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  1. Creation Ex Nihilo: André Malraux and the Concept of Artistic Creation.Derek Allan - manuscript
    One might naturally suppose that philosophers of art would take a strong interest in the idea of creation in the context of art. In fact, this has often not been the case. In analytic aesthetics, the issue tends to dwell on the sidelines and in continental aesthetics a shadow has sometimes been cast over the topic by the notion of the “death of the author” and by the claim, as Roland Barthes put it, that the author is only ever able (...)
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  2. Why art is never representation - even when it represents.Derek Allan - manuscript
    The question of whether or not art is essentially a representation of reality has long been a bone of contention among philosophers of art – especially in the major branch of that discipline called the analytic philosophy of art, or analytic aesthetics. This paper argues that art - visual art, literature or music - is never essentially representation. The argument is based on the thinking of André Malraux in "The Voices of Silence".
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  3. Protestic Becoming : how knowledge silences.Victor Adelino Ausina Mota - manuscript
    Between medieval sapienza and the duty of silence...because it can be harmfull for other, takes care to transmit and inform in a cultural way.
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  4. Art and the Unknown.Dan J. Bruiger - manuscript
    Abstract: The purpose of this essay is to explore the nature and role of art as a human phenomenon from a broadly cognitive perspective. Like science and religion, art serves to mediate the unknown, at once to embrace and to defend against the fundamental mystery of existence. Thus, it may challenge the status quo while generally serving to maintain it. Art tracks the individuation of subjectivity, serving the pleasure principle, yet is appropriated by the collective’s commitment to the reality principle. (...)
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  5. Letter to a friend on Creative Thinking and Intuiiton (art, writing, philosophy, science).Ulrich de Balbian - manuscript
    -/- Letter to a friend : Creative Thinking and Intuition Letter to a friend about creative thinking and intuition (art, writing, philosophy, science, etc ) .
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  6. Stalling for Time.Gabriel Furmuzachi - manuscript
    Carel Fabritius left behind few but important works of art. We are concerned here with the View in Delft, and attempt to make two points about it. The first is that this small painting manages to break away from the classical perception of perspective, an endeavor informed mostly by new findings in the field of optics of the time. The second point, theoretically related to the first, stresses compositional elements that would bring View in Delft closer to a meditation on (...)
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  7. Mad Square.Gavin Keeney - manuscript
    Review of “The Mad Square: Modernity in German Art 1910-37”, National Gallery of Victoria, Melbourne, Australia, November 25, 2011-March 4, 2012. A version of this essay appeared in the Appendices of Gavin Keeney, Not-I/Thou: The Other Subject of Art and Architecture (CSP, 2014), pp. 153-57.
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  8. The Silence: Non-Discursive Agency in Photography.Gavin Keeney - manuscript
    An essay on non-discursive forms of knowledge that inhabit art photography. A version of this essay appeared in Gavin Keeney, "Else-where": Essays in Art, Architecture, and Cultural Production 2002-2011 (CSP, 2011), pp. 209-26.
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  9. Notes on the Artistic Ego.Gavin Keeney - manuscript
    Essay on the modern artistic ego as sponsored by the exhibition, "Gustav Courbet," February 27-May 18, 2008, Metropolitan Museum of Art, New York, New York, USA. A version of this essay appeared in Gavin Keeney, "Else-where": Essays on Art, Architecture, and Cultural Production 2002-2011 (CSP, 2011), pp. 191-98.
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  10. Pure Visuality: Notes on Intellection & Form in Art & Architecture.Gavin Keeney - manuscript
    Diaristic, mixed notes on: John Ruskin's The Poetry of Architecture (1837) and Modern Painters (1885); Caravaggio, Victorian Aesthetes, G.K. Chesterton, and Tacita Dean; Jay Fellows' Ruskin’s Maze: Mastery and Madness in His Art (1981); Slavoj Žižek at Jack Tilton Gallery, New York, New York, USA, April 23, 2009, “Architectural Parallax: Spandrels and Other Phenomena of Class Struggle”; “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice”, Museum of Fine Arts, Boston, Massachusetts, USA, March 15-August 16, 2009; Janet Harbord, Chris Marker: La Jetée (...)
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  11. Dossier Gaialight 2007-2011.Gavin Keeney - manuscript
    Essays and documents in support of the works of Gaialight - DOCUMENTS: The Passion of Jeanne d’Art (2007) - Letter to Gaia (2007) - “Art as Such”: This is Not Pop ... (2008) - Writing Toward Darkness (2009) - Scarlett Words: Light America (2009) - The Darklight Elaboration (2010) - The Darklight Elaboration: Zeitgeist or Episteme? (2010) - Cam Girls (2011) - Brooklyn Buzz (2011) - Brooklyn Buzz: The Semi-divine Metropolis (2011) - Reconnaissance: Light War, Mass Surveillance, Video Games (2011) (...)
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  12. Pictorial Space throughout Art History: Cezanne and Hofmann. How it models Winnicott's interior space and Jung's individuation.Maxson J. McDowell - manuscript
    Since the stone age humankind has created masterworks which possess a mysterious quality of solidity and grandeur or monumentality. A Paleolithic Venus and a still life by Cezanne both share this monumentality. Michelangelo likened monumentality to sculptural relief, Braque called monumentality 'space', and Hans Hoffman, himself one of the masters, called monumentality 'pictorial depth.' The masters agreed on the import of monumentality, but none of them left a clear explanation of it. In 1943 Earl Loran published his classic book on (...)
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  13. (1 other version)Entre o natural e o artificial: visualização e representação no século XVI.Fumikazu Saito - manuscript
    Recentes estudos em história da ciência têm apresentado indícios de que é impossível estabelecer uma clara distinção entre estudos de óptica e de perspectiva linear quando nos referimos aos séculos XVI e XVII. Embora a perspectiva linear lidasse com a representação geométrica do espaço numa superfície bidimensional, estava, entretanto, estreitamente ligada a questões relativas à natureza da visão humana. Devemos considerar que, naquela época, o termo perspectiva era a tradução latina da palavra grega optikè, denotando a visão direta e distinta (...)
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  14. E che fa, essere confusi? 8 1/2 di Federico Fellini.Simone Santamato - manuscript
    A pretending-to-be paper, a logbook with some notes for a future, more elaborate, interpretation of one of the most complex and stratified cinemas out there. 8 1/2 by Fellini has been read, seen and enjoyed in many different ways, yet I believe there is something else that dwells within it and that awaits to be theoretically explored. Nevertheless, this is the path that, in the future, I would like to develop: 8 1/2 accounts for the incessant and contradictory flow of (...)
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  15. Le film Solaris, réalisé par Andrei Tarkovski.Nicolae Sfetcu - manuscript
    Le film est un drame psychologique se déroulant à bord d'une station spatiale en orbite autour de la planète Solaris. Les trois membres de l'équipage ont des problèmes psychologiques. Le psychologue Kris Kelvin est envoyé là pour évaluer la situation, mais il fait face aux mêmes phénomènes mystérieux que les autres. Pour Tarkovsky, le conflit existentiel exposé par Lem n'était que le point de départ du développement de la vie intérieure des personnages. DOI: 10.13140/RG.2.2.11405.49129.
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  16. Stanislaw Lem vs. Andrei Tarkovsky.Nicolae Sfetcu - manuscript
    Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea, because he was interested in the problems of inner life, spiritual problems, so to speak, and Lem was interested in the collision between man and Cosmos. In an ontological sense of the word, in the sense of the problem of knowing and the limits of this knowledge - it is about that. Lem even said that mankind was in danger, that there was a crisis of knowledge (...)
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  17. Anemia.Mota Victor - manuscript
    Anemia, the syntoms of a great disease in the heart of society.
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  18. Swiming (Nadando se Nada).Mota Victor - manuscript
    nevrosity for the dense social relations in urban context.
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  19. A Tenaz (Tena-city).Mota Victor - manuscript
    actor progressing social life and scale on screen.
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  20. The Source.Mota Victor - manuscript
    from sensation to imposition of media tought.
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  21. Espaço 1999.Mota Victor - manuscript
    Science fiction and futuristic reality beyond the Self.
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  22. Legionella and Covid.Mota Victor - manuscript
    One after Other, Legionella and Covid have marked everyday life on Portugal and on the world in the last two-there years, creating a kind of vão (bay), rebaixamento, in the moeur of society and individuals.
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  23. Linguistic Turn.Mota Victor - manuscript
    semiology of social and global transformations on public relations and, by consequence, of human intimacy.
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  24. Por uma Literatura Fatal e Complacente.Mota Victor - manuscript
    for a better literature, to understand literary tradition in Portugal.
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  25. Visual Trope and the Portland Vase Frieze: A New Reading and Exegesis.Randall L. Skalsky - Winter 1992 - Arion 2 (1).
    Among the extant masterworks of Roman art, there is probably none that has generated more scholarly debate than the Portland Vase over the interpretation of its elegant frieze. No fewer than forty-four different theories attempting to interpret the scenes on the vase have appeared in the last 400 years. In the main, the theories fall into two categories, those relating the frieze to Greek myth, and those linking the figures to Roman personages. Moreover, there is no consensus whether the frieze (...)
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  26. Hiding in Plain Sight, Yet Again: An Unseen Attribute, An Unseen Plan, and A New Analysis of the Portland Vase Frieze.Randall Skalsky - Spr/Summer 2010 - Arion 18 (1):1-26.
    All interpretations of the Portland Vase frieze to date have failed to see, much less explain, a crucial figural attribute in the frieze, one that proves to be both explicit and explicatory, and whose location and appearance secures the identification of not one but, indeed, three figures. Furthermore, the attribute lies at the heart of a distinct schema of figural grouping and arrangement which has also gone unheeded in previous treatments of the Portland Vase frieze. By dint of this previously (...)
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  27. Lúc ấy thời gian như ngừng trôi.Thu Hà - 2025 - Bến Xưa.
    Đêm nay thu sang cùng heo may. Đêm nay sương lam mờ chân mây. Thuyền ai lờ lững trôi xuôi dòng. Như nhớ thương ai chùng tơ lòng.
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  28. Retrospective Gaze.Gavin Keeney - 2025 - Substack.
    A selection of documents, texts, and archival records, with links, summarizing a sustained critical engagement with the art world and academia, through essays, reviews, etc., and inclusive of garden design, architecture, film, photography, fashion, performance art, music, and opera … They begin in New York, New York, in the early 2000s, and then become embedded in various aspects of PhD studies concerning visual agency, postdoctoral research projects concerned with a study of intellectual property rights, and, then, a second PhD focused (...)
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  29. Avant-gardes.Gavin Keeney - 2025 - Zenodo.
    Preliminary research on the Edition of One (EO1) project, "W(h)ither the Avant-garde?" Includes a report on the art-world ca.2006-2010.
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  30. A review of Black Film British Cinema II. [REVIEW]Frédéric Lefrançois - 2025 - Nakan: A Journal of Cultural Studies 5.
    A review of Clive C. Nwonka & Anamik Saha (eds.), Black Film British Cinema II, London, Goldsmisths Press, 2021, by Frédéric Lefrançois.
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  31. Social Art: The Work of Art in Capitalism.Michael Broz - 2024 - Polish Journal of Aesthetics 67 (4):27-42.
    While not considered the focus of Marx, aesthetics, and art have become a project of Marxism. But understanding art in a Marxist world requires taking Marx’s philosophy and understanding how art behaves in capitalism. I transplant the artwork to a Marxist analysis by investigating art as described by Heidegger, Dufrenne, and Merleau-Ponty, how art relates to the idea of the commodity in Marx, culture in Deleuze, and art in modern capitalism through Marcuse.
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  32. The Art of Becoming: Tracing Technological Transformation and His Perception in Society.Raquel Cascales - 2024 - Review of Contemporary Philosophy 23 (2):1768-1785.
    Throughout the past century, technology integration into the human body has experienced remarkable growth, finding its expression through specific artistic movements that have acted as catalysts for acceptance and societal transformation. This article delves into the examination of three paradigm shifts that underpin this profound evolution. The first shift marks a departure from curative treatments for disabilities, shifting towards a focus on augmentative improvements. Subsequently, the second shift propelled the enhancement of healthy bodies, driven by the visionary concept of posthumanism, (...)
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  33. Research by Design at the Crossroads of Architecture and Visual Arts: Exploring the Epistemological Reconfigurations.Marianna Charitonidou - 2024 - In Michela Barosio, Elena Vigliocco & Santiago Gomes, School of Architecture(s) - New Frontiers of Architectural Education. Cham: Springer. pp. 219-231.
    Thepaperaimstoexplorethepotentialofresearchbydesigninarchi- tecture and visual arts. The main objective of the paper is to analyze the different models and epistemological positions advanced in the academic milieus as far as doctoral research by design is concerned, to explore the differences and similar- ities between research by design in the field of architecture and in the field of visual arts. Even though the research by design in the fields of architecture and visual arts is focused on the production of knowledge through visual, associative, (...)
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  34. Libro d’arte biodiverso. Parole e immagini tra estetica, arte e ambiente.Elisabetta Di Stefano & Diego Mantoan (eds.) - 2024 - Palermo: Bisso Edizioni.
    Il presente volume ibrida in modo originale il libro d’arte e il libro d’artista. I testi, ispirati da alcune parole presentate in forma aggettivale e pertanto più poetica e connotativa, non costituiscono un commento alle immagini create da Laura Pitingaro, ma sono chiavi interpretative che esplorano la varietà ambientale da prospettive culturali eterogenee (filosofiche, scientifiche, artistiche). Queste stesse parole costituiscono al contempo l’elemento seminale da cui germoglia la creatività immaginifica dell’artista. Da questa coesistenza e varietà di forme interpretative ed espressive (...)
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  35. Libro d’arte biodiverso. Parole e immagini tra estetica, arte e ambiente.Elisabetta Di Stefano & Diego Mantoan (eds.) - 2024 - Palermo: Bisso Edizioni.
    Il presente volume ibrida in modo originale il libro d’arte e il libro d’artista. I testi, ispirati da alcune parole presentate in forma aggettivale e pertanto più poetica e connotativa, non costituiscono un commento alle immagini create da Laura Pitingaro, ma sono chiavi interpretative che esplorano la varietà ambientale da prospettive culturali eterogenee (filosofiche, scientifiche, artistiche). Queste stesse parole costituiscono al contempo l’elemento seminale da cui germoglia la creatività immaginifica dell’artista. Da questa coesistenza e varietà di forme interpretative ed espressive (...)
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  36. Freiheit der Abstraktion.Jürgen H. Franz - 2024 - Aphin-Rundbrief 32:2-4.
    Dieser Text beinhaltet nichts Neues. Nur hinlänglich Bekanntes, Erinnerungen an Gelesenes und Reflektiertes, vor allem zur Philosophie der Kunst mit ihrer zentrale Frage, was Kunst ist. Und eng damit verknüpft die Frage, was ein Kunstwerk ist und was einen Künstler und eine Künstlerin auszeichnet. In diesem Essay wird es aber nicht um die Kunst im Allgemeinen gehen, sondern um die abstrakte Kunst und die abstrakte Malerei im Besonderen. Was zeichnet sie aus und was ist ihr Wesen? Ist es die Freiheit?
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  37. Gestural Apparatuses for a Memory to Come.Luis Guerra - 2024 - Helsinki: University of the Arts Helsinki.
    What is the form of that which can hold, size, and measure what is happening? Are there some gestures that can, in some sense, size what is occurring in absolute fragility? We trace forms that, suddenly, sometimes, can grasp in a vanishing present what cannot be grasped by any other means. Certain art practices can sustain and give shelter, for a while, to an echo of that multiple and unending past. These practices inexist. These inexistences compose artistic configurations, of which (...)
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  38. Evolution or Degradation? Philosophical Underpinnings for Exploring the Future of Humanity in David Cronenberg’s Crimes of the Future.Oleg N. Gurov - 2024 - The Art and Science of Television 20 (3):57–126.
    The paper presents an analysis of David Cronenberg’s 2022 film Crimes of the Future, dedicated to the transformation of human nature amidst technological progress. Drawing inspiration from leading contemporary thinkers like Gilles Deleuze, Felix Guattari, Maurice Merleau Ponty, Michel Foucault, Donna Haraway, and Timothy Morton, the research extends to Cronenberg’s other films to provide a deeper comprehension of his creative vision. Central to the discussion are the humanitarian issues posed by these movies, namely the metamorphosis of human corporeality, the blurring (...)
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  39. ¿Evolución o degradación? Fundamentos filosóficos para explorar el futuro de la humanidad en “Crímenes del futuro” de David Cronenberg.Oleg N. Gurov - 2024 - El Arte y la Ciencia de la Televisión 20 (3):57–126.
    El artículo presenta los resultados de un análisis de la película de David Cronenberg “Crímenes del futuro” (2022), que aborda la transfor mación de la naturaleza humana bajo la influencia del progreso tecnológico. Este estudio se basa en ideas de pensadores contemporáneos destacados como Gilles Deleuze, Felix Guattari, Maurice Merleau-Ponty, Michel Foucault, Donna Haraway y Timothy Morton. La investigación también analiza otras películas de Cronenberg para proporcionar una comprensión más completa de su visión creativa. El autor identifica los principales temas (...)
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  40. Vẫn anh chàng bói cá ngày ấy.Bùi Khiêm - 2024 - Better Economics for the Earth.
    Tranh màu nước, hoàn thành ngày 23-5-2017 (©Bùi Quang Khiêm).
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  41. Williams and Cusk on Technologies of the Self.James V. Martin - 2024 - Topoi 43 (2):525-536.
    The rejection of a “characterless” moral self is central to some of Bernard Williams’ most important contributions to philosophy. By the time of Truth and Truthfulness, he works instead with a model of the self constituted and stabilized out of more primitive materials through deliberation and in concert with others that takes inspiration from Diderot. Although this view of the self raises some difficult questions, it serves as a useful starting point for thinking about the process of developing an authentic (...)
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  42. Transdisciplinare.Francesca Melina - 2024 - In Elisabetta Di Stefano & Diego Mantoan, Libro d’arte biodiverso. Parole e immagini tra estetica, arte e ambiente. Palermo: Bisso Edizioni. pp. 114-121.
    La prospettiva transdisciplinare è il tentativo di costruire un nuovo sapere umano. Transdisciplinare si dice di un metodo per lo studio di problemi complessi che rifiuta l’ottica riduzionista dell’approccio scientifico convenzionale. Al contrario, mira all’integrazione o unione di diverse branche di apprendimento o campi di competenza, solitamente separati, al fine di affrontare la complessità intrinseca di alcune questioni urgenti della situazione umana attuale. A differenza, quindi, della multidisciplinarità che giustappone distinti saperi o dell’interdisciplinarità che confronta molteplici visioni disciplinari su un (...)
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  43. Radical Devices. Rethinking Art and Architecture as Forms of Dissensus in Urban Environments.Francesca Melina & Maria Luna Nobile - 2024 - Uou (n.08):116–129.
    The aim of this paper is to investigate the possibilities opened up by radical interventions in public space: is it possible to foster reflection and create a critical methodology for analysing the topic of Commons in the urban context? Presenting the project “Stente: Residual Zones” as an example, the aim is to explore these questions using Umeå as a case study. Through the creation of an art/architectural object, the project seeks to use artistic and architectural practices as tools to engage (...)
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  44. Mourning the More-Than-Human: Somatechnics of Environmental Violence, Ethical Imaginaries, and Arts of Eco-Grief.Marietta Radomska - 2024 - Somatechnics 14 (2):199-223.
    Theoretically grounded in queer death studies and environmental humanities, this article has a twofold aim. Firstly, it explores the somatechnics of environmental violence in the context of Northern and Eastern Europe, while paying attention to ongoing ecocide inflicted by Russia on Ukraine, and to the post-WW2 chemical weapon dumps in the Baltic Sea. Secondly, the article examines the concept of eco-grief in its close relation to artistic narratives on ecocide. By bridging the discussion on environmental violence and artistic renderings of (...)
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  45. SHALL LADY MACBETH BE CALLED AS FOURTH WITCH?Rituparna Ray Chaudhuri - 2024
    This is a short academic book based on Shakespeare’s Macbeth (original). The approach and procedure on writing critical answers of the play is authored on advanced thoughts of the Council for Indian School (XI and XII, ISC). This book can also be used by college students on preliminary understanding to analyse this Shakespearian play as The Prologue of Evil. .....In the play, Hecate is presented as a separate character from three witches who first appear in Act 1, Scene 1. Hecate's (...)
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  46. Exhibiting the Occupation. How the Italian Presence in Albania has been Represented through Exhibitions over the last Century.Giuseppe Resta - 2024 - In Alice Semedo, Elisa Noronha, Marta Rocha & Manuel Furtado Mendes, ICAMT 49th International Conference 2023. Porto: CITCEM. pp. 88-94.
    On the 17th of May 2020, the Albanian National Theatre in Tirana was demolished overnight, in the days of the first major lockdown due to the COVID-19 pandemic. The theatre was built in 1939, when the Italian military occupation of the Albanian territory was officially established, after decades of increasing influence on the local economy by the fascist regime. That day was the climax of a two-year-long protest against its demolition by local associations, and international organisations. This event demonstrates the (...)
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  47. Çarmıhtan İndiriliş (Roger van der Weyden) Eseri Tanıtımı Çevirisi.M. E. Sancak - 2024 - Dissertation, Gebze Technical University Translated by Mirkan Emir Sancak.
    Rogier van der Weyden'in bu olağanüstü eseri, Yüce İsa'nın acılı veda anını derinlemesine işleyerek bize büyük bir ruhani derinlik sunuyor. Ressamın bu eseri hayata geçirirken duyduğu büyük acı ve ruhsal derinlik, onun sanatının kalbinde yatan insanlık ve inanç temasını güçlendiriyor. O dönemin zenginleri arasında büyük ün kazanmasının ardında yatan şey, bu eserin sanatın sınırlarını aşan etkileyici gücüdür. Ancak şüphesiz ki, bu eser insanlık için yaratılırken, hangi inançtan olursa olsun herkese dokunan bir acıyı da temsil ediyor. -/- Ressamın duygularını ve detayları (...)
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  48. Monumental Origins of Art History: Lessons from Mesopotamia.Jakub Stejskal - 2024 - History of Humanities 9 (2):377-399.
    When does art history begin? Art historiographers typically point to the Renaissance (Vasari) or, alternatively, to Hellenism (Pliny the Elder). But such origin stories become increasingly disconnected from contemporary disciplinary practices, especially as the latter try to rise to the challenge of conducting art history in a more diversified and global way. This essay provides an alternative account of art history’s origin, one that does not try to alleviate the sense of disconnect, but rather develops a global, non-Eurocentric account. The (...)
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  49. The Handbook of Antique Photographs: A Guide to Nineteenth Century Portraits.Brandon Reece Taylorian - 2024 - Preston: University of Central Lancashire.
    The Handbook of Antique Photographs is a short publication created by UCLan Associate Lecturer Brandon Reece Taylorian as part of his Dating Antique Photographs Project funded by UCLan's Institute of Creativity, Communities and Culture. The Handbook begins with a brief history of the origins of portrait photography followed by Taylorian's introduction of a step-by-step method for deconstructing and dating antique photographs ('antique' is defined in the Handbook as referring to any photograph that is more than 100 hundred years old). The (...)
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  50. Situating makerspace curricula for students with learning differences within Vygotsky’s cultural historical psychology.Shantanu Tilak, Rachelle Viar, Beau Turner & Kadie Kennedy - 2024 - Universal Access in the Information Society.
    This mixed methods case study employed Vygotsky’s theory to show how peer and teacher contingent support created individualized zones of proximal development for three students with learning differences in a high school makerspace class at a special education institution. Our results expand extant literature by highlighting the intra- and interpsychological potential of makerspace curricula, specifically for students with learning differences. We employ mixed methods analyses of self-reported responses related to emergent problem navigation, a narrative of class fieldnotes, and visuals of (...)
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1 — 50 / 230