beauty queens to measure up as flawless objects for the male gaze? Why does a French performance artist use cosmetic surgery to remake her face into a composite of the master painters' version of beauty? How does beauty culture perceive the disabled body? Is the constant effort to (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  36. added 2017-08-07
    Symposium: Beauty Matters.Peg Zeglin Brand - 1999 - Journal of Aesthetics and Art Criticism 57 (1):1-10.
    The point of this symposium is to locate one trajectory of the new wave of discussions about beauty beyond the customary confines of analytic aesthetics and to situate it at the intersection of aesthetics, ethics, social-political philosophy, and cultural criticism. Three essays follow this introduction authored by Marica Muelder Eaton, Paul C. Taylor, and Susan Bordo. They represent a conjoined effort to move 'beauty' beyond the traditional parameters of past contextual theories of art. This introductory essay offers some guidance as (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   3 citations  
  37. added 2017-08-07
    Feminism and Tradition in Aesthetics "Introduction".Carolyn Korsmeyer (ed.) - 1995 - Pennsylvania State University Press.
    Feminism and Tradition in Aesthetics takes a fresh look at the history of aesthetics and at current debates within the philosophy of art by exploring the ways in which gender informs notions of art and creativity, evaluation and interpretation, and concepts of aesthetic value. Multiple intellectual traditions have formed this field, and the discussions herein range from consideration of eighteenth century legacies of ideas about taste, beauty, and sublimity to debates about the relevance of postmodern analyses for feminist aesthetics. Forward (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   11 citations  
  38. added 2017-08-04
    Vom Gott Zum Schriftsteller. Thomas Carlyles Helden-Panorama.Johannes Steizinger - 2017 - In Franziska Thun-Hohenstein & Matthias Schwartz (eds.), Kulturheros Genealogien. Konstellationen. Praktiken. Berlin, Germany: Kulturverlag Kadmos. pp. 77‒97.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  39. added 2017-08-04
    Revolte, Eros Und Sprache. Walter Benjamins Metaphysik der Jugend.Johannes Steizinger - 2013 - Berlin, Germany: Kulturverlag Kadmos.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  40. added 2017-08-04
    Der Spieler als paradigmatische Figur der Moderne. Peripetien zur kulturellen Funktion des Glücksspiels.Johannes Steizinger - 2010 - In Mathias Fuchs & Ernst Strouhal (eds.), as Spiel und seine Grenzen. Passagen des Spiels II. Vienna/New York: Springer. pp. 31-46.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark   1 citation  
  41. added 2017-07-02
    Traditional Literary Interpretation Versus Subversive Interpretation.Terence Rajivan Edward - manuscript
    I present some objections to traditional literary interpretation and consider subversive interpretation as a solution to these problems. Subversive interpretation may seem more scientific and more democratic than traditional interpretation, but it is open to doubt that it is more democratic.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  42. added 2017-06-24
    Introduction to the Issue: Psychophysical Integrity of the Human Self. Comparative Approach: Philosophy, Literature and Art.Marzenna Jakubczak - 2015 - Argument: Biannual Philosophical Journal 5 (1):5-8.
    The current issue of Argument: Biannual Philosophical Journal (2015, vol. 5, no. 1) provides a platform for cross‑cultural studies of the human body, the embodied mind, agency, intentionality, and various axiological aspects of the human psychophysical identity. Out of the twenty articles that compose this issue, thirteen original papers address the leading theme, namely Psychophysical integrity of the human self. Comparative approach: philosophy, literature and art. The multidisciplinary and comparative perspectives include references to Western and eastern cultural traditions, as well (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  43. added 2017-06-24
    The Aesthetic Potential of the Element of Earth.Marzenna Jakubczak - 2002 - Analecta Husserliana:253-263.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  44. added 2017-06-24
    Architektura stupy buddyjskiej jako przykład projektu sakralnego.Marzenna Jakubczak - 1999 - In Ewa Rewers (ed.), Przestrzeń, filozofia i architektura. Poznań, Poland: Wydawnictwo Fundacji Humaniora. pp. 251-268.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  45. added 2017-05-05
    SEEKING PHILOSOPHY BY WORDS 1 ART and META-ART.Ulrich De Balbian - 2017 - Oxford: Academic Publishers.
    ABSTRACT -/- One increasingly reads about different aspects of the death of philosophy. One reason or cause being its institutionalization, as just another academic discipline, while research universities demand their tenured professionals to produve endless streams of really irrelevant publications, resulting in dealing with more detailed, microscopic issues and fabricated ‘problems’. The professionalization of philosophers created other problems of this socio-cultural practice. The dying out of philosophy is not only cased by external social and cultural factors, but also by internal (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  46. added 2017-04-20
    Wittgenstein, Modern Music, and the Myth of Progress.Eran Guter - 2017 - In Ilkka Niiniluoto & Thomas Wallgren (eds.), On the Human Condition – Essays in Honour of Georg Henrik von Wright’s Centennial Anniversary, Acta Philosophica Fennica vol. 93. Helsinki: Societas Philosophica Fennica. pp. 181-199.
    Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to his times makes him unique among the great philosophers, that the philosophical problems which Wittgenstein was struggling, indeed his view of the nature of philosophy, were somehow connected with features of our culture or civilization. -/- In this paper I draw inspiration (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   1 citation  
  47. added 2017-03-08
    La pantalla digital y el exceso representacional: pliegue y espectáculo.Guillermo Yáñez Tapia - 2009 - Aisthesis 45.
    Abstract: The purpose of this article is to highlight the aesthetic layout created by the digital device in the ontological autonomy of the digital representation. As a result, in the digital screen, as a simulated immersive area, the object is alienated through the hyper-representation of a hyper-reproduction: a hyper-reproduction which causes the data and its image to be the monadic support that multiplies it in always livable creases by interactivity. A digitally-represented world would become the ultimate alienation of the modern (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  48. added 2017-02-28
    Government Support for Unconventional Works of Art.Adrian M. S. Piper - 1992 - In Andrew Buchwalter (ed.), Culture and Democracy: Social and Ethical Issues in Public Support for the Arts and Humanities. Boulder: Westview Press. pp. 217-222.
    My aim in this discussion is to argue, not only that government should provide funding for the arts, but a fortiori that it should provide funding for unconventional, disruptive works of art.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   1 citation  
  49. added 2017-02-13
    Iconology and Formal Aesthetics: A New Harmony. A Contribution to the Current Debate in Art Theory and Philosophy of Arts on the (Picture-)Action-Theories of Susanne K. Langer and John M. Krois.Sauer Martina - 2016 - Sztuka I Filozofia (Art and Philosophy), Warschau 48:12-29.
    Since the beginning of the 20th Century to the present day, it has rarely been doubted that whenever formal aesthetic methods meet their iconological counterparts, the two approaches appear to be mutually exclusive. In reality, though, an ahistorical concept is challenging a historical analysis of art. It is especially Susanne K. Langer´s long-overlooked system of analogies between perceptions of the world and of artistic creations that are dependent on feelings which today allows a rapprochement of these positions. Krois’s insistence on (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  50. added 2017-02-09
    Playin(G) Iterability and Iteratin(G) Play : Tradition and Innovation in Jazz Standards.Francesco Paradiso - 2017 - Epistrophy 2.
    This study draws a comparative framework between deconstructive reading of texts and jazz standards. It will be argued that both are defined by the constant play of tradition and innovation. On the one hand, the repetition of a set of rules and dominant understanding of texts/tunes that generates tradition. On the other hand, invention and improvisation that take on that tradition and generate innovation. The act of reading/playing becomes also an act of invention/improvisation that manifests a constant tension between the (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
1 — 50 / 79