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Philosophy of Biology > Environmental Philosophy > Philosophy of Food and Drink > Drinks and Drinking
Drinks and Drinking
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Coffee and Tea
- Totul despre cafea - Cultivare, preparare, reţete, aspecte culturale.Nicolae Sfetcu - 2015 - Drobeta Turnu Severin: MultiMedia Publishing.Un ghid complet pentru cultivarea şi prepararea celor mai variate tipuri de cafea, cu accent pe aspectele culturale şi de sănătate, şi modalităţi de includere a cafelei în diverse deserturi şi cocktailuri. Cafeaua este o băutură universal recunoscută ca o necesitate umană. Departe de a fi văzută ca un lux sau privită cu indulgenţă, ea este considerată un corolar pentru energia şi eficienţa umană, producând în acelaşi timp o puternică senzaţie de plăcere. Cafeaua este o băutură democratică. Este în acelaşi (...)
Drunkenness
- Wine and Philosophy.Tim Crane - 2003 - Harper's Magazine 1 (May).What could be more dull than the idea of a symposium? The word conjures up associations with dusty dons, tedious academic papers on deservedly obscure facts and theories. In universities these days, what used to be called ‘symposia’ are often called ‘workshops’ – perhaps in a feeble attempt to make the symposium sound more exciting. If this is your view of the symposium, you may be surprised to learn that the original ancient Greek symposium was a drinking party: the word (...)
- Excess.Tim Crane - unknownThe history of wine-drinking is a history of excess. From Noah’s disastrous first experiments and the bacchanalia of the ancient Greeks to the spectacular overindulgence described in the diaries of Evelyn Waugh, the consumption of wine to excess has been a recurrent theme among those drink and those who write about it. Sometimes the quantities consumed by the drinkers of the past are staggering. According to Roy Porter’s English Society in the Eighteenth Century, ‘to gain a reputation as a blade (...)
Wine
- Innards of Ingarden: Physiology of Time.Virgil W. Brower - 2020 - In Dominika Czakon, Natalia Anna Michna & Leszek Sosnowski (eds.), Roman Ingarden and His Times. Kraków, Poland: pp. 25-42.This project begins with the selective sensory experience suggested by lngarden followed by an insensitivity he insinuates to digestive processes. This is juxtaposed with an oenological explanation of phenomenal sedimentation offered by Jean-Luc Marion. It compares the dynamics of time in the former with the those of wine in the latter. Emphasis is given to lngarden's insinuation of time as fluid, liquid, or aquatic. It revisits Ingarden's physiological explanations of partially-open systems by way of the bilateral excretion and absorption of (...)
- The Spiritual & Sensuous: Aesthetics of Adorno & Scruton.Virgil W. Brower - 2018 - Wassard Elea Rivista 6 (3):127-139.
- "I Drink Therefore I am: A Philosopher's Guide to Wine" by Roger Scruton. [REVIEW]Tim Crane - 2011 - Philosophy 86 (1):138-42.Of all the things we eat or drink, wine is without question the most complex. So it should not be surprising that philosophers have turned their attention to wine: complex phenomena can lend themselves to philosophical speculation. Wine is complex not just in the variety of tastes it presents – ‘wine tastes of everything apart from grapes’, I once heard an expert say – but in its meaning...
- Wine and Philosophy.Tim Crane - 2003 - Harper's Magazine 1 (May).What could be more dull than the idea of a symposium? The word conjures up associations with dusty dons, tedious academic papers on deservedly obscure facts and theories. In universities these days, what used to be called ‘symposia’ are often called ‘workshops’ – perhaps in a feeble attempt to make the symposium sound more exciting. If this is your view of the symposium, you may be surprised to learn that the original ancient Greek symposium was a drinking party: the word (...)
- Excess.Tim Crane - unknownThe history of wine-drinking is a history of excess. From Noah’s disastrous first experiments and the bacchanalia of the ancient Greeks to the spectacular overindulgence described in the diaries of Evelyn Waugh, the consumption of wine to excess has been a recurrent theme among those drink and those who write about it. Sometimes the quantities consumed by the drinkers of the past are staggering. According to Roy Porter’s English Society in the Eighteenth Century, ‘to gain a reputation as a blade (...)
- Wine as an Aesthetic Object.Tim Crane - 2007 - In Barry C. Smith (ed.), Questions of Taste: The Philosophy of Wine. Oxford: Oxford University Press. pp. 141--156.Art is one thing, the aesthetic another. Things can be appreciated aesthetically – for instance, in terms of the traditional category of the beautiful – without being works of art. A landscape can be appreciated as beautiful; so can a man or a woman. Appreciation of such natural objects in terms of their beauty certainly counts as aesthetic appreciation, if anything does. This is not simply because landscapes and people are not artefacts; for there are also artefacts which are assessable (...)
Drinks and Drinking, Misc
- Wine and Philosophy.Tim Crane - 2003 - Harper's Magazine 1 (May).What could be more dull than the idea of a symposium? The word conjures up associations with dusty dons, tedious academic papers on deservedly obscure facts and theories. In universities these days, what used to be called ‘symposia’ are often called ‘workshops’ – perhaps in a feeble attempt to make the symposium sound more exciting. If this is your view of the symposium, you may be surprised to learn that the original ancient Greek symposium was a drinking party: the word (...)
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