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  1. Antonin Artaud e la scrittura del reale. Glossolalie e disegni per un linguaggio analfabetico.Fabio Vergine - 2018 - Elephant and Castle. Laboratorio Dell'immaginario 1 (18).
    During the last ten years of his life, Antonin Artaud shows more and more intensively a multi-faceted and caustic refusal for traditional literature and the ordinary practice of writing. But above all, he shows a stylistic impatience for the alphabetic use of the word and the language. By the intention of creating an inhuman language, which could be understood also by the illiterate people, Artaud wants to undermine the significant use of the word, so that he can achieve a non-representative (...)
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Derrida: Introductions and Overviews
  1. Texts on Violence: Of the Impure (Contaminations, Equivocations, Trembling).Thomas Clément Mercier - 2020 - Oximora 17:1-25.
    This article interrogates a certain philosophical scene – one which constitutes itself through the position of what Jacques Derrida calls “the ethical instance of violence.” This scene supposes a certain “style” of writing or doing philosophy, and perhaps even a certain philosophical “genre” or “subgenre”: the philosophical discourse on violence. In the course of the essay, I analyze this quasi-juridical scene through readings of Aristotle, Walter Benjamin, Giorgio Agamben, Judith Butler, Slavoj Žižek, Werner Hamacher, Rodolphe Gasché, and Martin Hägglund among (...)
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  2. Sergio Genovesi: Tracce dell’informe. L’indecostruibile e la filosofia dell’evento in Jacques Derrida. [REVIEW]Marta Cassina - 2020 - Phenomenological Reviews 2.
    Recensione a "Tracce dell’informe. L’indecostruibile e la filosofia dell’evento in Jacques Derrida", opera prima di Sergio Genovesi, pubblicata da Mimesis Edizioni per la collana "Eterotopie".
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Derrida: Development and Influences
  1. Texts on Violence: Of the Impure (Contaminations, Equivocations, Trembling).Thomas Clément Mercier - 2020 - Oximora 17:1-25.
    This article interrogates a certain philosophical scene – one which constitutes itself through the position of what Jacques Derrida calls “the ethical instance of violence.” This scene supposes a certain “style” of writing or doing philosophy, and perhaps even a certain philosophical “genre” or “subgenre”: the philosophical discourse on violence. In the course of the essay, I analyze this quasi-juridical scene through readings of Aristotle, Walter Benjamin, Giorgio Agamben, Judith Butler, Slavoj Žižek, Werner Hamacher, Rodolphe Gasché, and Martin Hägglund among (...)
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  2. Sergio Genovesi: Tracce dell’informe. L’indecostruibile e la filosofia dell’evento in Jacques Derrida. [REVIEW]Marta Cassina - 2020 - Phenomenological Reviews 2.
    Recensione a "Tracce dell’informe. L’indecostruibile e la filosofia dell’evento in Jacques Derrida", opera prima di Sergio Genovesi, pubblicata da Mimesis Edizioni per la collana "Eterotopie".
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  3. Diferencia sexual, diferencia ideológica : Lecturas a contratiempo (Derrida lector de Marx y Althusser en la década de 1970 y más allá).Thomas Clément Mercier - 2019 - Demarcaciones 7.
    Este ensayo presenta una descripción de los escritos inéditos de Jacques Derrida sobre Marx y Louis Althusser en la década de 1970, y un estudio de conceptos como ideología, diferencia sexual, reproducción, violencia, dominación o hegemonía en perspectiva deconstructiva. Se trata de pensar en una otra economía, más allá de la economía del cuerpo propio. El artículo fue publicado en el Volumen 7 de la Revista Demarcaciones, "a 25 años de Espectros de Marx.".
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  4. Playin(G) Iterability and Iteratin(G) Play : Tradition and Innovation in Jazz Standards.Francesco Paradiso - 2017 - Epistrophy 2.
    This study draws a comparative framework between deconstructive reading of texts and jazz standards. It will be argued that both are defined by the constant play of tradition and innovation. On the one hand, the repetition of a set of rules and dominant understanding of texts/tunes that generates tradition. On the other hand, invention and improvisation that take on that tradition and generate innovation. The act of reading/playing becomes also an act of invention/improvisation that manifests a constant tension between the (...)
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  5. Derrida, Jacques. I. Derrida and Jewishness.D. Newheiser - 2013 - In D. Allison, V. Leppin, C. Seow, H. Spieckermann, B. D. Walfish & E. Ziolkowski (eds.), The Encyclopedia of the Bible and its Reception, Volume 6. Berlin: Walter de Gruyter.
    Dictionary entry on Jacques Derrida's relation to Judaism.
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Derrida, Misc
  1. Review of Johan de Jong: The Movement of Showing: Indirect Method, Critique, and Responsibility in Derrida, Hegel, and Heidegger. [REVIEW]Sarah Horton - 2021 - Phenomenological Reviews 2021.
    Review of Johan de Jong, The Movement of Showing: Indirect Method, Critique, and Responsibility in Derrida, Hegel, and Heidegger (New York: SUNY, 2020).
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  2. Texts on Violence: Of the Impure (Contaminations, Equivocations, Trembling).Thomas Clément Mercier - 2020 - Oximora 17:1-25.
    This article interrogates a certain philosophical scene – one which constitutes itself through the position of what Jacques Derrida calls “the ethical instance of violence.” This scene supposes a certain “style” of writing or doing philosophy, and perhaps even a certain philosophical “genre” or “subgenre”: the philosophical discourse on violence. In the course of the essay, I analyze this quasi-juridical scene through readings of Aristotle, Walter Benjamin, Giorgio Agamben, Judith Butler, Slavoj Žižek, Werner Hamacher, Rodolphe Gasché, and Martin Hägglund among (...)
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  3. The Just as an Absent Ground in Plato's Cratylus.Sarah Horton - 2021 - Epoché: A Journal for the History of Philosophy 25 (2):281-292.
    Through a study of nature and paternal power, this paper sheds light on the neglected theme of the relation between language and justice in Plato’s Cratylus. The dialogue inquires after the correctness of names, and it turns out that no lineage leads us back to a natural ground of names. Every lineage breaks; nature is always disrupted by the monstrous. It does not follow, however, that names are mere conventions without significance: on the contrary, naming is best understood as a (...)
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  4. We Have Tasted the Powers of the Age to Come: Thinking the Force of the Event—From Dynamis to Puissance.Thomas Clément Mercier - 2018 - Oxford Literary Review 40 (1):76-94.
    Responding to the provocative phrase ‘The Age of Grammatology’, I propose to question the notion of ‘age’, and to interrogate the powers or forces, the dynameis or dynasties attached to the interpretative model of historical periodisation. How may we think the undeniable actuality of the event beyond the sempiternal history of ages, and beyond the traditional, onto-teleological chain of power, possibility, force or dynamis that undergirds such history?
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  5. Difference, Dissemination, Opposition, Pharmakon.Khristos Nizamis - 2001 - In V. E. Taylor & C. E. Winquist (eds.), Encyclopedia of Postmodernism. Routledge. pp. 97-99, 103-104, 266-267, 279-281.
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