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  1. Music Listening in Classical Concerts: Theory, Literature Review, and Research Program.Melanie Wald-Fuhrmann, Hauke Egermann, Anna Czepiel, Katherine O’Neill, Christian Weining, Deborah Meier, Wolfgang Tschacher, Folkert Uhde, Jutta Toelle & Martin Tröndle - 2021 - Frontiers in Psychology 12.
    Performing and listening to music occurs in specific situations, requiring specific media. Empirical research on music listening and appreciation, however, tends to overlook the effects these situations and media may have on the listening experience. This article uses the sociological concept of the frame to develop a theory of an aesthetic experience with music as the result of encountering sound/music in the context of a specific situation. By presenting a transdisciplinary sub-field of empirical studies, we unfold this theory for one (...)
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  • Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance.Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca & Daniel J. Levitin - 2011 - Cognition 118 (2):157-170.
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  • A grammar of action generates predictions in skilled musicians.Giacomo Novembre & Peter E. Keller - 2011 - Consciousness and Cognition 20 (4):1232-1243.
    The present study investigates shared representations of syntactic knowledge in music and action. We examined whether expectancy violations in musical harmonic sequences are also perceived as violations of the movement sequences necessary to produce them. Pianists imitated silent videos showing one hand playing chord sequences on a muted keyboard. Results indicate that, despite the absence of auditory feedback, imitation of a chord is fastest when it is congruent with the preceding harmonic context. This suggests that the harmonic rules implied by (...)
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  • Musicdrops@work: Impact of Shared Listening to Short Live Music Interventions on Sense of Belonging and Subjective Wellbeing at Work.Angelika Güsewell, Sarah Gay-Balmaz & Catherine Imseng - 2022 - Frontiers in Psychology 13.
    Assuming live music can foster belonging in the workplace, this study linked companies in the secondary and tertiary sectors with the world of music performance. Specifically, students from a Swiss music university offered live mini-concerts on the premises of three companies over a period of 3 months. To analyze the impact of these brief musical interventions on the sense of belonging of staff in these companies, a mixed methods approach was adopted using a standardized questionnaire. The short concerts were much (...)
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  • Aesthetic and physiological effects of naturalistic multimodal music listening.Anna Czepiel, Lauren K. Fink, Christoph Seibert, Mathias Scharinger & Sonja A. Kotz - 2023 - Cognition 239 (C):105537.
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  • The neurochemistry of music.Mona Lisa Chanda & Daniel J. Levitin - 2013 - Trends in Cognitive Sciences 17 (4):179-193.
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