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  1. Goodman Paradox, Hume's Problem, Goodman-Kripke Paradox: Three Different Issues.Beppe Brivec - manuscript
    This paper reports (in section 1 “Introduction”) some quotes from Nelson Goodman which clarify that, contrary to a common misunderstanding, Goodman always denied that “grue” requires temporal information and “green” does not require temporal information; and, more in general, that Goodman always denied that grue-like predicates require additional information compared to what green-like predicates require. One of the quotations is the following, taken from the first page of the Foreword to chapter 8 “Induction” of the Goodman’s book “Problems and Projects”: (...)
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  2. O velho e novo problema da indução.Eros Carvalho - manuscript
    Neste texto inrodutório, apresento brevemente o que normalmente se entende pelo velho problema da indução e, em seguida, apresento um pouco mais detidamente, acentuando as diferenças e semelhanças, o novo enigma da indução.
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  3. The Putnam-Goodman-Kripke Paradox.Robert Kowalenko - 2022 - Acta Analytica 37 (4):575-594.
    The extensions of Goodman’s ‘grue’ predicate and Kripke’s ‘quus’ are constructed from the extensions of more familiar terms via a reinterpretation that permutes assignments of reference. Since this manoeuvre is at the heart of Putnam’s model-theoretic and permutation arguments against metaphysical realism (‘Putnam’s Paradox’), both Goodman’s New Riddle of Induction and the paradox about meaning that Kripke attributes to Wittgenstein are instances of Putnam’s. Evidence cannot selectively confirm the green-hypothesis and disconfirm the grue-hypothesis, because the theory of which the green-hypothesis (...)
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  4. Rudolf Carnap and David Lewis on Metaphysics.Fraser MacBride - 2021 - Journal for the History of Analytical Philosophy 9 (1).
    In an unpublished speech from 1991, David Lewis told his audience that he counted ‘the metaphysician Carnap ’ amongst his historical ancestors. Here I provide a novel interpretation of the Aufbau that allows us to make sense of Lewis’s claim. Drawing upon Lewis’s correspondence, I argue it was the Carnap of the Aufbau whom Lewis read as a metaphysician, because Carnap’s appeal to the notion of founded relations in the Aufbau echoes Lewis’s own appeal to the metaphysics of natural properties. (...)
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  5. Goodman e o projeto de uma definição construtiva de “indução válida”.Eros Moreira de Carvalho - 2018 - Principia: An International Journal of Epistemology 22 (3):439-460.
    In Fact, Fiction and Forecast, Nelson Goodman claims that the problem of justifying induction is not something over and above the problem of describing valid induction. Such claim, besides suggesting his commitment to the collapse of the distinction between the context of description and the context of justification, seems to open the possibility that the new riddle of induction could be addressed empirically. Discoveries about psychological preferences for projecting certain classes of objects could function as a criterion for determining which (...)
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  6. Goodman and Cavell on Fakes.Bo Allesøe Christensen - 2018 - Akademisk Kvarter 17:83-95.
    What is a fake artwork? This is seldom asked in aesthetics even though judging an artwork as excellent or original implicitly posits criteria for fraudulent or dubious artworks as well. This article presents Nelson Goodman’s proposal of how we are to understand fakes. It will criticize his predominantly cognitive approach for failure of incorporating a sense of aesthetic value, thereby leaving the possibility of artworks which are fakes but nevertheless originals unexplained. Instead Stanley Cavell’s writings on aesthetic judgment are explored (...)
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  7. Rearticulating Languages of Art: Dancing with Goodman.Joshua M. Hall - 2015 - Evental Aesthetics 3 (3):28-53.
    In this article, I explore the relationship between dance and the work of Nelson Goodman, which is found primarily in his early book, Languages of Art. Drawing upon the book’s first main thread, I examine Goodman’s example of a dance gesture as a symbol that exemplifies itself. I argue that self-exemplifying dance gestures are unique in that they are often independent and internally motivated, or “meta-self-exemplifying.” Drawing upon the book’s second main thread, I retrace Goodman’s analysis of dance’s relationship to (...)
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  8. Evidence, Hypothesis, and Grue.Alfred Schramm - 2014 - Erkenntnis 79 (3):571-591.
    Extant literature on Goodman’s ‘New Riddle of Induction’ deals mainly with two versions. I consider both of them, starting from the (‘epistemic’) version of Goodman’s classic of 1954. It turns out that it belongs to the realm of applications of inductive logic, and that it can be resolved by admitting only significant evidence (as I call it) for confirmations of hypotheses. Sect. 1 prepares some ground for the argument. As much of it depends on the notion of evidential significance, this (...)
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  9. Goodman e o equilíbrio reflexivo.Eros Moreira Carvalho - 2013 - Veritas – Revista de Filosofia da Pucrs 58 (3):467-481.
    Goodman sustentou que o ajuste mútuo entre inferências indutivas particulares e princípios indutivos constitui a única justificação necessária para ambos. Porém, a sua caracterização desse ajuste, posteriormente denominado de “equilíbrio reflexivo”, foi superficial. Isso levantou dúvida sobre a sua adequação. Neste artigo, argumento que o equilíbrio reflexivo, corretamente caracterizado, fornece a única justificação necessária e a melhor que podemos dar para a prática indutiva.
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  10. What is «Critique of Worldmaking»? Nelson Goodman's Conception of Philosophy.Lars Leeten - 2012 - Enrahonar: Quaderns de Filosofía 49:29-40.
    The contribution examines Goodman’s conception of philosophy, in particular his remark that his project can be understood as a «critique of worldmaking». It is argued that, despite dealing with epistemological questions, the general theory of symbols and worldmaking does not answer them. Rather, it can be conceived as a practical conception comparable to Kant’s critique of reason or to Wittgenstein’s critique of language games, i. e. , as a philosophy of world orientation. It is claimed that Goodman himself could not (...)
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  11. Depictive Structure?Ben Blumson - 2011 - Philosophical Papers 40 (1):1-25.
    This paper argues against definitions of depiction in terms of the syntactic and semantic properties of symbol systems. In particular, it is argued that John Kulvicki's definition of depictive symbol systems in terms of relative repleteness, semantic richness, syntactic sensitivity and transparency is susceptible to similar counterexamples as Nelson Goodman's in terms of syntactic density, semantic density and relative repleteness. The general moral drawn is that defining depiction requires attention not merely to descriptive questions about syntax and semantics, but also (...)
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  12. Cassierer i Nelson Goodman w kontekście teorii odbicia.Tomasz Kubalica - 2011 - Diametros 30:13-28.
    Celem artykułu jest porównanie koncepcji poznania Ernsta Cassirera i Nelsona Goodmana, których łączy odrzucenie idei poznania jako odbicia rzeczywistości i przyjęcie koncepcji przekształcania. Owo przekształcanie nie jest całkowitym przeciwieństwem odbicia, lecz jego poszerzeniem w taki sposób, że poznanie oznacza zarówno twórcze wytwarzanie, jak i odtwórcze odbicie. Tym samym zniesiona zostaje tradycyjna epistemologiczna dychotomia: konstruowanie – odkrywanie. Wspólną dla obu filozofów przesłankę stanowi odrzucenie prymatu faktów i danych zmysłowych, a konsekwencją poszerzonej koncepcji poznania jest zaś dla nich irrealistyczna koncepcja reprezentacji symbolicznej. (...)
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  13. The unity of Goodman's thought.Daniel Cohnitz - 2009 - In Gerhard Ernst, Jakob Steinbrenner & Oliver R. Scholz (eds.), From Logic to Art: Themes from Nelson Goodman. Frankfurt: Ontos. pp. 7--33.
    I argue that Goodman’s philosophy should not be characterised in opposition to the philosophy of the logical empiricists, but is more fruitfully interpreted as a continuation of their philosophical programme. In particular, understanding Goodman’s philosophy as a continuation of the ideal language tradition makes explicable how a radical ontological relativist could be such a staunch nominalist at the same time.
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  14. Depiction and convention.Ben Blumson - 2008 - Dialectica 62 (3):335-348.
    By defining both depictive and linguistic representation as kinds of symbol system, Nelson Goodman attempts to undermine the platitude that, whereas linguistic representation is mediated by convention, depiction is mediated by resemblance. I argue that Goodman is right to draw a strong analogy between the two kinds of representation, but wrong to draw the counterintuitive conclusion that depiction is not mediated by resemblance.
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  15. Mondo-versioni e versioni del mondo.Achille C. Varzi - 2008 - In Nelson Goodman, Vedere e costruire il mondo. Laterza. pp. 7-24.
    Some reflections on Nelson Goodman’s ontological pluralism (as emerging from his Ways of Worldmaking) and its influence on contemporary philosophy, taking the querelle with Quine in the columns of The New York Review of Books as a starting point.
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  16. A Refutation of Goodman's Type‐Token Theory of Notation.John Dilworth - 2003 - Dialectica 57 (3):330-336.
    In Languages of Art, Nelson Goodman presents a general theory of symbolic notation. However, I show that his theory could not adequately explain possible cases of natural language notational uses, and argue that this outcome undermines, not only Goodman's own theory, but any broadly type versus token based account of notational structure.Given this failure, an alternative representational theory is proposed, in which different visual or perceptual aspects of a given physical inscription each represent a different letter, word, or other notational (...)
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  17. The Goodman-Kripke Paradox.Robert Kowalenko - 2003 - Dissertation, King's College London
    The Kripke/Wittgenstein paradox and Goodman’s riddle of induction can be construed as problems of multiple redescription, where the relevant sceptical challenge is to provide factual grounds justifying the description we favour. A choice of description or predicate, in turn, is tantamount to the choice of a curve over a set of data, a choice apparently governed by implicitly operating constraints on the relevant space of possibilities. Armed with this analysis of the two paradoxes, several realist solutions of Kripke’s paradox are (...)
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  18. Review of Nelson Goodman, Problems and Projects. [REVIEW]Roger Wertheimer - 1972 - Commentary 54 (1):96-7.
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  19. Goodman’s Paradox, Hume’s Problem, Goodman-Kripke Paradox: Three Different Issues.Beppe Brivec -
    On page 14 of "Reconceptions in Philosophy and Other Arts and Sciences" (section 4 of chapter 1) by Nelson Goodman and Catherine Z. Elgin is written: “Since ‘blue’ and ‘green’ are interdefinable with ‘grue’ and ‘bleen’, the question of which pair is basic and which pair derived is entirely a question of which pair we start with”. This paper points out that an example of interdefinability is also that one about the predicate “grueb”, which is a predicate that applies to (...)
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