Seneca

Does Seneca entirely reject the utility of dialectical study for moral improvement? No, I argue here. Focusing on Letter 87, I propose that Seneca raises and disarms objections to formal Stoic arguments in order to help moral progressors avoid backsliding and advance towards ethical knowledge. I trace this method back to Chrysippus and show that reading Letter 87 in this Chrysippean framework yields a satisfying explanation of its otherwise puzzling features.

Stoicism deserves everything that Broic$ are doing to its movement. This is because Stoics stuff the value of everything into their own heads, thus denying that external things are good and that other people have intrinsic value. Stoics are psychopathic narcissists and axiological solipsists. And this makes Stoicism easy to coopt into bro-y, shallow, self-help-y garbage.

In the 89th letter to Lucilius Seneca divides philosophy into three parts, namely ethics, physics, and logic. As philosophy in general he also divides its ethical parts into three parts: the first one has to do with value judgments, the second with impulses, and the third with actions. But instead of characterizing each of these parts and giving an overview of their contents he rather describes an ideal action: first, one makes a correct value judgment, then, one initiates a regulated (...) and ordered impulse, and finally, one brings this impulse into harmony with one’s external action by paying attention to the circumstances under which one intends to act. If each of these action moments has the mentioned character, one is consistent with oneself—an important step towards reaching full self-consistency, i.e., virtue. If those moments do not have the mentioned character, as for example in a passion, one cannot be consistent with oneself. As a result, one diverges from the goal of full self-consistency and thus from virtue. The thesis of my book takes up the parallel Seneca is drawing between ethics and its parts on the one hand and an action and its moments on the other hand. I argue that his ethics is based on an action theory that has as its main moments a judgment, an impulse and an external action. Within this theoretical framework, Seneca gives an answer to the question of what one should do in order to reach full self-consistency, i.e., virtue, which for a Stoic like him is a necessary and sufficient condition for happiness. My book, correspondingly, has two major parts: first, I am working out Seneca’s action theory and its philosophical origins, then, I am concerned with his ethics. In the first main chapter, I further argue that his action theory stems for the most part from the early Stoics, but that unlike them he has a concept of will. This concept, as I want to show in the second part, plays an important role in his ethics, too. (shrink)

Disney’s Frozen (2013) and Frozen 2 (2019) are among the highest-grossing films of all time (IMDb 2021) and are arguably among the most influential works of fantasy produced in the last decade in any medium. The films, based loosely on Hans Christensen Andersen’s “The Snow Queen” (Andersen 2014) focus on the adventures of the sisters Anna and Elsa as they, together with their companions, seek to safeguard their people both from external threats and (importantly) from Elsa’s inabilities to control her (...) magical abilities to summon ice and snow. While Anna’s choices drive much of the action of both films, Elsa has undoubtedly been the more influential and popular of the two characters, as indicated by measures such as merchandise sales (Ellen Byron and Paul Ziobro 2014), Google search data (Play Like Mum 2020), and even baby name choices (Wolfers 2015). -/- Despite her popularity, Elsa is in many ways a paradoxical sort of hero, as she finds her actions all but predetermined by both external and internal forces. This is particularly the case in the first film, where we meet an Elsa who has been born with a power she cannot control, and which appears more as a force of nature than as anything that “belongs” to Elsa. The film’s action is driven, in large part, precisely by Elsa’s failures to exert control over her emotions and abilities. She begins the film by accidentally injuring Anna. This, in turn, causes Elsa to become fearful and withdrawn and to isolate herself from her sister, even after their parents die on a quest to find a cure for Elsa. Elsa's fear and lack of control lead to an even more dire outcome when she inadvertently calls down winter on Arendelle and abandons her people for the mountains. It is only through Anna's devoted quest to rescue her sister, first by pursuing her to the mountains, and later by throwing herself in front of the villainous Hans’ sword attack on her sister, that Elsa (and Arendelle) are saved. Elsa's most active contribution to this is to appreciate the import of Anna's sacrifice and to discover the power of "love" to overcome her fear. -/- What then, are we to make of Elsa as a character? It is the younger sister Anna who corresponds most closely to Gerda, the unquestioned protagonist of Andersen’s original tale, and her character arc fits neatly with the well-known “Hero’s Journey” model for describing myth (Campbell 2020). It is Anna, for example, who goes on a quest, meets a group of motley companions (the human Kristoff, the reindeer Sven, and the magical snowman Olaf), accepts advice from wise elders (the trolls), undergoes a severe trial, and even gets the "reward" of romantic love at the end. All of this has led some scholars (Niemiec and Bretherton 2015; Heit 2019) to hold up Anna, rather than Elsa, as something like the hero of the story. Existing scholarship on Elsa, by contrast, has focused largely on issues related to her gender and sexuality (Law 2014; Lee 2015; Steinhoff 2017; Streiff and Dundes 2017; Dundes, Streiff, and Streiff 2018; Dundes 2020; Llompart and Brugué 2020). In what follows, I’ll be taking a closer look at Elsa’s unique status as a protagonist, and what her struggles with fate reveal about the nature of free will and ethical responsibility. I’ll argue that Elsa provides a useful model of a “Stoic hero” and that her strengths and weaknesses as a character provide valuable insight into an often-misunderstood school of philosophy. My argument will proceed in several stages. I’ll begin by describing the basic tenets of Stoic philosophy, paying special attention to the role of fate and nature. I’ll then move on to a more detailed treatment of Stoic ethics, as exemplified by Elsa’s own character development. I’ll close by considering the infamous “Lazy Argument” against. (shrink)

Kant’s account of “the radical evil in human nature” in the 1793 Religion within the Bounds of Reason Alone is typically interpreted as a reworking of the Augustinian doctrine of original sin. But Kant doesn’t talk about Augustine explicitly there, and if he is rehabilitating the doctrine of original sin, the result is not obviously Augustinian. Instead Kant talks about Stoic ethics in a pair of passages on either end of his account of radical evil, and leaves other clues that (...) his argument is a reworking of an old Stoic problem. “Radical evil” refers to the idea that our moral condition is — by default and yet by our own deed — bad or corrupt; and that this corruption is the root (radix) of human badness in all its variety, ubiquity, and sheer ordinariness. Kant takes as his premise a version of the Stoic idea that nature gives us “uncorrupted starting points” (Diogenes Laertius 7.89). What sense can be made of the origin of human badness, given such a premise? Kant’s account of radical evil is an answer to this old Stoic problem, which requires a conception of freedom that is not available in his Stoic sources. (shrink)

I examine the significance of the Stoic theory of pathē for Kant’s moral psychology, arguing against the received view that systematic differences block the possibility of Kant’s drawing anything more than rhetoric from his Stoic sources. More particularly, I take on the chronically underexamined assumption that Kant is committed to a psychological dualism in the tradition of Plato and Aristotle, positing distinct rational and nonrational elements of human mentality. By contrast, Stoics take the mentality of an adult human being to (...) be rational through and through, while recognising that this rationality is not normally in a state of health or excellence. I show how Kant’s account of affections—chiefly the “affects” and “passions” that he identifies as targets of a duty of apathy—draws substantive lessons from his Stoic sources, and how he accepts on his own terms the monistic principles of Stoic moral psychology. (shrink)

Examining Seneca’s account of friendship produces an interpretative puzzle: if the good of the Stoic sage is already both complete and self-sufficient, how can friendship be a good? I reject the solution that friendship is simply a preferred indifferent instead of a good and argue that though Seneca’s account can consistently explain both why friendship’s nature as a good does not threaten the completeness or the self-sufficiency of the sage, Stoic friends must choose between intimate friendships that leave them vulnerable (...) or impersonal friendships that lack intimacy but do not undermine their happiness. The consistent Stoic must choose the latter, but I argue that this conflict shows why we ought to reject the Stoic model of friendship. (shrink)

En filosofía es importante conocer las influencias entre los filósofos porque de ello depende tener un conocimiento más completo y preciso de sus propuestas. Ejemplo de esto son las investigaciones sobre los orígenes estoicos de la filosofía spinoziana, que se han incrementado notablemente en las últimas décadas, pero aún hace falta indagar con mayor detalle, autor por autor e idea por idea, qué tipo de estoicismo y qué parte del mismo influyó en el pensador neerlandés. En este artículo examino, a (...) partir sobre todo de las referencias explícitas, la influencia del estoico Séneca en la filosofía de Spinoza, para lo cual reviso, analizo y cotejo diversos pasajes de las obras de ambos pensadores. // Abstract: It is important in philosophy to know the influences between philosophers because of that it depends to have an accurate and more complete knowledge of their proposals. An example of this are the investigations about the stoics origins of Spinoza’s philosophy, which has been increasing in the last decades but it is still necessary to inquire in greater detail, author by author and idea by idea, what kind of stoicism and what part of it influenced the Dutch philosopher. In this paper I examine, particularly from explicit references, the influence of the Stoic Seneca in Spinoza’s philosophy, for which I review, analyze, and compare several passages of both philosophers’ works. (shrink)

Seneca sembra rileggere la dottrina stoica delle passioni alla luce dell’interpretazione aristotelica; procedendo nell’ottica del- l’alternativa secca che si deve al monismo della versione crisip- pea, Seneca fa delle passioni qualcosa di esterno e alternativo al soggetto agente. Tuttavia, seguendo poi una dinamica prospetti- va di tipo dualistico, evoca il ruolo decisionale e responsabiliz- zante del soggetto agente, il quale ha il compito di optare per la ragione o per l’opinione30 e quindi di mantenere o meno la propria enkrateia. Da (...) ciò dipende che questa si trasformi o meno in uno strumento nelle mani della passione. (shrink)

The analysis of the moral doctrines contained in the Moralis philosophia of Roger Bacon reveals the central place reserved to the vice of anger. Bacon considers it a very serious sin, which goes against the human nature and makes many devastating effects on individuals and their social relations. Bacon’s moral doctrines are based on a source that has been recently rediscovered, Seneca’s De ira. Bacon is one of the first authors to quote extensively that work. Bacon’s enthusiasm for the Latin (...) philosopher is the result of his conviction of the superiority of pagan philosophers over the Christians, especially in the field of ethics. The knowledge of the ancients, which is necessary for the life of individuals and for the proper function of institutions, is a duty for Christian thinkers. (shrink)

In this article we identify that the philosophers Marcus Tullius Cicero, Lucius Annaeus Seneca and Epictetus conceive a “freedom” that is characteristic of the wise and happy, and a “slavery” that is characteristic of the unwise and unhappy, nevertheless they did not use a special word for them. We name such conceptions “metaphysical freedom” and “metaphysical slavery” respectively. And we demonstrate that, in divergent intensities and objectives and in many places, the three thinkers differentiated this freedom/slavery principally from the juridical-political-social (...) freedom/slavery. -/- En este artículo identificamos que los filósofos Marco Tulio Cicerón, Lucio Anneo Séneca y Epicteto conciben una “libertad” que es característica del sabio y feliz, y una “esclavitud” que es característica del no-sabio e infeliz, aunque no les otorgaron un vocablo especial. A tales concepciones, según proponemos, las denominamos “libertad metafísica” y “esclavitud metafísica” respectivamente. Demostramos que los tres pensadores diferenciaron a éstas, con distintas intensidades y propósitos y en reiteradas ocasiones, principalmente de la libertad/esclavitud jurídico-político-social. (shrink)

In this paper, through the example of Antonii Radyvylovskyi’s work, I examine the impact of Seneca’s texts on the philosophical component of Ukrainian church sermons from the Baroque period. The objective of this study is to investigate Radyvylovskyi’s use of Seneca’s texts in his own writing. The result should help better understand the ideological influence of ancient philosophy on the formation of the national philosophical tradition of the Baroque epoch. The contents of ideological borrowings from Seneca’s texts and the mechanisms (...) of their use are traced. A list of Seneca’s texts from which Radyvylovskyi quotes is provided. It is also shown that Radyvylovskyi uses Seneca’s authority in his moral teachings and philosophical thinking about the characteristics of human nature. We conclude by commenting on Radyvylovskyi’s creative use of Seneca’s ideas and the significant philosophical component of his written legacy. (shrink)

This paper interprets the demonstrative retreat from public life and the promotion of self-improvement in Seneca’s later works as a political undertaking. Developing arguments by THOMAS HABINEK, MATTHEW ROLLER and HARRY HINE, it suggests that Seneca promoted the political vision of a cosmic community of progressors toward virtue constituted by a special form of progressor friendship, a theoretical innovation made in the Epistulae morales. This network of like-minded individuals spanning time and space is open to anyone who shares the other (...) members’ commitment to the improvement of one’s own self and that of others. By advertising such self-care and courting his readers as prospective friends, the author of the Epistulae morales aims to recruit new members for that community, in particular in the first nine letters. (shrink)

Pretendo demostrar que a) el tratado *De ira* de Séneca incluye no una sino dos estrategias terapéuticas diseñadas para evitar la ira, y que b) que la segunda de estas estrategias –la cual ha sido desatendida en la literatura secundaria– presenta problemas irresolubles cuando la contrastamos contra la teoría estoica de la acción, la cual se funda en premisas intelectualistas.

In 1966 Gene Roddenberry, then a relatively unknown TV writer, created what was to become a cultural sensation. From cell phones and tablets, to MRI machines and medical jet injectors, Star Trek has undoubtedly anticipated much of the technology that we take for granted today. Moreover, the disagreements, fights and jokes between Captain Kirk (William Shatner), Dr Leonard ‘Bones’ McCoy (DeForest Kelley) and Mr Spock (Leonard Nimoy) were expertly crafted for dramatic impact. But I’m not writing this to confess to (...) you my obsessive infatuation with the Star Trek universe. Instead I want to discuss how the beliefs and practices of Vulcans like Spock are similar to those of the Stoic school of philosophy. (shrink)

Patientia, the virtue of enduring physiological pain, poses a problem for Roman elite masculinities. The male body is supposed to be unpenetrated, but when pain is inflicted the body is often cut and pierced. This paper looks at literary and philosophical representations of the moral exemplar Mucius Scaevola to see how Roman writers and philosophers deal with this dilemma.

Argues that Tacitus’ shaped his account of Seneca and the characterization of Nero within his social environment according to features characteristic of Seneca’s conception of friendship. Surprisingly, Tacitus assigns to Nero an active power: The emperor drives a ubiquitous inversion of the social values promoted by his mentor. Patterns of Seneca’s social thought are adduced to characterize not only the portrayed emperor but also the political institution itself.

Considers the paradox of demonstrative retreat from public life, as illustrated by scenes like Sen. Ep. 78.20f. and Epict. 3.22.23 with ailing philosophers almost scurrilously eager to display their heroism. Why would a philosopher want to withdraw and, at the same time, make a show of his withdrawal? How can this kind of exemplarity fulfill its therapeutic function? And how is this kind of communication, with one’s back turned to the audience, as it were, supposed to work? Tacitus’ narrative of (...) Thrasea Paetus’ end in the Annales (16.22ff.) is analyzed as illustrating this form of communication and compared with a similar communication strategy of Seneca’s Epistulae morales as a document of exemplary withdrawal. Concentric circles of audiences and interactors are layered around the role model, and he reader is pulled into the center of the circle, into direct contact with the exemplum. The way in which this happens determines the reader’s role in the story and thus the import the role model. (shrink)

Addressing classicists, philosophers, students, and general readers alike, this volume emphasizes the unity of Seneca's work and his originality as a translator of Stoic ideas in the literary forms of imperial Rome. It features a vitalizing diversity of contributors from different generations, disciplines, and research cultures. Several prominent Seneca scholars publishing in other languages are for the first time made accessible to anglophone readers. (See also the attached file with ToC and Introduction).

Reconstructs the original Greek version of the confatalia-argument that Cicero attributes to Chrysippus in De fato and misrepresent in crucial ways. Compares this argument with Seneca's discussion of determinism in the Naturales quaestiones. Clarifies that Seneca makes a different distinction from that attested in Cicero's De fato. Argues that problems with interpreting both accounts derive from disregarding terminological distinctions harder to spot in the Latin versions and, related to this, insufficient attention to the ontological distinction between bodies (such as Fate) (...) and predicates (e.g. "what is fated"), which unfortunately does not square well with the modern ontological category "event." Contains some corrections to the author's earlier discussion of the topic in Seneca und die Stoa: Der Platz des Menschen in der Welt, De Gruyter 2006, ch. 3.3.4. (shrink)

This is a study of Roman adaptations of Stoic doctrine that seeks to portray a model of the self functioning as a mediator between philosophical and traditional values (1). The author’s aim is ‘to let the Roman Stoics’ self arise out of a comprehensive analysis of their extant philosophical work and to conduct that analysis from the vantage point of the specific question of social embeddedness. Such an approach yields a Stoic self that is constituted by the encounter between challenges (...) and normative expectations’ (2). Overall, this aim is met. The Roman Stoics referred to are Seneca, Musonius Rufus, Epictetus, Marcus Aurelius, and to a lesser extent Hierocles, who ‘all had to come to terms with the sociopolitical challenges of imperial Rome’ (3). The tame thesis advanced is that the doctrine of these Roman Stoics ‘shows a distinctive pattern of emphasizing social responsibility’ (3). This social responsibility includes commitments to the political community, marriage, and parenthood. (shrink)

Demonstrates the sophistication of Seneca’s Stoicism by setting his contributions within the context of his school. Seneca’s contributions to physics, metaphysics, logic, determinism, theodicy and eschatology are set within a systematic reconstructions of Stoic positions. Ample documentation of sources and scholarship as well as the thematic, handbook-like structure allow for this book to be used as a look-up tool and introduction to the Stoic cosmos and the place of humans within it. -/- There are a number of new readings and (...) interpretations, e.g. concerning the corporeality of the principles; mixture (krasis di’ holôn); the elements and pneuma; identity; the relation of God and humans; Seneca’s attitude to logic; Seneca’s philosophy of time; the role of lekta in defining reality and action; Stoic and Senecan theodicy; Seneca’s contribution to the determinism debate. (shrink)

On the shortness of life -- Consolation to Helvia -- On tranquility of mind.

Cynicism is a unique philosophy. You could even say that they took their principles a little too far, perhaps. Diogenes' core idea was that Man should live in accordance with nature, as simply as possible. He along with his students were missionaries of a sort, traveling city-to-city preaching about the life of simplicity. To Diogenes, material things like money and lavish accessories corrupted nature. Not only did he despise concrete things, but he also disapproved of social conventions. Like every philosopher (...) in the Hellenistic period, Diogenes believed that virtue was the highest good. Virtue was the rejection of desires and the pursuit of goods earned by the individual, according to Diogenes. What he meant by goods earned by the individual was that things granted by other people and nature happen purely by chance. Diogenes said that everything we own should come from ourselves: confidence, happiness, et cetera. Diogenes said that everything we own should come from ourselves: confidence, happiness, et cetera. Two of the key principles of Cynicism were freedom (eleutheria, ελευθερια) and free speech (parrhesia, παρρησια). To be a Cynic, you must be free from society's and life's constraints and you must also speak without fear. Desires of wealth and reputation were unnatural and made us less human, property and social classes dehumanized us, and conventional, man-made norms limited our freedom. (shrink)

Fun for those who know a bit of Latin and still remember the 2000s. A modern version of Cicero's Somnium Scipionis, in which Seneca appears to the author and tells us what he thinks about our times and ways.