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  1. Creation Ex Nihilo: André Malraux and the Concept of Artistic Creation.Derek Allan - manuscript
    One might naturally suppose that philosophers of art would take a strong interest in the idea of creation in the context of art. In fact, this has often not been the case. In analytic aesthetics, the issue tends to dwell on the sidelines and in continental aesthetics a shadow has sometimes been cast over the topic by the notion of the “death of the author” and by the claim, as Roland Barthes put it, that the author is only ever able (...)
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  2. Why art is never representation - even when it represents.Derek Allan - manuscript
    The question of whether or not art is essentially a representation of reality has long been a bone of contention among philosophers of art – especially in the major branch of that discipline called the analytic philosophy of art, or analytic aesthetics. This paper argues that art - visual art, literature or music - is never essentially representation. The argument is based on the thinking of André Malraux in "The Voices of Silence".
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  3. Protestic Becoming : how knowledge silences.Victor Adelino Ausina Mota - manuscript
    Between medieval sapienza and the duty of silence...because it can be harmfull for other, takes care to transmit and inform in a cultural way.
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  4. Art and the Unknown.Dan J. Bruiger - manuscript
    Abstract: The purpose of this essay is to explore the nature and role of art as a human phenomenon from a broadly cognitive perspective. Like science and religion, art serves to mediate the unknown, at once to embrace and to defend against the fundamental mystery of existence. Thus, it may challenge the status quo while generally serving to maintain it. Art tracks the individuation of subjectivity, serving the pleasure principle, yet is appropriated by the collective’s commitment to the reality principle. (...)
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  5. Letter to a friend on Creative Thinking and Intuiiton (art, writing, philosophy, science).Ulrich de Balbian - manuscript
    -/- Letter to a friend : Creative Thinking and Intuition Letter to a friend about creative thinking and intuition (art, writing, philosophy, science, etc ) .
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  6. Stalling for Time.Gabriel Furmuzachi - manuscript
    Carel Fabritius left behind few but important works of art. We are concerned here with the View in Delft, and attempt to make two points about it. The first is that this small painting manages to break away from the classical perception of perspective, an endeavor informed mostly by new findings in the field of optics of the time. The second point, theoretically related to the first, stresses compositional elements that would bring View in Delft closer to a meditation on (...)
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  7. Mad Square.Gavin Keeney - manuscript
    Review of “The Mad Square: Modernity in German Art 1910-37”, National Gallery of Victoria, Melbourne, Australia, November 25, 2011-March 4, 2012. A version of this essay appeared in the Appendices of Gavin Keeney, Not-I/Thou: The Other Subject of Art and Architecture (CSP, 2014), pp. 153-57.
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  8. The Silence: Non-Discursive Agency in Photography.Gavin Keeney - manuscript
    An essay on non-discursive forms of knowledge that inhabit art photography. A version of this essay appeared in Gavin Keeney, "Else-where": Essays in Art, Architecture, and Cultural Production 2002-2011 (CSP, 2011), pp. 209-26.
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  9. Notes on the Artistic Ego.Gavin Keeney - manuscript
    Essay on the modern artistic ego as sponsored by the exhibition, "Gustav Courbet," February 27-May 18, 2008, Metropolitan Museum of Art, New York, New York, USA. A version of this essay appeared in Gavin Keeney, "Else-where": Essays on Art, Architecture, and Cultural Production 2002-2011 (CSP, 2011), pp. 191-98.
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  10. Dossier Gaialight 2007-2011.Gavin Keeney - manuscript
    Essays and documents in support of the works of Gaialight - DOCUMENTS: The Passion of Jeanne d’Art (2007) - Letter to Gaia (2007) - “Art as Such”: This is Not Pop ... (2008) - Writing Toward Darkness (2009) - Scarlett Words: Light America (2009) - The Darklight Elaboration (2010) - The Darklight Elaboration: Zeitgeist or Episteme? (2010) - Cam Girls (2011) - Brooklyn Buzz (2011) - Brooklyn Buzz: The Semi-divine Metropolis (2011) - Reconnaissance: Light War, Mass Surveillance, Video Games (2011) (...)
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  11. Pure Visuality: Notes on Intellection & Form in Art & Architecture.Gavin Keeney - manuscript
    Diaristic, mixed notes on: John Ruskin's The Poetry of Architecture (1837) and Modern Painters (1885); Caravaggio, Victorian Aesthetes, G.K. Chesterton, and Tacita Dean; Jay Fellows' Ruskin’s Maze: Mastery and Madness in His Art (1981); Slavoj Žižek at Jack Tilton Gallery, New York, New York, USA, April 23, 2009, “Architectural Parallax: Spandrels and Other Phenomena of Class Struggle”; “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice”, Museum of Fine Arts, Boston, Massachusetts, USA, March 15-August 16, 2009; Janet Harbord, Chris Marker: La Jetée (...)
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  12. Pictorial Space throughout Art History: Cezanne and Hofmann. How it models Winnicott's interior space and Jung's individuation.Maxson J. McDowell - manuscript
    Since the stone age humankind has created masterworks which possess a mysterious quality of solidity and grandeur or monumentality. A Paleolithic Venus and a still life by Cezanne both share this monumentality. Michelangelo likened monumentality to sculptural relief, Braque called monumentality 'space', and Hans Hoffman, himself one of the masters, called monumentality 'pictorial depth.' The masters agreed on the import of monumentality, but none of them left a clear explanation of it. In 1943 Earl Loran published his classic book on (...)
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  13. Entre o natural e o artificial: visualização e representação no século XVI.Fumikazu Saito - manuscript
    Recentes estudos em história da ciência têm apresentado indícios de que é impossível estabelecer uma clara distinção entre estudos de óptica e de perspectiva linear quando nos referimos aos séculos XVI e XVII. Embora a perspectiva linear lidasse com a representação geométrica do espaço numa superfície bidimensional, estava, entretanto, estreitamente ligada a questões relativas à natureza da visão humana. Devemos considerar que, naquela época, o termo perspectiva era a tradução latina da palavra grega optikè, denotando a visão direta e distinta (...)
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  14. Stanislaw Lem vs. Andrei Tarkovsky.Nicolae Sfetcu - manuscript
    Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea, because he was interested in the problems of inner life, spiritual problems, so to speak, and Lem was interested in the collision between man and Cosmos. In an ontological sense of the word, in the sense of the problem of knowing and the limits of this knowledge - it is about that. Lem even said that mankind was in danger, that there was a crisis of knowledge (...)
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  15. Le film Solaris, réalisé par Andrei Tarkovski.Nicolae Sfetcu - manuscript
    Le film est un drame psychologique se déroulant à bord d'une station spatiale en orbite autour de la planète Solaris. Les trois membres de l'équipage ont des problèmes psychologiques. Le psychologue Kris Kelvin est envoyé là pour évaluer la situation, mais il fait face aux mêmes phénomènes mystérieux que les autres. Pour Tarkovsky, le conflit existentiel exposé par Lem n'était que le point de départ du développement de la vie intérieure des personnages. DOI: 10.13140/RG.2.2.11405.49129.
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  16. Por uma Literatura Fatal e Complacente.Mota Victor - manuscript
    for a better literature, to understand literary tradition in Portugal.
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  17. Anemia.Mota Victor - manuscript
    Anemia, the syntoms of a great disease in the heart of society.
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  18. Swiming (Nadando se Nada).Mota Victor - manuscript
    nevrosity for the dense social relations in urban context.
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  19. A Tenaz (Tena-city).Mota Victor - manuscript
    actor progressing social life and scale on screen.
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  20. The Source.Mota Victor - manuscript
    from sensation to imposition of media tought.
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  21. Espaço 1999.Mota Victor - manuscript
    Science fiction and futuristic reality beyond the Self.
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  22. Legionella and Covid.Mota Victor - manuscript
    One after Other, Legionella and Covid have marked everyday life on Portugal and on the world in the last two-there years, creating a kind of vão (bay), rebaixamento, in the moeur of society and individuals.
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  23. Linguistic Turn.Mota Victor - manuscript
    semiology of social and global transformations on public relations and, by consequence, of human intimacy.
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  24. Visual Trope and the Portland Vase Frieze: A New Reading and Exegesis.Randall L. Skalsky - Winter 1992 - Arion 2 (1).
    Among the extant masterworks of Roman art, there is probably none that has generated more scholarly debate than the Portland Vase over the interpretation of its elegant frieze. No fewer than forty-four different theories attempting to interpret the scenes on the vase have appeared in the last 400 years. In the main, the theories fall into two categories, those relating the frieze to Greek myth, and those linking the figures to Roman personages. Moreover, there is no consensus whether the frieze (...)
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  25. Hiding in Plain Sight, Yet Again: An Unseen Attribute, An Unseen Plan, and A New Analysis of the Portland Vase Frieze.Randall Skalsky - Spr/Summer 2010 - Arion 18 (1):1-26.
    All interpretations of the Portland Vase frieze to date have failed to see, much less explain, a crucial figural attribute in the frieze, one that proves to be both explicit and explicatory, and whose location and appearance secures the identification of not one but, indeed, three figures. Furthermore, the attribute lies at the heart of a distinct schema of figural grouping and arrangement which has also gone unheeded in previous treatments of the Portland Vase frieze. By dint of this previously (...)
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  26. Monumental Origins of Art History: Lessons from Mesopotamia.Jakub Stejskal - forthcoming - History of Humanities.
    When does art history begin? Art historiographers typically point to the Renaissance (Vasari) or, alternatively, to Hellenism (Pliny the Elder). But such origin stories become increasingly disconnected from contemporary disciplinary practices, especially as the latter try to rise to the challenge of conducting art history in a more diversified and global way. This essay provides an alternative account of art history’s origin, one that does not try to alleviate the sense of disconnect, but rather develops a global, non-Eurocentric account. The (...)
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  27. Social Art: The Work of Art in Capitalism.Michael Broz - 2024 - Polish Journal of Aesthetics 67 (4):27-42.
    While not considered the focus of Marx, aesthetics, and art have become a project of Marxism. But understanding art in a Marxist world requires taking Marx’s philosophy and understanding how art behaves in capitalism. I transplant the artwork to a Marxist analysis by investigating art as described by Heidegger, Dufrenne, and Merleau-Ponty, how art relates to the idea of the commodity in Marx, culture in Deleuze, and art in modern capitalism through Marcuse.
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  28. Williams and Cusk on Technologies of the Self.James V. Martin - 2024 - Topoi 43 (2):525-536.
    The rejection of a “characterless” moral self is central to some of Bernard Williams’ most important contributions to philosophy. By the time of Truth and Truthfulness, he works instead with a model of the self constituted and stabilized out of more primitive materials through deliberation and in concert with others that takes inspiration from Diderot. Although this view of the self raises some difficult questions, it serves as a useful starting point for thinking about the process of developing an authentic (...)
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  29. Artırılmış Gerçekliğin Sanat Üzerindeki Etkisi: Artırılmış Sanatın Keşfi (The Discovery of Augmented Art).Ergün Avcı - 2023 - İstanbul: Zeytinburnu Belediyesi Kültür Yayınları.
    Augmented Reality combines the virtual and the real. It brings the virtual to the real and the real to the virtual. It is a technology that overlays computer-generated visuals, sensory input such as sound, and interactive atmosphere over the existing environment in real time. In Augmented Reality, real and virtual are simultaneously intertwined. That's why Augmented Reality has a greater impact on art than other virtual fields. Art in Augmented Reality has a counterpart in both the virtual and real world. (...)
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  30. State of the Art - Elements for Critical Thinking and Doing.Erich Berger, Mari Keski-Korsu, Marietta Radomska & Line Thastum (eds.) - 2023 - Helsinki: Bioart Society.
    How to participate proactively in a process of change and transformation, to shape our path within an uncertain future? With this publication, the State Of The Art Network marks a waypost on a journey which started in 2018, when like-minded Nordic and Baltic art organisations and professionals initiated this network as a multidisciplinary collaboration facing the Anthropocene. Over five years, ten organisations and around 80 practitioners from different disciplines, like the arts, natural sciences and humanities came together, online and in (...)
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  31. Motherhood as resistance in the bio-performance Analfabeta, an Interdisciplinary dialogue between Biology and Performance.Paulina Bronfman - 2023 - Documenta 41 ( Special Edition: Parliament of).
    Interdisciplinary dialogue acts as a symbiosis for all the areas that participate and imply enormous projections for both art and science. This paper explores the potential of an interdisciplinary dialogue between Biology and Performance using as a case study the Performance Analfabeta created by the artist Paulina Bronfman. The work was shaped in the context of The Third Conference of the Nucleus of Artistic Research (NIA) of In/Inter/Disciplinary Laboratories hosted by the Faculty of Art of The Pontificia University of Chile (...)
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  32. Performance, Citizenship and Activism in Chile.Paulina Bronfman - 2023 - Santiago . Chile: Editorial Osoliebre..
    "This book explores the relationship between performance and activism in Chile as a form of political expression and citizen participation during the period 2010-2020. Since the student mobilizations of 2006, the social movements that have taken place in Chile are characterized, in many cases, by the appropriation of public space and the political use of the body. This became particularly evident during the social outbreak of October 2019. The social upheaval was accompanied by a cultural explosion, where the arts in (...)
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  33. From Disinformation to Mythification: Rethinking Historically the Mythicized Sidapa-Bulan Queer Romance.Gregorio I. I. I. Caliguia - 2023 - Banwaan: The Philippine Journal of Folklore 3 (1):1–26.
    In 2010s, the love story between Sidapa and Bulan, two oft-described as male gods, widely circulated online and eventually became a folkloric representation about the LGBTQIA+ during the pre-colonial Philippines. But in 2019 this queer mythological romance was exposed to be a hoax. However, instead of dismissing the story altogether for being a hoax, especially given the story’s already irreversible circulation in popular culture today, this paper rather examines the “mythification” of Sidapa-Bulan queer romance as a case for historical rethinking. (...)
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  34. Cruzeiro Seixas: Weird Corpses andWhy the Portuguese Surrealism Did Not Die.Paulo Alexandre E. Castro - 2023 - European Journal of Fine and Visual Arts 1 (2):1-5.
    Cruzeiro Seixas is one of the main representatives of Portuguese and European surrealism, despite having initially started with neo-realism. Alongside figures such as Mário Cesariny, Carlos Calvet, António Maria Lisboa, Pedro Oom or Mário Henrique Leiria, the artist created a very unique style that allows immediate recognition of his work. If it is true that this recognition depends a lot on the pictorial, stylistic, artistic presentation, it is no less true that this happens due to the permanent use of a (...)
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  35. The High Wasteland, Scar, Form, and Monstrosity in the English Landscape: What Is the Function of the Monster in Representations of the English Landscape?Michael Eden - 2023 - Dissertation, Middlesex University
    In this thesis, I explore themes and concerns that have arisen in my art practice, namely the relationship between landscape, monstrosity, and subjectivity. The tropes scar and form refer to features analogous in the subject and in the land which take on different specific meanings throughout the project, but in general terms, I relate them to trauma as a defining force. I suggest that monsters can be understood as embodying attitudes to time (a cause of trauma): those being fixity, which (...)
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  36. A Framework Proposal for Developing Historical Video Games Based on Player Review Data Mining to Support Historic Preservation.Sarvin Eshaghi, Sepehr Vaez Afshar & Mahyar Hadighi - 2023 - In Saif Haq, Adil Sharag-Eldin & Sepideh Niknia (eds.), ARCC 2023 CONFERENCE PROCEEDING: The Research Design Interface. Architectural Research Centers Consortium, Inc.. pp. 297-305.
    Historic preservation, which is a vital act for conveying people’s understanding of the past, such as events, ideas, and places to the future, allows people to preserve history for future generations. Additionally, since the historic properties are currently concentrated in urban areas, an urban-oriented approach will contribute to the issue. Hence, public awareness is a key factor that paves the way for this conservation. Public history, a history with a public audience and special methods of representation, can serve society in (...)
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  37. Metamodernity, American Transcendentalism and Transhumanism in Japanese Anime.Steven Foertsch - 2023 - In Kaz Hayashi & William Anderson (eds.), Anime, Philosophy and Religion. Vernon Press. pp. 73-98.
    Recent theorists of cultural studies have noticed the emergence of metamodernity as an ideal type, categorized by an oscillation between postmodern deconstructivism and modern idealism, into a form of transcendentalism. I argue in this chapter that this type of transcendentalism, informed by the historical American Transcendentalist Movement, is the emerging ideal called “Transhumanism.” I use a case study of five Japanese anime to demonstrate how transhumanist, metamodernist, and transcendental thinking often recur in key core plot points and narratives found within. (...)
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  38. Pensée végétale et simiesque, liens entre vivants.Sophie Gerber & Camille Noûs - 2023 - Arts Et Sciences 7 (2).
    Le film d’animation de Jean-François Laguionie "Le voyage du prince" (2019), d’après "Le château des singes" (1999) du même réalisateur, inspiré du livre "Le baron perché", d’Italo Calvino (1957), est marqué par une prégnance végétale forte. Le film nous invite dans un monde de fiction, dans lequel les singes sont l’espèce animale principale – évoquant les humainsles humains les humainsles humains les humainsles humains les humains – représentée à travers des peuples aux modes de vie contrastés. Le monde végétal est (...)
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  39. Editorial: Women’s agency in art and science.Dalila Honorato & Claudia Westermann - 2023 - Technoetic Arts 21 (2):151-156.
    Women in the field of art and science have an unquestionable presence worldwide that exceeds their visibility in the general visual art scene. When cataloguing women’s range of practices and exploring their agency in art and science, a new model of inclusivity and access to the public sphere for all individuals working in art emerges. First, these are contributions reflecting on projects being carried out by women in the broadest interpretation of the term – individuals who identify themselves as women, (...)
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  40. Media Possibilities of Comics: Modern Tools for the Formation and Presentation of Organizational Culture.O. Hudoshnyk & Oleksandr P. Krupskyi - 2023 - European Journal of Management Issues 31 (1):40-49.
    Purpose: The modern development of mass culture is characterized by the growth of the market for graphic narratives, the rapid increase in the segment of digital comics, and the active use of comics as a communication tool in various industries and disciplinary areas. The purpose of the study: to determine the media capabilities of the comics in presenting educational, cross-cultural, problematic, and ethical content of modern organizational culture. Design / Method / Approach: The review nature of the article involves the (...)
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  41. The Narrative Identity of European Cities in Contemporary Literature.Sonja Novak, Mustafa Zeki Çıraklı, Asma Mehan & Silvia Quinteiro - 2023 - Journal of Narrative and Language Studies 11 (22):IV-VIII.
    This volume aimed to highlight narrative identities of European cities or city neighbourhoods that have been overlooked, such as mid-sized cities. These cities are neither small towns nor metropolises, cities that are now unveiling their appeal or specificity. The present special issue thus covers a range of representations of cities. The articles investigate more systematically how different texts deal with various cities from different experiential and fictional perspectives. The issue covers the geographical scope across Europe, from east to west or (...)
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  42. A imagem como utopia em heterotopias e noção de intericonicidade frente à escrita do acontecimento.Alex Pereira De Araújo - 2023 - Revista Heterotópica 4 (2):4-32.
    Este trabalho apresenta uma discussão que tem como objetivo principal propor um novo risco ao contorno da noção de intericonicidade que aparece em Courtine, precisamente, em 2003. Aí encontramos uma abertura que nos permite traçar outras curvaturas em sua noção. É justamente por este interstício que vamos propor a inclusão de dois elementos que, a nosso ver, estão na ordem da constituição das imagens: as utopias e heterotopias, conforme discussões iniciadas anteriormente por Araújo (2014a, 2014b). Para tanto, tomamos como pano (...)
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  43. Ecologies of Death, Ecologies of Mourning: A Biophilosophy of Non/Living Arts.Marietta Radomska - 2023 - Research in Arts and Education 2023 (2):7-20.
    In the present condition of planetary environmental crises, violence, and war, entire ecosystems are annihilated, habitats turn into unliveable spaces, and shared “more-than-human” vulnerabilities get amplified. Here and now, death and loss become urgent environmental concerns, while the Anthropocene-induced anxiety, anger, and grief are manifested in popular-scientific narratives, art, culture, and activism. Grounded in the theoretical framework of queer death studies, this article explores present grief imaginaries and engagements with more-than-human death, dying, and extinction, as they are interwoven through contemporary (...)
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  44. K’awiil - An Encounter. A photoalbum.Florentin Smarandache - 2023 - Miami, FL: Global Knowledge.
    This album brings together photos from a documentary trip I made in December 2008-January 2009 in Central America (Guatemala and Honduras), to discover the old Maya civilization. In one of those blurry days caused by Pacaya volcano’s debris and ash, along the ruins of Petén, I believe I must have had an encounter with the Maya deity Kʼawiil….
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  45. Bec à Québec. Un album photo.Florentin Smarandache - 2023 - Miami, FL: Global Knowledge.
    This photo album contains images from a trip to Quebec city and Montreal, on the occasion of an international scientific conference I attended in the sumer of 2006. -/- Cet album photo contient des images d'un voyage à Québec et Montréal, à l'occasion d'une conférence scientifique internationale à laquelle j'ai participé l’été de l’année 2006.
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  46. Italycizing. A photoalbum.Florentin Smarandache - 2023 - Miami, FL: Global Knowledge.
    This photo album contains images from a trip to the fabulous cities of Florence, Venice and Pisa, in a visit I made to Italy in June 2006 with the occasion of an international scientific conference on FUSION. -/- A travel journal (in Romanian) extensively narrates this visit: SMARANDACHE, FLORENTIN. Frate cu meridianele şi paralelele (note de călătorie), vol. 4. Râmnicu Vâlcea (Romania): Offsetcolor, 2004.
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  47. «El final» (cuento).Jesús Miguel Delgado Del Aguila - 2022 - Leteo: Revista de Investigación y Producción En Humanidades 3 (6):65-66.
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  48. Vasily Kandinsky: Around the Circle.Ekin Erkan - 2022 - AEQAI.
    A review of the recent exhibition of Wassily Kandinsky's artworks at the Guggenheim Museum, with interest in Kandinsky's career-wide separation of form from content.
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  49. Decolonizing Trans-American Skin Memory.Lefrançois Frédéric - 2022 - Nakan 1 (1).
    This paper aims to highlight the articulation of skin memory with trans-Caribbean aesthetics by exploring the diasporic works of female diasporic artists born in the West Indies who emigrated to the United States. We intend to show how these contemporary female artists rewrite the codification and reception of the skin-related memory by connecting their artwork to a genealogy of traumas and healing practices that call for the empowerment of the Caribbean skin ego.
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  50. Embodying the Face: The Intersubjectivity of Portraits and Self-portraits.Vittorio Gallese - 2022 - Topoi 41 (4):731-740.
    The topic of the human face is addressed from a biocultural perspective, focusing on the empirical investigation of how the face is represented, perceived, and evaluated in artistic portraits and self-portraits from the XVth to the XVIIth century. To do so, the crucial role played by the human face in social cognition is introduced, starting from development, showing that neonatal facial imitation and face-to-face dyadic interactions provide the grounding elements for the construction of intersubjective bonds. The neuroscience of face perception (...)
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1 — 50 / 198