Introduction to the symposia on Pragmatism and Perfectionism appered on the European Journal of Pragmatism and American Philosophy, vol. 2 issue 2, 2010.

This article will highlight the distinctive role of Cavell in renewing a dawn of American philosophy. Following Emerson’s remark, ‘the inmost in due time becomes the outmost’, Cavell develops his distinctive line of antifoundationalist thought. To show how unique and valuable Cavell’s endeavor to resuscitate Emerson’s and Thoreau’s voice in American philosophy is, this paper discusses the political implications of Cavell’s Emersonian moral perfectionism. This involves a reconsideration of what measures justice and what justifies happiness. While Cavell is sometimes said (...) to be too personal and too subjective to be political, I shall argue that his Emersonian perfectionism, with its concomitant idea of the conversation of justice, is in fact thoroughly political and democratic. I shall illustrate this by examining his writing on a Hollywood film, Mr. Deeds Goes to Town (1936). The film shows vividly that happiness is a condition for achieving democracy from within. In conclusion, I shall propose that a readiness for the risk inherent in speech, rather than, say, acquiescing in received ideas or hiding behind the words of others, is at the heart of perfectionist education for globally minded citizens. (shrink)

For Stanley Cavell, the specific and contemporary theme of the ordinary sets off from America and the transcendentalism of Emerson and Thoreau, in order to reinvent itself in Europe with ordinary language philosophy – Wittgenstein and Austin. But in order to understand this, it is necessary to perceive what Cavell calls, inspired by Wittgenstein and Thoreau, “the uncanniness of the ordinary,” inherent to its anthropological thematization. In his preface to the recent work of Veena Das, Life a...

There is an odd duality in Cornel West's work. He is a generous thinker and voracious interlocutor, willing to learn from anyone on a sincere quest for insight. But he is also he is an unapologetic admirer of greatness, as stingy with ascriptions of genius as he is lavish with praise for the select few who qualify. "Making Niagara a Cataract" reflects on this duality. I try to explain what motivates West's commitment to the importance of greatness, and how these (...) motivations emerge from and shape his intellectual project. (shrink)

In this paper, I critically approach the essence of Dewey’s philosophy: his method. In particular, it is what Dewey termed as denotative method is at the center of my attention. I approach Dewey’s denotative method via what I call the “genealogical deconstruction” that is followed by the “pragmatic reconstruction.” This meta-approach is not alien to Dewey’s philosophy, and in fact was employed by Dewey himself in Experience and Nature. The paper consists of two parts. In Part 1, I genealogically deconstruct (...) the philosophical foundation of the denotative method: the doctrine of immediate empiricism. The latter was originally stated in Dewey’s 1905 seminal “The Postulate of Immediate Empiricism” article, and fully developed twenty years later in his Experience and Nature. I claim that Dewey’s immediate empiricism is essentially incompatible with his pragmatism (instrumentalism) and with pragmatism overall. In Part 2, I pragmatically reconstruct Dewey’s denotative method from the perspective of what I term as the “hermeneutic empiricism” which is grounded in Dewey’s 1896 “The Reflex Arc Concept in Psychology” article. As opposed to the immediate empiricism’s main thesis “things are what they are experienced as,” the motto of the hermeneutic empiricism would be “things are what they are interpreted as”/“things are experienced what they are interpreted as.” The above-mentioned pragmatic reconstruction also leads to the transformation of the notion of “common sense” which is vital to Dewey’s method, into the notion of sound reason. (shrink)

The relation between Pragmatism, Transcendentalism, and Perfectionism is both obvious and difficult, and this is what prompted us to edit the present issue of the Journal. The relation is obvious, because the history of American Philosophy is deeply textured by this relation, and the transition from Transcendentalism to Pragmatism has been historically attested. Difficult, because these traditions seem to deny one another. Pragmatist philosophers have often presented themselves as the founder...

Comparative philosophy is dependent upon translation, often translations that will help preserve some fundamental commitments: to linguistic mastery, to the recovery or preservation of an original, and to the protection of an authenticity that will ground these commitments. Such a view can sometimes obscure a nostalgia for questionable causes. Comparative philosophy, especially with continental affinities, often relies on two moves: first, a boundary must be found (or produced) between philosophy itself and other forms of writing (literature or fiction, say), to (...) ensure proper grounding. Second, it must be understood that this boundary depends upon an underlying philosophy of language: language speaks us, it speaks Being; to dwell in a different language is to dwell in a different house of being (Martin Heidegger). But how might this project – its historiography of return and grounding, and its mythologizing of linguistic and ontological recovery – be challenged by the very practice of translation itself? Perhaps this challenge is one of translation’s philosophical benefits. (shrink)

dewey is an optimistic thinker. He fits into a vein of pragmatism known as meliorism, which holds that the condition of the world can be improved through intelligent, imaginative, human action. For this reason, it is tempting to read Dewey as permanently cheerful—particularly when we compare him with philosophers from the continental tradition who work on similar themes. However, it is important to remember that meliorism holds that improvement is possible through intelligent engagement—not that it is guaranteed. Dewey's aesthetics particularly (...) have been mischaracterized as overly sanguine, lacking solid account of the tragic. This is a misreading since Dewey's aesthetic does make ample room for human suffering on... (shrink)