Byrne & Hilbert propose that color can be identified with explicit properties of physical surfaces. I argue that this claim must be qualified to take into account constraints needed to make recovery of surface color information possible. When these constraints are satisfied, then a biological visual system can establish a correspondence between perceived surface color and specific surface properties.

In this paper I examine whether representationalism can account for various thought experiments about colour inversions. Representationalism is, at minimum, the view that, necessarily, if two experiences have the same representational content then they have the same phenomenal character. I argue that representationalism ought to be rejected if one holds externalist views about experiential content and one holds traditional exter- nalist views about the nature of the content of propositional attitudes. Thus, colour inver- sion scenarios are more damaging to externalist (...) representationalist views than have been previously thought. More specifically, I argue that representationalists who endorse externalism about experiential content either have to become internalists about the content of propositional attitudes or they have to adopt a novel variety of externalism about the content of propositional attitudes. This novel type of propositional attitude externalism is investigated. It can be seen that adopting it forces one to reject Putnam. (shrink)

For all animals, color is an indicator of the substance and state of objects, for which purpose reflectance is just one among many relevant optical properties. This broader meaning of color is confirmed by linguistic evidence. Rather than reducing color to a simple physical property, it is more realistic to embrace its full phenomenology.

This entry outlines relationalism, primitivism, and eliminativism about color and considers objections to each theory.

I claim in this article that if my experience is such that it seems to me that there is an external object before me, then I have reason to believe that there is an external object before me. The sceptic argues that since my having the experience is compatible both with there being and with there not being an external object before me, I have no reason to believe that the former possibility obtains and not the latter. I respond that (...) the sceptic has ignored a relevant difference between the two possibilities: I can make sense of the former possibility but not of the latter. I examine two broad categories of sceptical possibilities (dreams and hallucinations), explain why I cannot make sense of them, and explain why my inability to make sense of them gives me reason to believe they do not obtain. (shrink)

I argue that intentionalist theories of perceptual experience are unable to explain the phenomenal character of perceptual experience. I begin by describing what is involved in explaining phenomenal character, and why it is a task of philosophical theories of perceptual experience to explain it. I argue that reductionist versions of intentionalism are unable to explain the phenomenal character of perceptual experience because they mischaracterize its nature; in particular, they fail to recognize the sensory nature of experience’s phenomenal character. I argue (...) that nonreductionist versions of intentionalism are unable to explain the phenomenal character of perceptual experience because, although they recognize its sensory nature, they mislocate it. (shrink)

There is a continuing debate as to whether externalism about mental content is compatible with certain commonly accepted views about the nature of self-knowledge. Both sides to this debate seem to agree that externalism is _not compatible with the traditional view that self-knowledge is acquired by means of observation. In this paper, I argue that externalism is compatible with this traditional view of self-knowledge, and that, in fact, we have good reason to believe that the self-knowledge at issue is acquired (...) by means of observation. (shrink)

Recent literature has paid attention to a demarcation problem for evolutionary debunking arguments. This is the problem of asking in virtue of what regulative metaepistemic norm evolutionary considerations either render a belief justified, or debunk it as unjustified. I examine the so-called ‘Milvian Bridge principle’ A new science of religion, Routledge, New York, 2012; Sloan, McKenny, Eggelson Darwin in the 21st century: nature, humanity, and God, University Press, Notre Dame, 2015)), which offers exactly such a called for regulative metaepistemic norm. (...) The Milvian Bridge principle suggests that the metaepistemic norm is: adaptive reliability for truth of cognitive processes that the existence of corresponding truth-making facts evolutionary theory justifies. I argue that the Milvian Bridge principle is problematic on a number of counts, something that is shown via spiraling ‘companions in guilt arguments’. Finally, I consider ‘the core reductionist objection’ to the critique of the Milvian Bridge principle and offer a response. I conclude that the Milvian Bridge principle is destabilized. (shrink)

The central claim of this paper is that what it is like to see green or any other perceptible property is just the perceptual mode of presentation of that property. Perceptual modes of presentation are important because they help resolve a tension in current work on consciousness. Philosophers are pulled by three mutually inconsistent theses: representational externalism, representationalism, and phenomenal internalism. I throw my hat in with defenders of the first two: the externalist representationalists. We are faced with the problem (...) of explaining away intuitions that favor phenomenal internalism. Perceptual modes of presentation account for what it is like to see properties in a way that accommodates those intuitions without vindicating phenomenal internalism itself. Perceptual MoPs therefore provide a new way of being an externalist representationalist. (shrink)

Revelation, the thesis that the full intrinsic nature of colors is revealed to us by color experiences, is false in Byrne & Hilbert's (B&H's) view, but in an interesting and nonobvious way. I show what would make Revelation true, given B&H's account of colors, and then show why that situation fails to obtain, and why that is interesting.

Reflectance and spectral power functions are poor predictors of color experiences. Only in completely relativized conditions (single observer, non-metameric set of stimuli, and single set of viewing conditions) is the relationship close. Variation in reflectance of Munsell chips experienced by color-normal observers as having a unique green hue encompasses approximately sixty percent of the complete range of hues falling under the category “green”; and in recent determinations of unique hues, ranges of yellow and green as well as green and blue (...) unique hues overlap. (shrink)

The purpose of the present paper is to develop and defend an account of narrow content that would neutralize the commonplace charge that narrow content.

Abstract: The 'special composition question' is this: given objects O1, . . . , On, under what conditions is there an object O, such that O1, . . . , On compose O? This paper explores a heterodox answer to this question, one that casts composition as a secondary quality. According to the approach I want to consider, there is an O that O1, . . . , On compose (roughly) just in case a normal intuiter would, under normal conditions, (...) intuit that there is. (shrink)

In arbitrating between representational and relational theories of perception, perceptual illusions—cases in which a subject’s perceptual experience diverges from the way the world really is—constitute an important battleground. The debate has, however, been dominated by discussions of visual perception. In attempting to extend the debate to audition, it is appropriate to start by considering what is thought to be a key case of auditory illusion. I consider the phenomenon of the ‘missing fundamental’, as well as examining a notion that is (...) often deployed by representationalists to explain it—namely, perceptual inference. Though it is frequently deployed as an explanatory concept by inferentialists, the notion of perceptual inference is somewhat opaque. Here, I formulate a ‘job description’ for perceptual inference, involving rule-following. I then identify two sets of cases that commonly prompt the invocation of perceptual inference: namely, cases of perceptual illusion, and cases of veridical perception where the perceptual content outstrips the information present in the stimulus. I then argue that an appeal to perceptual inference is unnecessary, in the case of the missing fundamental, for two reasons. Firstly, the missing fundamental is not, after all, a clear candidate for the ascription of inferential capacity to the auditory system: it is neither an illusion, nor is it the case that the stimulus is crucially impoverished. That is, it submits to a ‘direct’ explanation. Secondly, given the adequacy of a simpler explanation, and the difficulty between distinguishing between real rule-following and the mere appearance of it, I argue that we should avoid ascribing inferential capacity to the auditory system. I close by considering objections, and offering replies. (shrink)

In this paper I propose and defend an account of color that I call color functionalism. I argue that functionalism is a non-traditional species of primary quality theory, and that it accommodates our intuitions about color and the facts of color science better than more widely discussed alternatives.

We examine the pros and cons of color realism, exposing some desiderata on a theory of color: the theory should render colors as scientifically legitimate and correctly individuated, and it should explain how we have veridical color experiences. We then show that these desiderata can by met by treating colors as properties of the special sciences. According to our view, some of the major as properties of the special sciences. According to our view, some of the major disputes in the (...) literature about color -- anti-realism versus dispositionalism versus reductionism -- are not well-founded at this stage of scientific inquiry. Our account of color is designed to be of use in the sciences and as such is driven largely by considerations of what the various sciences need in order to proceed appropriately. We argue that a scientific theory of colors need not regard colors as anything more than high-level statistical constructs built out of correlations between color experiences and other phenomena. (shrink)

We make three points. First, the concept of productance value that the authors propose in their defense of color physicalism fails to do the work for which it is intended. Second, the authors fail to offer an adequate physicalist account of what they call the hue-magnitudes. Third, their answer to the problem of individual differences faces serious difficulties.

Richard Wollheim famously argued that figurative pictures depict their scenes, in part, in virtue of their ability to elicit a unique type of visual experience in their viewers, which he called seeing-in. According to Wollheim, experiences of seeing-in are necessarily twofold, that is, they involve two aspects of visual awareness: when a viewer sees a scene in a picture, she is simultaneously aware of certain visible features of the picture surface, the picture’s design, and the scene depicted by the picture. (...) Even though Wollheim’s notion of twofoldness has been very influential, a number of philosophers have put forward powerful arguments against it. In this paper, I defend the claim that some pictorial experiences are twofold in Wollheim’s sense. My argument has two parts. In the first part, I provide a phenomenal contrast argument in favor of twofoldness. In the second part, I respond to what I take to be the most important objections against twofoldness. I believe that both parts together provide strong support for the claim that some pictorial experiences are twofold in Wollheim’s sense. (shrink)

Richard Wollheim famously argued that figurative pictures depict their scenes, in part, in virtue of their ability to elicit a unique type of visual experience in their viewers, which he called seeing-in. According to Wollheim, experiences of seeing-in are necessarily twofold, that is, they involve two aspects of visual awareness: when a viewer sees a scene in a picture, she is simultaneously aware of certain visible features of the picture surface, the picture’s design, and the scene depicted by the picture. (...) Even though Wollheim’s notion of twofoldness has been very influential, a number of philosophers have put forward powerful arguments against it. In this paper, I defend the claim that some pictorial experiences are twofold in Wollheim’s sense. My argument has two parts. In the first part, I provide a phenomenal contrast argument in favor of twofoldness. In the second part, I respond to what I take to be the most important objections against twofoldness. I believe that both parts together provide strong support for the claim that some pictorial experiences are twofold in Wollheim’s sense. (shrink)

It is a common assumption among philosophers of perception that phenomenal colors are exhaustively characterized by the three phenomenal dimensions of the color solid: hue, saturation and lightness. The hue of a color is its redness, blueness or yellowness, etc. The saturation of a color refers to the strength of its hue in relation to gray. The lightness of a color determines its relation to black and white. In this paper, I argue that the phenomenology of shadows forces us to (...) consider illumination as an additional dimension of phenomenal colors. For this purpose, I will first introduce two different interpretations of shadow-experiences, which Chalmers has called the simple and the complex interpretations, and show that they both fail to account for important phenomenal facts about shadow-experiences. I will then introduce my own alternative interpretation based on the idea that illumination is a dimension of phenomenal colors and explain how it can account for these facts. (shrink)

These days it is widely agreed that there is no such thing as absolute motion and rest; the motion of an object can only be characterized with respect to some chosen frame of reference.1 This is a fact of which many of us are well-aware, and yet a cursory consideration of the ways we ascribe motion to objects gives the impression that it is a fact we persistently ignore. We insist to the police officer that we came to a full (...) and complete stop at the stop sign, we fret that traffic is moving too slowly, we observe that the sun has dropped below the hills on the horizon, all without ever saying which frames of reference we have in mind. (shrink)

Those who identify colours with physical properties need to say how the content of colour experiences relate to their favoured identifications. This is because it is not plausible to hold that colour experiences represent things as having the physical properties in question. I sketch how physical realists about colour might tackle this item of unfinished business.

B&H understate the difficulties facing their version of color realism. We doubt that they can fix reflectance types and magnitudes in a way that does not invoke relations to perceivers. B&HÂ’s account therefore resembles the dispositional or ecological accounts that they dismiss. This is a good thing, for a dispositional account is promising if understood in an ecological framework.

Frank Jackson formulated his knowledge argument as an argument for dualism. In this paper I show how the argument can be modified to also establish the irreducibility of the secondary qualities to the properties of physical theory, and ultimately "secondary quality eliminativism"- the view that the secondary qualities are physically uninstantiated.

The typical kind of color realism is reductive: the color properties are identified with properties specified in other terms (as ways of altering light, for instance). If no reductive analysis is available — if the colors are primitive sui generis properties — this is often taken to be a convincing argument for eliminativism. That is, realist primitivism is usually thought to be untenable. The realist preference for reductive theories of color over the last few decades is particularly striking in light (...) of the generally anti-reductionist mood of recent philosophy of mind. The parallels between the mind—body problem and the case of color are substantial enough that the difference in trajectory is surprising. While dualism and non-reductive physicalism are staples, realist primitivism is by and large a recent addition to the color literature. And it remains a minority position, although one that is perhaps gaining support. In this paper, we investigate whether it should be accepted, and conclude it should not be. (shrink)

Objectivism and projectivism are standardly taken to be incompatible theories of color. Here we argue that this incompatibility is only apparent: objectivism and projectivism, properly articulated so as to deal with basic objections, are in fundamental agreement about the ontology of color and the phenomenology of color perception.

This paper argues for the reality of qualia as aspects of phenomenal experience. The argument focuses on color vision and develops a dispositionalist, subjectivist account of what it is for an object to be colored. I consider objections to dispositionalism on epistemological, metaphysical, and 'ordinary' grounds. I distinguish my representative realism from sense-data theories and from recent 'representational' or 'intentional' theories, and I argue that there is no good reason to adopt a physicalist stance that denies the reality of qualia (...) as phenomenally available intentional contents in Brentano's original sense of 'intentionality'. (shrink)

Because our only access to color qualities is through their appearance, Byrne & Hilbert's insistence on a strict distinction between apparent colors and real colors leaves them without a principled way of determining when, if ever, we see colors as they really are.

There are 2,000 hair cells in the cochlea, but only three cones in the retina. This disparity can be understood in terms of the differences between the physical characteristics of the auditory signal (discrete excitations and resonances requiring many narrowly tuned receptors) and those of the visual signal (smooth daylight excitations and reflectances requiring only a few broadly tuned receptors). We argue that this match supports the physicalism of color and timbre.

This paper aims to present and evaluate the (unduly neglected) account of the essence of colours developed by the early phenomenologist Adolf Reinach. Reinach claims that colours, as regards their nature or essence, are physical entities. He is opposed to the idea that colours are “subjective” or “psychic”. It might be the case that the colours we see in the world do not exist but are mere appearances. However, their non-existence would not entail any change in their essence: that is, (...) they would not be psychic, but would just be non-existent physical entities. In Reinach’s view, we can be “ontic-neutral essentialists” about colours: we can remain neutral as to the existence of colours but still make claims about their essence. In the first part of the paper, I present Reinach’s take on the essence of colours. In the second part, I address his existential neutrality about colours; in particular, I argue that Reinach’s ontic-neutral essentialism brings to the fore a seldom noted but crucial distinction to be made in the discussion of colours, that between empirical and metaphysical non-realism about colours. (shrink)

The standard adaptationist explanation of the presence of a sensory mechanism in an organism—that it detects properties useful to the organism—cannot be given for color vision. This is because colors do not exist. After arguing for this latter claim, I consider, but reject, nonadaptationist explanations. I conclude by proposing an explanation of how color vision could have adaptive value even though it does not detect properties in the environment.

Metamerism is a rather common feature of objects. The authors see it as problematic because they are concerned with a special case: metamerism in standard conditions. Such metamerism does not, however, pose a problem for color realists. There is an apparent problem in cases of metameric light sources, but to see such metamers as problematic is to fail to answer Berkeley's challenge.

My first aim in this paper is to show that the transparency claim cannot serve the purpose to which it is assigned; that is, the idea that perceptual experience is transparent is no help whatsoever in motivating an externalist account of phenomenal character. My second aim is to show that the internalist qualia theorist's response to the transparency idea has been unnecessarily concessive to the externalist. Surprisingly, internalists seem to allow that much of the phenomenal character of perceptual experience depends (...) essentially (and not just causally) upon externally located properties. They argue that we can also be aware of internal, non-intentional qualia. I present an alternative response the internalist can make to the transparency claim: phenomenal character is wholly internal, and seeming to be aware of externally located properties just is being aware of internally constituted experiential features. (shrink)

We propose a novel reading of Descartes' views on the nature of pain, thirst, and hunger: imperativism. According to imperativism, rather than (exclusively) having intentional contents individuated by a set of correctness conditions specifying the way the world is, pain thirst, and hunger have contents individuated by satisfaction conditions, which specify the way the world ought to be. Unlike representationalist treatments, the imperativist reading satisfies the unique health-preserving role Descartes sets out for pain, thirst, and hunger, without inflating his austere (...) metaphysics of res extensa. (shrink)

I offer a new objectivist theory of the contents of color language and color experience, intended especially as an account of what normal intersubjective variation in color perception and classification shows about those contents. First I explain an abstract account of the contents of color and other gradable adjectives; on the account, these contents are certain objective properties constituted in part by contextually intended standards of application, which are in turn values in the dimensions of variation associated with the adjectives. (...) Then I propose an explanation of normal variations in linguistic color classification; these are postulated to be effects of differences in intended standards for the color adjectives appearing in the classifying predicates. Next, I consider a potential objection to this explanation, based on the suggestion that contextual content should be more accessible than the explanation predicts. In reply, I point out that contextual content is occasionally opaque to unsophisticated reflection. Finally, I present a companion account of the contents of color experiences on which these represent an object as lying on certain salient intervals in the chromatic dimensions, and I show how the account accommodates intersubjective variation in color perception. (shrink)

Nat Hansen builds a new argument for subjectivism about the semantics of color language, based on a potential kind of intersubjective disagreements about comparative color statements. In reply, I note that the disagreements of this kind are merely hypothetical, probably few if actual, and not evidently relevant as test cases for a semantic theory. Furthermore, even if they turned out to be actual and semantically relevant, they would be intuitively unusable by the subjectivist.

Realists about color, be they dispositionalists or physicalists, agree on the truth of the following claim: (R) x is red iff x is disposed to look red under standard conditions. The disagreement is only about whether to identify the colors with the relevant dispositions, or with their categorical bases. This is a question about the representational content of color experience: What kind of properties do color experiences ascribe to objects? It has been argued (for instance by Boghossian and Velleman, 1991) (...) that truths like (R) cannot be used in an account of the colors as they would result in ‚circular’, and therefore empty, contents. It has also been argued (for instance by Harman, 1996) that switching to an account of color in terms of a functional account of color sensations would result in a circular, and therefore empty, account. In this paper, I defend a realist account of color in terms of a (non-reductive) functional account of color sensations. Such an account of sensations has been suggested by Pagin (2000), and it can be applied to color sensations without the resulting account of the colors themselves being circular or empty. I argue that the so-called transparency of experience does not provide any argument against such an account. I also argue that on such an account, the issue of physicalism vs. dispositionalism boils down to the question of the modal profile of the color concepts. (shrink)

The focus of this paper is introspection of phenomenal states, i.e. the distinctively first-personal method through which one can form beliefs about the phenomenology of one’s current conscious mental states. I argue that two different kinds of phenomenal state introspection should be distinguished: one which involves recognizing and classifying the introspected phenomenal state as an instance of a certain experience type, and another which does not involve such classification. Whereas the former is potentially judgment-like, the latter is not. I call (...) them, respectively, reflective introspection and primitive introspection. The purpose of this paper is to argue that primitive introspection is a psychologically real phenomenon. I first introduce the distinction and provide some preliminary motivation to accept it (§1). After some set-up considerations (§2), I present my central argument for the existence of a non-classificatory kind of introspective state (§3), what I call the ‘argument from phenomenal-concept acquisition’. Finally, I briefly present some reasons why my distinction may be important for various philosophical debates (§4). (shrink)

This article attempts to do two things. The first is to make it plausible that any adequate dispositional view of color will have to associate colors with complex functions from a wide range of normal circumstances to a wide range of (simultaneously) incompatible color appearances, so that there will be no uniquely veridical appearance of any given color. The second is to show that once this move is made, dispositionalism is in a position to provide interesting answers to some of (...) the most challenging objections that have been pressed against it. It explains why colors do not seem to come on when the lights come on, and why the right thing to say seems to be that the light causes the objects to reveal their colors. It explains why the content of visual experience need not be problematically circular. It eliminates the problem of intrapersonal variation in color appearance. And it even provides resources for dealing with the problem of interpersonal variation. It is true that in moving to the more complex view, the dispositionalist becomes subject to a new objection, which has been called the problem of unity. The paper offers a solution to this problem as well. (shrink)

Studies show that there are widespread intrasubjective and intersubjective color variations among normal perceivers. These variations have serious ramifications in the debate about the nature and ontology of color. It is typical to think of the debate about color as a dispute between objectivists and subjectivists. Objectivists hold that colors are perceiver-independent physical properties of objects while subjectivists hold that they are either projections onto external objects or dispositions objects have to look colored. I argue that individual color variations present (...) difficulties, albeit not the same kind, for both objectivism and subjectivism. Lastly, I propose an alternative account that handles such variations nicely. (shrink)

Byrne & Hilbert's thesis, that color be associated with reflectance-type, is questioned on the grounds that it is far from clear that the human visual system is able to determine a surface's reflectance-type with sufficient accuracy. In addition, a (friendly) suggestion is made as to how to amend the definition of reflectance-type in terms of CIE (Commission Internationale de l'Eclairage) coordinates under a canonical illuminant.

The notion of subjective vividness plays a fundamental role in comparing different conscious experiences, yet it is poorly understood and lacks proper definition. Philosophical reflection on this topic is especially scarce. This article proposes a novel account of vividness arguing that its standard operationalisation in psychology conflates two major modality‐general dimensions along which experiences vary—subjective intensity and subjective specificity—which themselves are determined by further modality‐specific factors. The article identifies the neural underpinnings of these factors in the visual domain, demonstrates the (...) unificatory power of the account, and argues that vividness is part of the content of perception. (shrink)

Byrne & Hilbert defend color realism, which assumes that: (a) colors are properties of objects; (b) these objects are physical; hence, (c) colors are physical properties. I accept (a), agree that in a certain sense (b) can be defended, but reject (c). Colors are properties of perceptual objects – which also have underlying physical properties – but they are not physical properties.

A celebrated problem for representationalist theories of phenomenal character is that, given externalism about content, these theories lead to externalism about phenomenal character. While externalism about content is widely accepted, externalism about phenomenal character strikes many philosophers as wildly implausible. Even if internally identical individuals could have different thoughts, it is said, if one of them has a headache, or a tingly sensation, so must the other. In this paper, I argue that recent work on phenomenal concepts reveals that, contrary (...) to appearances, this standard conjunction of externalism about content and internalism about phenomenal character is ultimately untenable on other models of phenomenal character as well, including even “qualia realism.” This would be significant for a number of reasons. The first is patent: it would undermine a primary objection to representationalism. The fact that representationalism is incompatible with the conjunction would be no serious problem for representationalism if no other plausible model of phenomenal character is compatible with it. The second is that the many philosophers who embrace the conjunction would be forced to abandon one of the two views; externalism would be true either of both content and phenomenal character, or of neither. Likewise, those philosophers who have taken a stance on only one of the two internalism/externalism debates would have to be seen as thereby committed to a particular stance on the other. The third reason stems from the fact that qualia realism typically goes hand in hand with internalism about phenomenal character. To the extent that it does, my argument would reveal that qualia realism is itself in tension with externalism about content. This would perhaps be the most surprising result of all. (shrink)

Error theorists about color argue that our ordinary judgments ascribing color to material objects are all false. The error theorist proposes that everything that is so, including the fact that material objects appear to us to have color, can best be explained without ever attributing color to objects (for instance, by appealing to surface reflectance properties, the nature of light, the neurophysiology of perceivers, etc.). The appeal of this view stems in significant part from the prevalent thought that such explanations (...) are strongly suggested by our present scientific conception of the world. Recently, however, Barry Stroud has argued that error theorists cannot successfully even acknowledge, let alone explain, all of the facts that error theorists must acknowledge. In this paper, I shall raise an objection to Stroud's argument. I shall conclude by mentioning one way in which we might develop Stroud's general strategy with more success. (shrink)

Error theorists about color argue that our ordinary judgments ascribing color to material objects are all false. The error theorist proposes that everything that is so, including the fact that material objects appear to us to have color, can best be explained without ever attributing color to objects. The appeal of this view stems in significant part from the prevalent thought that such explanations are strongly suggested by our present scientific conception of the world. Recently, however, Barry Stroud has argued (...) that error theorists cannot successfully even acknowledge, let alone explain, all of the facts that error theorists must acknowledge. In this paper, I shall raise an objection to Stroud’s argument. I shall conclude by mentioning one way in which we might develop Stroud’s general strategy with more success. (shrink)