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  1. Nietzsche's Subversive Rewritings of Phaedo-Platonism.Mark Anderson - 2017 - In Mark T. Conard (ed.), Nietzsche and the Philosophers. London, UK: Routledge. pp. 63-85.
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  2. On Nietzsche’s Criticism Towards Common Sense Realism in Human, All Too Human I, 11.Pietro Gori - 2017 - Philosophical Readings 9 (3):207-213.
    The paper explores Nietzsche's observations on language in Human, All Too Human I, 11; reflects on the anti-realist position that Nietzsche defends in that aphorism; and focuses on the role she plays in his later investigation on Western culture and its anthropology. As will be argued, Nietzsche's criticism towards common sense realism is consistent with some pragmatist epistemologies developed during the late-nineteenth and early-twentieth century. This treat of " timeliness " does not limit Nietzsche's originality on the topic. In fact, (...)
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  3. Nietzschean Approaches to Hermeneutics.Paul Katsafanas - forthcoming - In Michael Förster & Kristin Gjesdal (eds.), The Cambridge Companion to Hermeneutics. Cambridge University Press.
    This essay charts several key points of contact between Nietzsche and the hermeneutical tradition. It begins by arguing that the familiar claim that Nietzsche offers a hermeneutics of suspicion is potentially misleading. Seeking a more accurate representation of Nietzsche’s views, the essay argues that Nietzsche’s interpretive stance has several key features: he rejects immediate givens, endorses holism and perspectivism, and sees conscious experience as structured by concepts and language. Methodologically, Nietzsche inaugurates a genealogical approach to studying objects of philosophical concern, (...)
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  4. Nietzsche Und Die Wahrheitsgewissheitsverluste Im Anbruch der Moderne.Gregor Schiemann - 2014 - In H. Heit & L. Heller (eds.), Handbuch. Nietzsche und die Wissenschaften. de Gruyter. pp. 46-75.
    Im ersten Teil verorte ich den historischen Kontext des Umbruchprozesses der Wissenschaft des 19. Jahrhunderts im Hinblick auf die Physik. Vom Beginn der Neuzeit bis weit ins 20. Jahrhundert hinein war die Physik die Leitwissenschaft in den Naturwissenschaften. Der Wandlungsprozess der auf sie bezogenen Wissenschaftsauffassungen setzt im 19. Jahrhundert bislang unangetastete, von der Antike herrührende Geltungsansprüche außer Kraft. Im zweiten Teil vergleiche ich Nietzsches Charakterisierung der Wissenschaften exemplarisch mit der von Hermann von Helmholtz. Helmholtz kann als ein herausragender Vertreter der (...)
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Nietzsche: Metaphysics
  1. Précis of Nietzsche’s Constructivism: A Metaphysics of Material Objects (Routledge, 2017).Justin Remhof - forthcoming - Philosophia.
    This is a précis of Nietzsche’s Constructivism: A Metaphysics of Material Objects (Routledge, 2017), for a forthcoming symposium on the book.
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  2. Antichrist Psychonaut: Nietzsche's Psychoactive Drugs.Peter Sjöstedt-H. - 2015 - Psychedelic Press Journal 12:19-41.
    An exploration into the reciprocity between Nietzsche's drug use and his philosophy.
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  3. Paradox and Tragedy in Human Morality.Pouwel Slurink - 1994 - International Political Science Review 15 (347):378.
    An evolutionary approach to ethics supports, to some extent, the sceptical meta-ethics found by some of the Greek sophists and Nietzsche. On the other hand, a modern naturalistic account on the origin and nature of morality, leads to somewhat different conclusions. This is demonstrated with an answer to three philosophical questions: does real freedom exist?, does the good, or real virtue, exist?, does life have a meaning?
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Nietzsche: Will to Power
  1. The Value of Critical Knowledge, Ethics and Education: Philosophical History Bringing Epistemic and Critical Values to Values.Ignace Haaz - 2019 - Geneva, Switzerland: Globethics Publications.
    This book aims at six important conceptual tools developed by philosophers. The author develops each particular view in a chapter, hoping to constitute at the end a concise, interesting and easily readable whole. These concepts are: 1. Ethics and realism: elucidation of the distinction between understanding and explanation – the lighthouse type of normativity. 2. Leadership, antirealism and moral psychology – the lightning rod type of normativity. 3. Bright light on self-identity and positive reciprocity – the reciprocity type of normativity. (...)
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  2. The Passions and Disinterest: From Kantian Free Play to Creative Determination by Power, Via Schiller and Nietzsche.Eli I. Lichtenstein - 2019 - Ergo: An Open Access Journal of Philosophy 6 (9):249-279.
    I argue that Nietzsche’s criticism of the Kantian theory of disinterested pleasure in beauty reflects his own commitment to claims that closely resemble certain Kantian aesthetic principles, specifically as reinterpreted by Schiller. I show that Schiller takes the experience of beauty to be disinterested both (1) insofar as it involves impassioned ‘play’ rather than desire-driven ‘work’, and (2) insofar as it involves rational-sensuous (‘aesthetic’) play rather than mere physical play. In figures like Nietzsche, Schiller’s generic notion of play—which is itself (...)
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  3. Psychologischer Skeptizismus. Nietzsches Kritik Am Deutschen Idealismus.Michael Lewin - 2017 - Coincidentia. Zeitschrift für Europäische Geistesgeschichte 8:383-406.
    Eine Untersuchung zu Nietzsches Kritik am Deutschen Idealismus im Rahmen seiner allgemeinen Idealismuskritik und seiner Lehre vom Willen zur Macht.
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  4. Review of Tsarnia Doyle, Nietzsche's Metaphysics of the Will to Power: The Possibility of Value. [REVIEW]Justin Remhof - 2018 - Notre Dame Philosophical Reviews 5.
    Review of Tsarnia Doyle, Nietzsche's Metaphysics of the Will to Power: The Possibility of Value.
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  5. Defending Nietzsche's Constructivism About Objects.Justin Remhof - 2017 - European Journal of Philosophy 25 (2):1132-1158.
    Nietzsche appears to adopt a radical Kantian view of objects called constructivism, which holds that the existence of all objects depends essentially on our practices. This essay provides a new reconstruction of Nietzsche's argument for constructivism and responds to five pressing objections to reading Nietzsche as a constructivist that have not been addressed by commentators defending constructivist interpretations of Nietzsche.
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  6. Feeling, Not Freedom: Nietzsche Against Agency.Donovan Miyasaki - 2016 - Journal of Nietzsche Studies 47 (2):256-274.
    Despite his rejection of the metaphysical conception of freedom of the will, Nietzsche frequently makes positive use of the language of freedom, autonomy, self-mastery, self-overcoming, and creativity when describing his normative project of enhancing humanity through the promotion of its highest types. A number of interpreters have been misled by such language to conclude that Nietzsche accepts some version of compatibilism, holding a theory of natural causality that excludes metaphysical or “libertarian” freedom of the will, while endorsing morally substantial alternative (...)
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  7. Introduction to Cosmological Aesthetics: The Kantian Sublime and Nietzschean Dionysian.Erman Kaplama - 2010 - International Journal of the Humanities 8 (2):69-84.
    This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...)
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  8. Nietzsche on Objects.Justin Remhof - 2015 - Nietzsche-Studien 44 (1).
    Nietzsche was persistently concerned with what an object is and how different views of objects lead to different views of facts, causality, personhood, substance, truth, mathematics and logic, and even nihilism. Yet his treatment of objects is incredibly puzzling. In many passages he assumes that objects such as trees and leaves, tables and chairs, and dogs and cats are just ordinary entities of experience. In other places he reports that objects do not exist. Elsewhere he claims that objects exist, but (...)
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  9. Nietzsche and Eternal Recurrence.Arnold Zuboff - 1973 - In Robert C. Solomon (ed.), Nietzsche: A Collection of Critical Essays. pp. 343-357.
    I critically examine Nietzsche’s argument in The Will to Power that all the detailed events of the world are repeating infinite times (on account of the merely finite possible arrangements of forces that constitute the world and the inevitability with which any arrangement of force must bring about its successors). Nietzsche celebrated this recurrence because of the power of belief in it to bring about a revaluation of values focused wholly on the value of one’s endlessly repeating life. Belief in (...)
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  10. Moritz Schlicks Vorlesungen über Nietzsche und Schopenhauer. [REVIEW]Thomas Mormann - 2015 - Journal of General Philosophy of Science 46 (2): 419 - 423.
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  11. Salvation in a Naturalized World: The Role of the Will and Intellect in the Philosophies of Nietzsche and Spinoza.Tammy Nyden - 1998 - NASS (North American Spinoza Society) Monograph 7:17-31.
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Nietzsche: Eternal Recurrence
  1. Existence Is Evidence of Immortality.Michael Huemer - manuscript
    Time may be infinite in both directions. If it is, then, if persons could live at most once in all of time, the probability that you would be alive now would be zero. But if persons can live more than once, the probability that you would be alive now would be nonzero. Since you are alive now, with certainty, either the past is finite, or persons can live more than once.
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  2. The Eternal Recurrence of the Same as the Gift of Difference: Naming the Enigma, the Enigma of Names.John Krummel - 1996 - PoMo Magazine 2 (1):31-46.
    Published in PoMo Magazine vol. 2, nr. 1 (Spring/Summer 1996) during my years as a grad student at the New School. I examine Nietzsche's presentation of the eternal recurrence, and discuss its interpretations by Heidegger, Bataille, Derrida, Klossowski, Stambaugh, and Vattimo. I will be returning to Nietzsche in the future.
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  3. The Cosmological Aesthetic Worldview in Van Gogh’s Late Landscape Paintings.Erman Kaplama - 2016 - Cosmos and History 12 (1):218-237.
    Some artworks are called sublime because of their capacity to move human imagination in a different way than the experience of beauty. The following discussion explores how Van Gogh’s The Starry Night along with some of his other late landscape paintings accomplish this peculiar movement of imagination thus qualifying as sublime artworks. These artworks constitute examples of the higher aesthetic principles and must be judged according to the cosmological-aesthetic criteria for they manage to generate a transition between ethos and phusis (...)
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  4. Uma Perspectiva Ética do Eterno Retorno.Diego Ramos Mileli - 2015 - Revista Filosofia Capital 10 (17):96-102.
    O problema do eterno retorno, conforme este é construído no aforismo 341 da Gaia Ciência, é analisado em sua possibilidade de se construir uma perspectiva ética. Além disso, são abordadas as relações que se estabelecem entre essas expressões 'cuidado de si' e 'eterno retorno', respectivamente em Foucault e Nietzsche, de forma a compreender como as noções que residem nelas se aproximam, afastam ou complementam-se.
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  5. Introduction to Cosmological Aesthetics: The Kantian Sublime and Nietzschean Dionysian.Erman Kaplama - 2010 - International Journal of the Humanities 8 (2):69-84.
    This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...)
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  6. Nietzsche and Eternal Recurrence.Arnold Zuboff - 1973 - In Robert C. Solomon (ed.), Nietzsche: A Collection of Critical Essays. pp. 343-357.
    I critically examine Nietzsche’s argument in The Will to Power that all the detailed events of the world are repeating infinite times (on account of the merely finite possible arrangements of forces that constitute the world and the inevitability with which any arrangement of force must bring about its successors). Nietzsche celebrated this recurrence because of the power of belief in it to bring about a revaluation of values focused wholly on the value of one’s endlessly repeating life. Belief in (...)
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  7. Eternal Recurrence and Nihilism: Adding Weight to the Unbearable Lightness of Action.Nadeem J. Z. Hussain - manuscript
    (Version 2.4) I have argued elsewhere for ascribing an error theory about all normative and evaluative judgements to Nietzsche. Such a nihilism brings with it a puzzle: how could we—or at least the select few of us being addressed by Nietzsche—continue in the face of this nihilism? This is a philosophical puzzle and so, defeasibly, an interpretive puzzle. If there is no theory it would make sense for Nietzsche to have about how the select few could go on, then this (...)
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Nietzsche: Critique of Traditional Metaphysics
  1. Nietzsche and James on the Value of Constructing Objects.Justin Remhof - 2018 - Open Philosophy 1 (1):392-400.
    In this paper, I first suggest that Nietzsche and James, two otherwise very different thinkers, both endorse the controversial constructivist view that human representational practices bring all material objects into existence. I then explore their views concerning why and how constructivism can play a vital role in helping us find reality and our lives valuable.
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  2. Psychologischer Skeptizismus. Nietzsches Kritik Am Deutschen Idealismus.Michael Lewin - 2017 - Coincidentia. Zeitschrift für Europäische Geistesgeschichte 8:383-406.
    Eine Untersuchung zu Nietzsches Kritik am Deutschen Idealismus im Rahmen seiner allgemeinen Idealismuskritik und seiner Lehre vom Willen zur Macht.
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  3. Twilight of the Idols or How to Philosophize with a Hammer.Daniel Fidel Ferrer & Friedrich Nietzsche - 1997 - archive.org.
    Cataloguing: -/- Twilight of the Idols or How to Philosophize with a Hammer / By Friedrich Nietzsche (1844-1900). [Götzen-Dämmerung. English]. Translation of text, afterward, notes, letters, and appendixes by ©Daniel Fidel Ferrer, 2013. 1. Philosophy. 2). Metaphysics. 3). Philosophy, German. 4). Philosophy, German -- 19th century. 5). Philosophy, German – Greek influences. I. Nietzsche, Friedrich Wilhelm, 1844-1900. II. Ferrer, Daniel Fidel, 1952-.
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  4. Kantian and Nietzschean Aesthetics of Human Nature: A Comparison Between the Beautiful/Sublime and Apollonian/Dionysian Dualities.Erman Kaplama - 2016 - Cosmos and History 12 (1):166-217.
    Both for Kant and for Nietzsche, aesthetics must not be considered as a systematic science based merely on logical premises but rather as a set of intuitively attained artistic ideas that constitute or reconstitute the sensible perceptions and supersensible representations into a new whole. Kantian and Nietzschean aesthetics are both aiming to see beyond the forms of objects to provide explanations for the nobility and sublimity of human art and life. We can safely say that Kant and Nietzsche used the (...)
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  5. Introduction to Cosmological Aesthetics: The Kantian Sublime and Nietzschean Dionysian.Erman Kaplama - 2010 - International Journal of the Humanities 8 (2):69-84.
    This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...)
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  6. La muerte de Dios y el último Dios. Nietzsche en los Aportes a la Filosofía de Martín Heidegger.Carlos Gutiérrez Lozano - 2007 - Revista de Filosofía UIA 39 (119):77-90.
    The article critically develops Nietzsche's presence in Heidegger's second great work, Contributions to Philosophy. Heidegger considers Nietzsche the last metaphysicist. However, being Western Metaphysics' zenith is the greatest thing that can be said of a thinker, since being the one who brings to completion a school of thought makes one, at the same time, the precursor of the ‘other’ begining and thus his concept of God's dead, nihilism and truth really can open the door to a kind of post-metaphysical thought, (...)
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  7. Nietzsche's Critique of Staticism.Manuel Dries - 2008 - In Nietzsche on Time and History. Walter de Gruyter. pp. 1.
    Why are we still intrigued by Nietzsche? This chapter argues that sustained interest stems from Nietzsche’s challenge to what we might call the ‘staticism’ inherent in our ordinary experience. Staticism can be defined, roughly speaking, as the view that the world is a collection of enduring, re-identifiable objects that change only very gradually and according to determinate laws. The chapter discusses Nietzsche’s rejection of remnants of staticism in Hegel and Schopenhauer (1). It outlines why Nietzsche deems belief in any variant (...)
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Nietzsche: Time, Being and Becoming
  1. Kantian and Nietzschean Aesthetics of Human Nature: A Comparison Between the Beautiful/Sublime and Apollonian/Dionysian Dualities.Erman Kaplama - 2016 - Cosmos and History 12 (1):166-217.
    Both for Kant and for Nietzsche, aesthetics must not be considered as a systematic science based merely on logical premises but rather as a set of intuitively attained artistic ideas that constitute or reconstitute the sensible perceptions and supersensible representations into a new whole. Kantian and Nietzschean aesthetics are both aiming to see beyond the forms of objects to provide explanations for the nobility and sublimity of human art and life. We can safely say that Kant and Nietzsche used the (...)
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  2. The Cosmological Aesthetic Worldview in Van Gogh’s Late Landscape Paintings.Erman Kaplama - 2016 - Cosmos and History 12 (1):218-237.
    Some artworks are called sublime because of their capacity to move human imagination in a different way than the experience of beauty. The following discussion explores how Van Gogh’s The Starry Night along with some of his other late landscape paintings accomplish this peculiar movement of imagination thus qualifying as sublime artworks. These artworks constitute examples of the higher aesthetic principles and must be judged according to the cosmological-aesthetic criteria for they manage to generate a transition between ethos and phusis (...)
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  3. Introduction to Cosmological Aesthetics: The Kantian Sublime and Nietzschean Dionysian.Erman Kaplama - 2010 - International Journal of the Humanities 8 (2):69-84.
    This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...)
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  4. Nietzsche's Critique of Staticism.Manuel Dries - 2008 - In Nietzsche on Time and History. Walter de Gruyter. pp. 1.
    Why are we still intrigued by Nietzsche? This chapter argues that sustained interest stems from Nietzsche’s challenge to what we might call the ‘staticism’ inherent in our ordinary experience. Staticism can be defined, roughly speaking, as the view that the world is a collection of enduring, re-identifiable objects that change only very gradually and according to determinate laws. The chapter discusses Nietzsche’s rejection of remnants of staticism in Hegel and Schopenhauer (1). It outlines why Nietzsche deems belief in any variant (...)
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Nietzsche: Metaphysics, Misc
  1. Nietzsche and James on the Value of Constructing Objects.Justin Remhof - 2018 - Open Philosophy 1 (1):392-400.
    In this paper, I first suggest that Nietzsche and James, two otherwise very different thinkers, both endorse the controversial constructivist view that human representational practices bring all material objects into existence. I then explore their views concerning why and how constructivism can play a vital role in helping us find reality and our lives valuable.
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  2. Nietzsche on Monism About Objects.Justin Remhof - 2018 - Southern Journal of Philosophy 56 (4):469-487.
    This article concerns whether Nietzsche is sympathetic to monism about concrete objects, the heterodox metaphysical view that there is exactly one concrete object. I first dispel prominent reasons for thinking that Nietzsche rejects monism. I then develop the most compelling arguments for monism in Nietzsche’s writings and check for soundness. The arguments seem to be supported by the texts, but they have not been developed in the literature. Despite such arguments, I suggest that Nietzsche is actually not sympathetic to monism (...)
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  3. Defending Nietzsche's Constructivism About Objects.Justin Remhof - 2017 - European Journal of Philosophy 25 (2):1132-1158.
    Nietzsche appears to adopt a radical Kantian view of objects called constructivism, which holds that the existence of all objects depends essentially on our practices. This essay provides a new reconstruction of Nietzsche's argument for constructivism and responds to five pressing objections to reading Nietzsche as a constructivist that have not been addressed by commentators defending constructivist interpretations of Nietzsche.
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  4. 'Pain Always Asks for a Cause': Nietzsche and Explanation.Bennett Matt - forthcoming - European Journal of Philosophy.
    Those who have emphasised Nietzsche’s naturalism have often claimed that he emulates natural scientific methods by offering causal explanations of psychological, social, and moral phenomena. In order to render Nietzsche’s method consistent with his methodology, such readers of Nietzsche have also claimed that his objections are based on a limited scepticism concerning the veracity of causal explanations. My contention is that proponents of this reading are wrong about both Nietzsche’s methodology and his method. I argue for this by: first, showing (...)
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  5. Nietzschean Wholeness.Gabriel Zamosc - forthcoming - In Paul Katsafanas (ed.), Routledge Philosophy Minds: Nietzsche. Routledge.
    In this paper I investigate affinities between Nietzsche’s early philosophy and some aspects of Kant’s moral theory. In so doing, I develop further my reading of Nietzschean wholeness as an ideal that consists in the achievement of cultural—not psychic—integration by pursuing the ennoblement of humanity in oneself and in all. This cultural achievement is equivalent to the procreation of the genius or the perfection of nature. For Nietzsche, the process by means of which we come to realize the genius in (...)
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  6. Naturalism, Causality, and Nietzsche’s Conception of Science. Remhof - 2015 - Journal of Nietzsche Studies 46 (1):110.
    There is a disagreement over how to understand Nietzsche’s view of science. According to what I call the Negative View, Nietzsche thinks science should be reconceived or superseded by another discourse, such as art, because it is nihilistic. By contrast, what I call the Positive View holds that Nietzsche does not think science is nihilistic, so he denies that it should be reinterpreted or overcome. Interestingly, defenders of each position can appeal to Nietzsche’s understanding of naturalism to support their interpretation. (...)
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  7. Heidegger’s Allegory of Reading: On Nietzsche and the Tradition.William D. Melaney - 2012 - In Alfred Denker Babette Babich (ed.), Hiedegger und Nietzsche. Brill. pp. 190-98.
    Heidegger's interpretation of Nietzsche has been canonized in the philosophical tradition as an almost perfect demonstration of how the forgetfulness of Being continues the dominant positions of modern metaphysics. However, the role of reading in the interpretative process casts a different light on Heidegger's approach to Nietzsche and his relationship to the philosophical tradition. This paper is concerned with three aspects of Heidegger's work, namely, (i) the role of Kant and Schopenhauer in Nietzsche's critique of metaphysics; (ii) Nietzsche's 'inversion' of (...)
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  8. Feeling, Not Freedom: Nietzsche Against Agency.Donovan Miyasaki - 2016 - Journal of Nietzsche Studies 47 (2):256-274.
    Despite his rejection of the metaphysical conception of freedom of the will, Nietzsche frequently makes positive use of the language of freedom, autonomy, self-mastery, self-overcoming, and creativity when describing his normative project of enhancing humanity through the promotion of its highest types. A number of interpreters have been misled by such language to conclude that Nietzsche accepts some version of compatibilism, holding a theory of natural causality that excludes metaphysical or “libertarian” freedom of the will, while endorsing morally substantial alternative (...)
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  9. Nietzsche on Objects.Justin Remhof - 2015 - Nietzsche-Studien 44 (1).
    Nietzsche was persistently concerned with what an object is and how different views of objects lead to different views of facts, causality, personhood, substance, truth, mathematics and logic, and even nihilism. Yet his treatment of objects is incredibly puzzling. In many passages he assumes that objects such as trees and leaves, tables and chairs, and dogs and cats are just ordinary entities of experience. In other places he reports that objects do not exist. Elsewhere he claims that objects exist, but (...)
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  10. Overcoming the Conflict of Evolutionary and Naturalized Epistemology in Nietzsche.Justin Remhof - 2015 - History of Philosophy Quarterly 32 (2):181-194.
    There is a difficulty in understanding Nietzsche’s epistemology. It is generally accepted that he endorses the naturalized epistemological view that knowledge should be closely connected to the sciences. He also holds the evolutionary epistemological position that knowledge has developed exclusively to benefit human survival. Nietzsche’s evolutionary epistemology, however, appears to imply a debunking argument about the truth of our beliefs that seems to undermine his commitment to a naturalized epistemology. This paper argues that Nietzsche’s evolutionary epistemology does not, in fact, (...)
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  11. Nietzsche and Eternal Recurrence.Arnold Zuboff - 1973 - In Robert C. Solomon (ed.), Nietzsche: A Collection of Critical Essays. pp. 343-357.
    I critically examine Nietzsche’s argument in The Will to Power that all the detailed events of the world are repeating infinite times (on account of the merely finite possible arrangements of forces that constitute the world and the inevitability with which any arrangement of force must bring about its successors). Nietzsche celebrated this recurrence because of the power of belief in it to bring about a revaluation of values focused wholly on the value of one’s endlessly repeating life. Belief in (...)
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  12. Moritz Schlicks Vorlesungen über Nietzsche und Schopenhauer. [REVIEW]Thomas Mormann - 2015 - Journal of General Philosophy of Science 46 (2): 419 - 423.
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  13. “Sounding Out Idols”: Knowledge, History and Metaphysics in Human, All Too Human and Twilight of the Idols.Pietro Gori - 2009 - In Volker Gerhard & Renate Reschke (eds.), Nietzscheforschung, vol. 16. pp. 239-247.
    "Twilight of the Idols" plays an important role in Nietzsche’s work, since it represents the opening writing of the philosophical project called "Transvaluation of all values". In that text, Nietzsche aims to sound out the "eternal idols", which means to disclose the inconsistency of the principles of traditional metaphysics. The way Nietzsche addresses the "old truths" in Twilight of the Idols leads back to his early writings, when his theory of knowledge is first outlined, inspired by Schopenhauer as much as (...)
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Nietzsche: Teleology
  1. Kantian and Nietzschean Aesthetics of Human Nature: A Comparison Between the Beautiful/Sublime and Apollonian/Dionysian Dualities.Erman Kaplama - 2016 - Cosmos and History 12 (1):166-217.
    Both for Kant and for Nietzsche, aesthetics must not be considered as a systematic science based merely on logical premises but rather as a set of intuitively attained artistic ideas that constitute or reconstitute the sensible perceptions and supersensible representations into a new whole. Kantian and Nietzschean aesthetics are both aiming to see beyond the forms of objects to provide explanations for the nobility and sublimity of human art and life. We can safely say that Kant and Nietzsche used the (...)
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