This essay contextualizes the Dantean figure of Ulysses, as conceived by Yuri M. Lotman, and draws this key figure of modernity into a network of mutually interconnected discourses: primarily transhumanist visions of the human future in space, which nevertheless arise from the specifically modern epistemic dimension of “restlessness,” and intertwine with post-war astronautics, cyborg visions of human re-engineering, and revolutionary considerations of speculative realism. The key is Lotman’s emphasis on Ulysses as a figure of “energy of thought”; in this regard, (...) the essay shows how the original poetic “decision,” embodied by the Ulysses figure, advocates implicit cruelty in the name of the future (treated as an inevitable fate), and how this decision generates a logical and progressively unfolding series of “inhuman” images of man situated in the universe as an event of saturation of matter with merciless intelligence. (shrink)

The main theme of the article, which by genre falls into the area of semiotically influenced philosophy, is a reflection on the relationship between the human and the non-human, using two partial but parallel discourses. The first discourse is the perspective of general semiotics, which is defined in the article on the basis of two distinct forms of rationality that, in different guises, still intervene in debates about the nature of the humanities and social sciences today. The first form of (...) this rationality is semiological, which can be classified under the encyclopaedic rubric of structuralism, and which has its main source of inspiration in general linguistics and its continuation in philosophical anti-humanism. The second perspective has its origins in Peirce’s logicist theory of the sign and his pragmatist metaphysics, and opens up thinking about the sign, the human, and the non-human to a non-language-centric view of the world. Despite their demonstrable theoretical and methodological incompatibility, the present text treats them as incompatible but largely complementary perspectives. It is in their mutual exposition that one can see the moments in which the view of modern human as a semiological and semiotic animal takes shape. The text brings this fundamental and founding theoretical schism into focus by examining two images from post/modern art: Ted Chiang’s “The Great Silence” and Jorge Luis Borges’ “Averroës’s Search.”. (shrink)

What do we quantify when we attempt to quantify semiotic systems and theories? How sound are potential quantifications in terms of interpretive values within some varieties of semiotic theory? We will make a distinction between formalization and quantification in order to understand what to quantify, how to quantify it and why quantification may be a desirable outcome for semiotic theory. The implications of this stance may be relevant and philosophically interesting in light of the naturalized project of biosemiotics. In this (...) paper we will try to understand some ideas behind the rationale of formalizing and quantifying semiotic phenomena and discuss whether this possibility can or should map to functionalized descriptions of semiosis and the sign. (shrink)

This article argues against scientistic arguments of the redundancy of religious belief structures due to the explicability of the physical world, as exemplified here by a discussion of the “popular science” of Richard Dawkins and Lawrence Krauss. It is claimed that the root of belief in “sense” is in animation, rather than in cosmological creation myths. The paper displays that the ideal of the absolute is linguistically signified by the termini “survival” and “freedom” in human understanding. However, it does not (...) appear through human understanding as an illusion stemming from the illegitimate inference of a pantheistic spirit or prime mover. Instead, human reason builds an analytical understanding upon a fundamental instinct, which long predates human-level consciousness. Approaching the subject’s role in the physical world, the article displays that animation itself, as the primal form of awareness and agency, is the urge to overcome an inherent antagonism in the structure of being. It is argued that the cosmological argument is mirrored by an argument that has no strict theoretical cogency, but is likewise irreducible and irrefutable by science. Science investigates the object empirically but has limited explanatory capabilities when it comes to subjective being. (shrink)