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Spectral Evidence: The Photography of Trauma

MIT Press (2002)

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Echo and the Failure of Knowing in Judith Fox’s Photographic Project I Still Do: Loving and Living with Alzheimer’s.Agnese Sile - 2018 - Journal of Medical Humanities 39 (3):361-375.details In relationships ‘I’ and ‘you’ become ‘we’; despite individual differences, couples obtain an interdependent identity due to their shared interactions. During a serious illness, biological and biographical disruptions can put any reciprocal relationship under strain. Through intermedial analysis of Judith Fox’s photographic project, I Still Do: Loving and Living with Alzheimer’s, I will explore ways the couple make sense of illness, how illness is communicated through text and image and also to identify the limits of representation. Here the photographs, I (...) Download Export citation Bookmark
From facial expressions to bodily gestures: Passions, photography and movement in French 19th-century sciences.Beatriz Pichel - 2016 - History of the Human Sciences 29 (1):27-48.details This article aims to determine to what extent photographic practices in psychology, psychiatry and physiology contributed to the definition of the external bodily signs of passions and emotions in the second half of the 19th century in France. Bridging the gap between recent research in the history of emotions and photographic history, the following analyses focus on the photographic production of scientists and photographers who made significant contributions to the study of expressions and gestures, namely Duchenne de Boulogne, Charles Darwin, (...) Download Export citation Bookmark 3 citations
Dynamic instances of interaction.Christina Ljungberg - 2010 - Sign Systems Studies 38 (1-4):270-296.details According to C. S. Peirce, resemblance or similarity is the basis for the relationship of iconic signs to their dynamical objects. But what is the basis of resemblance or similarity itself and how is the phenomenon of iconicity generated? How does it function in cultural practices and processes by which various forms of signs are generated (say, for example, the cartographical procedures by which maps are drawn, more generally, the diagrammatic ones by which networks of relationships are iconically represented)? To (...) Download Export citation Bookmark
To hear—to say: the mediating presence of the healing witness. [REVIEW]Sheryl Brahnam - 2012 - AI and Society 27 (1):53-90.details Illness and trauma challenge self-narratives. Traumatized individuals, unable to speak about their experiences, suffer in isolation. In this paper, I explore Kristeva’s theories of the speaking subject and signification, with its symbolic and semiotic modalities, to understand how a person comes to speak the unspeakable. In discussing the origin of the speaking subject, Kristeva employs Plato’s chora (related to choreo , “to make room for”). The chora reflects the mother’s preparation of the child’s entry into language and forms an interior (...) Download Export citation Bookmark 1 citation
Lo scarto visuale e il supplemento dell’immagine: le «scritture di luce» del campo di concentramento di Mauthausen.Renato Boccali - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):165-177.details The aims of the present paper is to analyse the specific visual regime of some never-before-exhibited photographs displayed at the photographic exhibition organised for the 60th anniversary of the Liberation of Mauthausen camp in 2005. I will proceed accordingly to a three steps process. First of all, I will try to show how photographs can be considered as a form of writing, namely a “light writing”. I will then provide a general overview of the catalogue of the exhibition but through (...) Download Export citation Bookmark
Il ritorno del represso. Qualche considerazione su testo e immagine in Schwindel. Gefühle di WG Sebald.Nicola Ribatti - 2009 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 2 (2).details Download Export citation Bookmark

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