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  1. Musical Works: Category and Identity.Philip Edward Letts - unknown
    The aim of this thesis is to increase our ontological understanding of musical works in two ways. We’ll increase our understanding of their categorial nature and we’ll increase our understanding of what the identity of each musical work consists in. In chapter 1, I introduce the basic question of the thesis: what are musical works? This question is broken down into four separate questions which guide the structure and argument of the thesis. One question asks if musical works exist, the (...)
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  • Musical expression and performance.Carl Humphries - unknown
    This study examines the philosophical question of how it is possible to appreciate music aesthetically as an expressive art form. First it examines a number of general theories that seek to make sense of expressiveness as a characteristic of music that can be considered relevant to our aesthetic appreciation of the latter. These include accounts that focus on resemblances between music and human behaviour or human feelings, on music's powers of emotional arousal, and on various ways in which music may (...)
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  • Emotion, Intentionality and Appropriateness of Emotion: In Defense of a Response Dependence Theory.Sunny Yang - 2009 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 16 (1):82-104.
    In explaining emotion, there are strong cognitive views, which reduce emotion to belief/thought or judgment. Misgivings about assimilating emotion to belief/thought/judgment have been a main reason for moving towards perceptual accounts for many authors. My aim in this paper is to defend a perceptual theory. To this end, I first argue against a crude version of cognitivism that views emotion essentially in terms of thought or belief. I then argue that doubts about the assimilation of emotion to belief explain the (...)
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  • A Defence of Sentiments: Emotions, Dispositions, and Character.Hichem Naar - unknown
    Contemporary emotion research typically takes the phenomenon of emotion to be exhausted by a class of mental events that are intentional, conscious, and related to certain sorts of behaviour. Moreover, other affective phenomena, such as moods, are also considered to be relatively short-term, episodic, or occurrent states of the subject undergoing them. Emotions, and other putative emotional phenomena that common-sense takes as long-lasting, non-episodic, or dispositional are things that both philosophers and scientists sometimes recognise, but that are relatively neglected in (...)
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  • "The Logic of the Liver". A Deontic View of the Intentionality of Desire.Federico Lauria - 2014 - Dissertation, University of Geneva
    Desires matter. How are we to understand the intentionality of desire? According to the two classical views, desire is either a positive evaluation or a disposition to act: to desire a state is to positively evaluate it or to be disposed to act to realize it. This Ph.D. Dissertation examines these conceptions of desire and proposes a deontic alternative inspired by Meinong. On this view, desiring is representing a state of affairs as what ought to be or, if one prefers, (...)
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  • Remembering without storing: beyond archival models in the science and philosophy of human memory.Ian O'Loughlin - 2014 - Dissertation,
    Models of memory in cognitive science and philosophy have traditionally explained human remembering in terms of storage and retrieval. This tendency has been entrenched by reliance on computationalist explanations over the course of the twentieth century; even research programs that eschew computationalism in name, or attempt the revision of traditional models, demonstrate tacit commitment to computationalist assumptions. It is assumed that memory must be stored by means of an isomorphic trace, that memory processes must divide into conceptually distinct systems and (...)
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  • Five Studies in Action Theory.Lennart Nordenfelt - unknown
    The essays presented in this collection were written over a long period. The first two : "On the Classification of Verbs and Actions" and "On von Wright's Theory of Action" constitute steps in my preparation for the book Events, Actions, and Ordinary Language, Lund 1977. Much of the contents of the former paper was carried over to the book, whereas the analyses in the latter paper were more or less completely left out. These papers have not been published before. "On (...)
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