Stoics and Sceptics distinguish belief (doxa) from a representationally and functionally similar but sub-doxastic state: passive yielding to appearance. Belief requires active assent to appearances, that is, affirmation of the appearances as true. I trace the roots of this view to Plato's accounts of doxa in the Republic and Theaetetus. In the Republic, eikasia and pistis (imaging and conviction) are distinguished by their objects, appearances versus ordinary objects; in the Theaetetus, perception and doxa are distinguished by their objects, proper perceptibles (...) versus ‘commons’, including being. But underlying these ontological distinctions is a psychological one: the lower mental states are confined to their lower objects because they are passive; the higher mental states have access to higher objects because they result from questioning appearances and making active affirmations about how things are. This doctrine of doxa anticipates both the Hellenistic one and modern accounts of belief as ‘aiming at truth’; it also shows Plato's views of doxa to have more in their favour philosophically and to cohere better with one another than generally thought. (shrink)

RésuméEn expliquant la relation entre hypothèses et images dans l'analogie de la ligne du livre Vl de laRépubliquede Platon, je m'attarde d'abordsur l'élucidation platonicienne de la nature des mathématiques telle que la conçoit le mathématicien lui-même. Je poursuis avec une critique des interprétations traditionnelles de cette relation, qui partent de l'assomption douteuse que les mathématiques s'occupent des Formes platoniciennes. Pour formuler mon point de vue sur cette relation, j'exploite la notion de «structure». Je montre comment les «hypothèses» comme principes de (...) preuve peuvent déterminer les structures des «images» par lesquelles les structures intelligibles correspondantes des objets mathématiques en viennent à être connues. (shrink)

AtRepublic9, 583b1–587a2, Socrates argues that the pleasure of the philosophical life is the truest pleasure. I will call this the ‘true pleasure argument’. The true pleasure argument is divisible into two parts: 583b1–585a7 and 585a8–587a2. Each part contains a sub-argument, which I will call ‘the misperception argument’ and ‘the true filling argument’ respectively. In the misperception argument Socrates argues that it is characteristic of irrational men to misperceive as pleasant what in fact is a condition of neither having pleasure nor (...) being pained. In the true filling argument Socrates argues that in so far as pleasure entails somatic or psychic filling and there are more and less true fillings, there are more and less true pleasures. Philosophical filling is the truest filling and thus the truest pleasure. The misperception argument critically contributes to the true pleasure argument by clarifying what pleasure is not: merely an appearance or merely the absence of pain. The misperception argument thereby clears the ground for the constructive contribution of the true filling argument. (shrink)

‘The similes of the Sun, Line, and Cave in the Republic remain a reproach to Platonic scholarship because there is no agreement about them, though they are meant to illustrate.’ So wrote A.S. Ferguson in 1934, and so he could write to-day. Four decades have produced at least twenty more substantial contributions to the debate, but no agreement. I shall not attempt to arbitrate between existing interpretations, nor shall I offer an account of the ‘simile of light’ as a whole. (...) I shall confine my attention to a single point: the significance of the shadows in the cave, and of the objects which cast them. The suggestion I shall make seems an obvious one, but I have not found it in the literature. I hope to show at least that it deserves serious consideration. (shrink)

In a recent article, C. H. Kahn addresses an ‘old scholarly myth’, namely the idea that Book I of the Republic began life as an earlier, independent dialogue and was subsequently adapted to serve as a prelude to the much longer work that we know. The case for this hypothesis rests both on stylometric considerations and on the many ‘Socratic’ features that Book I, unlike the rest of the Republic, shares with Plato's earlier works. Having disposed of the positive arguments (...) in favour of the ‘myth’, Kahn turns to the contrary—and in his view overwhelming—evidence that Book I was composed from the start as an integral part of the longer Republic. He catalogues 12 passages in Book I, accounting for roughly half its length, whose full significance will, he argues, only emerge if they are seen as instances of prolepsis, deliberate anticipations of what is to come in later books. (shrink)

In this paper I wish to argue for a view that, despite its traditional standing, has not yet in any detail been defended. The view is briefly that in the Republic, at the point where Plato is engaged in contrasting the true philosopher with the “lover of sights and sounds”, he characterises sensible particulars — referred to as “the many” — as being bearers of opposite properties in so radical a manner that they can be said neither to be nor (...) not to be: they lie somewhere between being and utter non-being.There are two related reasons why this traditional view should now be closely scrutinised. The first is that, whatever the outcome, the passage of the Republic in question — 475a-480a — is quite crucial to our understanding of the development of Plato's thought about sensible particulars. The second’ is that it has been suggested recently, and ably argued, that Plato is not in fact talking about particulars at all; rather about types or sorts of particulars. (shrink)

Comedy and philosophy have too often been thought immiscible, a tradition supported by a solemn reading of philosophers such as Plato. A closer look at Plato – and specifically at what may be his most familiar dialogue – the Republic, suggests just the contrary. Far from immiscible, comedy and philosophy are entwined in ways that are mutually illuminating. I argue that a joke in Book V reveals the self-forgetting involved in founding the city in speech, and so illustrates the vitality (...) of self-knowledge to political ventures. Glaucon criticizes the first city in speech as akin to one “of sows”, prompting a new city altogether, and yet the city that he helps to create not only eradicates distinctions between animals and humans but is founded on principles of animal husbandry and described overwhelmingly in animalistic terms. Justice in this city is defined as a minding of one’s own business, but what exactly “one’s own” is expands to accommodate Glaucon’s pleonexia and accompanying tyrannical allowances. Glaucon has forgotten himself. Without a limit – without a restriction on what one’s own is – the city degenerates into a tyranny. Glaucon’s self-forgetting may be a minor, comical incident, but it has significant philosophical consequences, including a radical undercutting of the city in question as well as the distinction between humans and animals. The comical mode employed here suggests that it may be a comical understanding of the self that best supersedes the forgotten self. (shrink)

Throughout much of the critique of poetry in Republic X, Socrates exploits a parallel between painting and poetry. I argue there are two distinct methods at work here, the ‘similarity’ and ‘heuristic’ methods. The first uses painting to discover the general definition of mimesis, which is then swiftly applied to poetry. The second describes certain features of painting before using independent arguments to show that these also apply to poetry. That Socrates sometimes uses the parallel in this heuristic way is (...) not new in the literature. My purpose is to be more precise about what these two methods are, when Socrates uses one or the other, and why. At the end of the paper, I argue that the painting–poetry parallel is methodologically very similar to the state–soul parallel used earlier in the work. This allows us to view the arguments of Republic X in a more sympathetic light. (shrink)

This paper tackles some issues arising from Plato's account of the democratic man in Rep. VIII. One problem is that Plato tends to analyse him in terms of the desires that he fulfils, yet sends out conflicting signals about exactly what kind of desires are at issue. Scholars are divided over whether all of the democrat's desires are appetites. There is, however, strong evidence against seeing him as exclusively appetitive: rather he is someone who satisfies desires from all three parts (...) of his soul, although his rational and spirited desires differ significantly from those of the philosopher or the timocrat. A second problem concerns the question why the democrat ranks so low in Plato's estimation, especially why he is placed beneath the oligarch. My explanation is that Plato presents him as a jumble of desires, someone in whom order and unity have all but disintegrated. In this way he represents a step beyond the merely bipolarised oligarch. The final section of the paper focuses on the democrat's rational part, and asks whether it plays any role in shaping his life as a whole. For the disunity criticism to hold, Plato ought to allow very little global reasoning: if there were a single deliberating reason imposing a life plan upon his life, the fragmentation of life and character discussed earlier would only be superficial. I argue that Plato attributes very little global reasoning to the democrat. Aside from the fact that the text fails to mention such reasoning taking place, Plato's views on the development of character and his use of the state-soul analogy show that the democrat's lifestyle is determined just by the strength of the desires that he happens to feel at any one time. (shrink)

In Republic 4, Plato’s Socrates argues that there are three elements in the soul: the rational, the spirited, and the appetitive. This paper focuses on the argument distinguishing spirit from appetite in the story of Leontius. I shall argue that the rational element first opposes Leontius’ appetite and, when appetite overpowers reason, then Leontius’ spirited part opposes the appetitive. Consequently, there is a kind of disgust that would be appropriately characterized as rational; and, drawing on this consequence, I suggest that (...) the primary target of early ethical education is the rational element of the soul. (shrink)

In defending the view that justice is the advantage of the stronger, Thrasymachus puzzlingly claims that rulers never err and that any practitioner of a skill or expertise (τέχνη) is infallible. In what follows, Socrates offers a number of arguments directed against Thrasymachus’ views concerning the nature of skill, ruling, and justice. Commentators typically take a dim view of both Thrasymachus’ claims about skill (which are dismissed as an ungrounded and purely ad hoc response to Socrates’ initial criticisms) and Socrates’ (...) latter arguments (which are deemed extremely weak). In this paper, I clarify Thrasymachus’ views (and those of several other ancients) concerning qua locutions and the nature of skill and ability and I reconstruct Socrates’ arguments against Thrasymachus’ views concerning skill and justice. I argue that Thrasymachus’ views are not ungrounded or ad hoc and that Socrates’ arguments are rather different (and significantly stronger) than often supposed. (shrink)

Resumen Platón proyecta en la República un programa cultural que supone la redefinición del papel de la poesía tradicional en razón de su asociación con los regímenes democrático y tiránico. Esto, según pretendo mostrar, puede vincularse de manera legítima con la polémica anticirenaica de Platón contra Aristipo. Para ello, por un lado, exploraré los rasgos del biotipo tiránico y su régimen concomitante en la República VIII-IX y, por otro, analizaré sus vínculos con los planteamientos anticirenaicos en el Gorgias. Este examen (...) permitirá ofrecer claves de análisis para dos pasajes muy discutidos de la República IX: el símil del ascensor y el número del tirano, que cobran una nueva luz a partir de la consideración de esta polémica intrasocrática.Plato put forward in Republic a cultural program which implies the redefinition of the role of traditional poetry due to its association with the democratic and tyrannical regimes. I intend to show that this point is connected with the anti-cyrenaic arguments that Plato raises against Aristippus. On the one hand, I will study the features of the tyrannical biotype and its correspondent regime in Republic VIII-IX, and, on the other, I will analyze its links with the anti-cyrenaic arguments in Gorgias. This exam will allow us to offer some clues to better understand two widely debated passages in Republic IX: the analogy of the lift and the tyrant’s number. Both acquire a new perspective when this intra-socratic polemic is taken into account. (shrink)

Platon n’est pas sérieux lorsqu’il conduit Socrate à déduire que la poésie doit être essentiellement narrative avec juste un peu de dialogue. Non seulement cette argumentation est-elle intentionnellement fautive, mais Platon crée aussi un Socrate qui obscurcit à dessein une distinction fondamentale. Le Socrate de Platon fait ensuite semblant d’être confus par son propre obscurcissement. En nous obligeant à nous frayer un passage à travers les broussailles de son argumentation erronée, Platon nous donne l’occasion d’avoir une participation plus profonde aux (...) véritables problèmes sous-jacents et de découvrir son thème : une bonne personne est stoïquement indifférente à la fois au malheur et au bonheur. (shrink)

Greek literature prior to Plato featured two conceptions of education. Learning takes place when people encounter “teacher-guides”—educators, mentors, and advisors. But education also occurs outside of a pedagogical relationship between learner and teacher-guide: people learn through painful experience. In composing his dramatic dialogues, Plato appropriated these two conceptions of education, refashioning and fusing them to present a new philosophical conception of learning: Plato’s Socrates is a teacher-guide who causes his interlocutors to learn through suffering. Socrates, however, is not presented straightforwardly (...) as a pedagogical success story. Socrates’ failures are, paradoxically, part of what makes him an ideal literary model for a philosophical teacher-guide. Plato requires his readers to question why Socrates’ interlocutors are not converted to philosophers. (shrink)

The proverb “chalepa ta kala” (“fine things are difficult”) is invoked in three dialogues in the Platonic corpus: Hippias Major, Cratylus and Republic. In this paper, I argue that the context in which the proverb arises reveals Socrates’ considerable pedagogical dexterity as he uses the proverb to rebuke his interlocutor in one dialogue but to encourage his interlocutors in another. In the third, he gauges his interlocutors’ mention of the proverb to be indicative of their preparedness for a more difficult (...) philosophical trial. What emerges in the study of these three Platonic dialogues is that Socrates believes that how he and others describe learning makes a tangible difference in philosophical investigation. (shrink)

RESUMO Em nosso artigo, pretendemos verificar as teses de Trasímaco sobre a justiça e se estas são consistentes entre si. Para isso, há de se observar a relação da justiça com o governo e a força que a determina. O intuito é reavivar as discussões hodiernas sobre as teses de Trasímaco dentro da filosofia platônica, assim como demonstrar sua importância para o âmbito da filosofia política. ABSTRACT This article aims to verify Thrasymachus' theses on justice and whether they are consistent (...) with one another. As such, it is necessary to observe the relation between justice and government, as well as the force which determines it. The objective is to revive in actual times the discussions about Thrasymachus' theses within Plato's philosophy, and to demonstrate its importance in the scope of political philosophy. (shrink)

A discussão entre Trasímaco e Sócrates no Livro I da República de Platão dá vigor à questão da justiça iniciada com Céfalo. Trasímaco é um personagem importante da obra, pois vai relacionar a justiça ao governo da cidade. Isso faz com que a justiça saia da esfera individual e entre na esfera pública. Em nosso artigo, pretendemos verificar as teses de Trasímaco sobre a justiça e se estas são consistentes entre si. O problema da consistência das teses é antigo entre (...) os comentadores e apresenta diferentes soluções. Nosso intuito é propor uma solução para o problema e relacionar isto à arte do governo proposta por Trasímaco. Isso nos permite verificar a maneira pela qual Sócrates e Trasímaco diferem entre si em suas propostas de governo e dos tipos de governante. Desse modo, nosso trabalho pretende contribuir com a literatura platonista sobre o papel ocupado por Trasímaco dentro da obra de Platão. (shrink)

If you would reflect that the part of the soul that in the former case, in our own misfortunes, was forcibly restrained, and that has hungered for tears and a good cry and satisfaction, because it is its nature to desire these things, is the element in us that the poets satisfy and delight, and that the best element in our nature, since it has never been properly educated by reason or even by habit, then relaxes its guard over the (...) plaintive part, inasmuch as this is contemplating the woes of others and it is no shame to it to praise and pity another who, claiming to be a good man, abandons himself to excess in his grief; but [he] thinks this vicarious pleasure is so much clear gain, and would not consent to forfeit it by disdaining the poem altogether. (shrink)

If you would reflect that the part of the soul that in the former case, in our own misfortunes, was forcibly restrained, and that has hungered for tears and a good cry and satisfaction, because it is its nature to desire these things, is the element in us that the poets satisfy and delight, and that the best element in our nature, since it has never been properly educated by reason or even by habit, then relaxes its guard over the (...) plaintive part, inasmuch as this is contemplating the woes of others and it is no shame to it to praise and pity another who, claiming to be a good man, abandons himself to excess in his grief; but [he] thinks this vicarious pleasure is so much clear gain, and would not consent to forfeit it by disdaining the poem altogether. (shrink)

The purpose of this paper is to reassess some mathematical examples in Plato’s dialogues which at a first glance may appear to be nothing more than trivial puzzles. In order to provide the necessary background for this analysis, I shall begin by sketching a brief overview of Plato’s mathematical passages and discuss the criteria for aptly selecting them. Second, I shall explain what I mean by ‘mathematical examples,’ and reflect on their function in light of the discussion on παραδείγματα outlined (...) in theSophistand theStatesman. Against this framework, I shall move to a close examination of specific examples drawn from theTheaetetus(154c–55d), theRepublic(523c–24d), and thePhaedo(96d–97b, 100e–101d). By placing these examples in the broader context of pre-Euclidean mathematics, I shall show that their mathematical content is often less elementary than might appear at first sight. Moreover, by placing emphasis on the specific philosophical concerns that motivated their introduction, I shall argue that the examples are not merely nonsensical jokes. Even if their illustrative purpose is not always immediately clear, and even if they can sound playful and bizarre, they in fact fulfil an important function: by virtue of their power to generate wonder or confusion, they serve as exercises and act as a trigger with respect to the difficult philosophical issues they are intended to clarify. (shrink)

In Republic VIII, oligarchy is represented as a transitional or hybrid regime combining features of aristocracy and timocracy with the rule of appetitive desire characteristic of democracy and tyranny. The apparently anomalous intermediary position of oligarchy, in which an object of appetitive soul provides the foundation for interpersonal and political norms, demonstrates the complexity of the interaction between ruling soul parts and underlying rational structures that give unity to each constitution and character type. This interaction cannot be adequately accounted for (...) in terms of the activity of autonomous soul parts whose interactions are wholly reduced to quantitative relations of force. (shrink)

Republic 596a introduces a One over Many principle that has traditionally been considered as an argument for the existence of Forms, according to which, one Form should be posited for each like-named plurality. This interpretation was challenged by (Smith, J. A. 1917. “General Relative Clauses in Greek.” Classical Review 31: 69–71.), who interpreted it rather as a statement that each Form is unique and correlated to a plurality of things that have the same name as it. (Sedley, D. 2013. “Plato (...) and the One-over-Many Principle”, in Chiaradonna & Galluzzo 2013, 113–37.) has offered a forceful defence of Smith’s interpretation. I argue that Sedley’s defence fails and that the traditional interpretation should be preferred. (shrink)

I discuss Aristotle’s opening argument against Platonic Forms in _Metaphysics_ A.9, ‘the Razor’, which criticizes the introduction of Forms on the basis of an analogy with a hypothetical case of counting things. I argue for a new interpretation of this argument, and show that it involves two interesting objections against the introduction of Forms as formal causes: one concerns the completeness and the other the adequacy of such an explanatory project.

This paper concerns Plato’s characterization of the body as the soul’s tool. I take perception as an example of the body’s usefulness. I explore the Timaeus’ view that perception provides us with models of orderliness. Then, I argue that perception of confusing sensible objects is necessary for our cognitive development too. Lastly, I consider the instrumentality relationship more generally and its place in Plato’s teleological worldview.

This paper considers the use that Plato makes of the Principle of Non-Contradiction in his engagements with eristic refutations. By examining Plato’s use of the principle in his most detailed engagements with eristic—in the Sophist, the discussion of “agonistic” argumentation in the Theaetetus, and especially the Euthydemus—I aim to show that the pressure exerted on Plato by eristic refutations played a crucial role in his development of the PNC, and that the principle provided him with a much more sophisticated means (...) of demarcating philosophical argumentation from eristic than he is generally thought to have. In particular, I argue that Plato’s qualified formulation of the PNC restricts the class of genuine contradictions in such a way that reveals the contradictions that eristics produce through their refutations to be merely apparent and that Plato consistently appeals to his qualified conception of genuine contradiction in his encounters with eristics in order to demonstrate that their refutations are merely apparent. The paper concludes by suggesting that the conception of genuine contradiction afforded by the PNC did not just provide Plato with a way of demarcating genuine from eristic refutations, but also with an answer to substantive philosophical challenges that eristics raised through their refutations. (shrink)

This paper presents a new interpretation of the objects of dianoia in Plato’s divided line, contending that they are mental images of the Forms hypothesized by the dianoetic reasoner. The paper is divided into two parts. A survey of the contemporary debate over the identity of the objects of dianoia yields three criteria a successful interpretation should meet. Then, it is argued that the mental images interpretation, in addition to proving consistent with key passages in the middle books of the (...) Republic, better meets those criteria than do any of the three main positions. (shrink)

The framework of this paper is a defence of Burnet's construal ofApology30b 2-4. Socrates does not claim, as he is standardly translated, that virtue makes you rich, but that virtue makes money and everything else good for you. This view of the relation between virtue and wealth is paralleled in dialogues of every period, and a sophisticated development of it appears in Aristotle. My philological defence of the philosophically preferable translation extends recent scholarly work on εἶναι in Plato and Aristotle (...) to γίγνεσθαι, which is the main verb in the disputed sentence. When attached to a subject, both verbs make a complete statement on their own, but a statement that is further completableby adding a complement. The important point is that the addition of a complement does not change the meaning of the verb from existence to the copula. Proving this is a lengthy task which takes me into some of the deeper reaches of Platonic and Aristotelian ontology, and into discussion of whether Greek ever acquired a verb that corresponds to modern verbs of existence. I conclude that even when later authors such as Philo Judaeus, Sextus Empiricus and Plotinus debate what we naturally translate as issues of existence, none of the verbs they use can be said to have existential meaning. (shrink)

The paper offers a new reading of the argument against poetry in Plato’s Republic 10. I argue that Socrates’ corruption charges rely on the tripartite theory of the soul, and that metaphysical doctrines play a role only in the first charge, which demonstrates that the poets are not qualified to teach by reducing tragic poetry to mimetic skill. This accusation clears the way for two corruption charges: the strengthening of appetite, and the softening of spirit (i.e., ‘the greatest charge’). The (...) former focuses on the dangerous association between the poets and the largest appetitive class in the city (hoi polloi), while the latter focuses on the corruption of the educated elite (hoi epieikeis). (shrink)

Plato's views on tragedy depend in large part on his views about the ethical consequences of emotional arousal. In the Republic, Plato treats the desires we feel in everyday life to weep and feel pity as appetites exactly like those for food or sex, whose satisfactions are ‘replenishments’. Physical desire is not reprehensible in itself, but is simply non-rational, not identical with reason but capable of being brought into agreement with it. Some desires, like that for simple and wholesome food, (...) are in fact ‘necessary’ and approved by reason. Other appetites, like lust and gluttony, are ‘unnecessary’ and anti-rational in that they are actively opposed to reason. According to the Republic, the satisfaction of these ‘unnecessary’ desires inevitably strengthens the elements in the soul that oppose reason. The desire to weep at the theatre is treated in this dialogue as just such an anti-rational desire. Even a temporary indulgence in tragic pity and fear has a permanent deleterious effect on the soul, although it does not lead directly to any action. This paper argues that a radically different psychological theory, with important aesthetic implications, appears in the discussion of wine-drinking in Books 1 and 2 of Plato's Laws. Though this long passage has been much scorned and neglected, it is of considerable philosophical importance. While in the Republic Plato condemns drunkenness and other anti-rational states, in the Laws he extols the benefits of a hypothetical ‘fear drug’ that could induce a temporary state of anti-rational terror and of wine to produce other anti-rational emotions and desires. (shrink)

Plato's views on tragedy depend in large part on his views about the ethical consequences of emotional arousal. In theRepublic, Plato treats the desires we feel in everyday life to weep and feel pity as appetites exactly like those for food or sex, whose satisfactions are ‘replenishments’. Physical desire is not reprehensible in itself, but is simplynon-rational, not identical with reason but capable of being brought into agreement with it. Some desires, like that for simple and wholesome food, are in (...) fact ‘necessary’ and approved by reason. Other appetites, like lust and gluttony, are ‘unnecessary’ andanti-rational in that they are actively opposed to reason. According to theRepublic, the satisfaction of these ‘unnecessary’ desires inevitably strengthens the elements in the soul that oppose reason. The desire to weep at the theatre is treated in this dialogue as just such an anti-rational desire. Even a temporary indulgence in tragic pity and fear has a permanent deleterious effect on the soul, although it does not lead directly to any action.This paper argues that a radically different psychological theory, with important aesthetic implications, appears in the discussion of wine-drinking in Books 1 and 2 of Plato'sLaws. Though this long passage has been much scorned and neglected, it is of considerable philosophical importance. While in theRepublicPlato condemns drunkenness and other anti-rational states, in theLawshe extols the benefits of a hypothetical ‘fear drug’ that could induce a temporary state of anti-rational terror and of wine to produce other anti-rational emotions and desires. (shrink)

Republic 554c-d—where the oligarchic individual is said to restrain his appetites ‘by compulsion and fear’, rather than by persuasion or by taming them with speech—is often cited as evidence that the appetitive part of the soul can be ‘persuaded’. I argue that the passage does not actually support that conclusion. I offer an alternative reading and suggest that appetite, on Plato’s view, is not open to persuasion.

Plato’s theory of virtue in the Laws could be striking for someone who is more familiar with Aristotle’s ethics for conceptual complementarity between the two positions (contrary emotions, the ordering element of reason, virtue as a mean which lies between two forms of vice, typically linked to excessive actions, etc.). Plato’s theory, however, still differs from that of Aristotle in two crutial points. First, the source of emotional dynamism is, according to Plato, supraindividual as far as the psyche is a (...) cosmological principle. Only if it comes to be formed and ordered, it separates from the universal cosmic context and make up the emotional nature of an individual soul. But the soul is not, and this is the second point of difference, ordered by some external element (training or education, organized by a rational agent). Plato counts on a pre-arranged order of emotions at a particular ontological topos of the individual soul into which reason eventually descends. Emotions, on their part, seem to include a nexus between formable and forming that is chronologically and methodocally prior to that between the biological substratum and its rational organization, as assumed by Aristotle. (shrink)

This is a study of the correspondence between Forms and particulars in Plato. The aim is to determine whether they exhibit an ontological symmetry, in other words, whether there is always one where there is the other. This points to two questions, one on the existence of things that do not have corresponding Forms, the other on the existence of Forms that do not have corresponding things. Both questions have come up before. But the answers have not been sufficiently sensitive (...) to the intricacies of the questions. Nor have they been adequately resourceful with what little evidence there is in the original sources. The intention here is to make up for that deficiency, not just with better answers but also with better insight into the questions. (shrink)

Resumen A pesar de que uno de los objetivos del planteamiento platónico en República acerca de la formación del carácter de los guardianes es la critica, la censura y el destierro de los poetas y de la poesía mimética como "recurso pedagógico" por su inutilidad como fuente de conocimiento, Platón admite la introducción de cierto tipo de poesía dentro de su programa educativo. No es, entonces, adecuado extender a todo el pensamiento platónico una tesis exclusiva del libro X, porque Platón (...) mismo reconoce una modalidad de mimesis que sobrevive a la censura.Despite the fact that one of the objectives of the platonic approach in Republic about guardians' character education is to criticize, censure, and exile the poets and the mimetic poetry as a "pedagogic resource" due to their uselessness as a source of knowledge. Plato admits the introduction of certain kind of poetry in his educational program. It is not then appropriate to apply a thesis that is exclusive of the X book to all platonic thought since Plato himself recognizes a modality of mimesis which survives to censure. (shrink)