In the Ethics, Spinoza advances two apparently irreconcilable construals of will [voluntas]. Initially, he presents will as a shorthand way of referring to the volitions that all ideas involve, namely affirmations and negations. But just a few propositions later, he defines it as striving when it is “related only to the mind” (3p9s). It is difficult to see how these two construals can be reconciled, since to affirm or assent to some content is to adopt an attitude with a cognitive (...) (mind-to-world) direction of fit, while to strive to persevere in one’s being would seem to be to adopt an attitude with a conative (world-to-mind) direction of fit. Attempting to achieve consistency by taking striving under the attribute of thought to consist in affirming only pushes the equivocation problem onto the concept of affirmation (Lin 2019). It would seem, then, that Spinoza equivocates on the concepts of will, affirmation, or perhaps both. I defend the univocity of Spinoza’s accounts of will and affirmation, showing that it comports with established accounts of affirmation in early modern philosophy and yields a clear, uniform account of what it means to strive under the attribute of thought, preserving the systematicity of Spinoza’s account of mind in ways that other interpretations do not. (shrink)

There is a long tradition of reading Spinoza as committed, perhaps unwillingly, to the non-reality of finite modes. While acknowledging that Spinoza does seem to rely on the reality of modes in certain places, Michael Della Rocca has called attention to what he labels an “idealist strand.” As a concluding remark in “Steps Toward Eleaticism in Spinoza's Philosophy of Action,” he claims that faced with these two conflicting strands, which are genuinely to be found in the text, it is better (...) to note both rather than artificially imposing a unity on the text. In this paper, I suggest that one need not admit two conflicting strands in Spinoza, on the one hand, nor arbitrarily disregard one strand, on the other. Rather, I argue for a unified view that diagnoses what gives rise to both seemingly conflicting strands. The key to this enterprise is recognizing that finite modes, paradoxically seeming perhaps at first, are not wholly finite. That is, a finite mode is determined by the totality of finite modes—wherein lies its finite aspect, but at the same time, and equally, partially actively determines this totality—wherein lies its infinite aspect. (shrink)

An old question in Spinoza scholarship is how finite, non-eternal things transitively caused by other finite, non-eternal things (i. e., the entities described in propositions like E1p28) are caused by the infinite, eternal substance, given that what follows either directly or indirectly from the divine nature is infinite and eternal (E1p21–23). In “Spinoza’s Monism I,” “Spinoza’s Monism I,” in the previous issue of this journal. I pointed out that most commentators answer this question by invoking entities that are indefinite and (...) sempiternal, but argued that perhaps we should not be so quick to assume that in Spinoza’s system, an infinite and eternal substance could cause such indefinite, sempiternal entities. But if such eternal-durational causation is denied, then it seems harder to see how Spinoza’s system could be coherent: if Spinoza holds that the infinite, eternal substance cannot cause anything that is not infinite and not eternal, then how can he also hold that all things are modes immanently caused by substance (E1p15, E1p18, E1p25)? In this essay, I explain how Spinoza’s system could be understood in light of a denial of eternal-durational causation. On the interpretation I offer, God is the cause of all things and all things are modes because the essences of all things follow from the divine nature and all essences enjoy infinite, eternal reality as modes immanently caused by the infinite, eternal substance. The same non-substantial essences can also be conceived as enjoying non-infinite, non-eternal reality, but so conceived, they are enduring, finite (or sempiternal, indefinite) entities that cannot be conceived as modes caused by and inhering in the one infinite, eternal substance. I conclude by pointing out that if we take this interpretive route, we do have to understand Spinoza as committed to acosmism, or a denial of the reality of the world – at least the world of enduring, finite things. (shrink)

In this paper, I argue that Spinoza holds a perspectivalist view of mereological composition, a form of anti-realism. The paper has two parts: In the first half of the paper, I introduce interpretive puzzles for the standard realist reading of Spinoza’s mereology. In the second half of the paper, I discuss Spinoza’s positive view on mereological composition and present a perspectivalist reading that avoids the interpretive puzzles.

I defend a new reading of Spinoza's account of causation that reconciles the strengths of the mechanist and formal cause interpretations by locating instances of nature's fixed and unchanging laws inside individual natures; natures are efficacious because that's where the laws are. God's necessity, for instance, follows from certain logical principles contained within God's nature. Causes between finite particulars likewise stem entirely from finite natures. They do so, I argue, because finite instances of nature's fixed and unchanging laws are inscribed (...) within those natures. In each of these instances, effects follow from natures on account of laws contained within them. (shrink)

Charles Jarrett and P. D. Zuk have argued on independent grounds that Spinoza's Ethics delineates a moral antirealist/constructivist position. I reconstruct their basic arguments, present their textual evidence, and suggest that the evidence is, in principle, compatible with moral realism. As I argue, Jarrett and Zuk have opted for an antirealist/constructivist interpretation of the adduced textual evidence because they tacitly rely on a mistaken metaethical assumption: that relational normativity entails moral antirealism/constructivism. I explain why this is not the case by (...) reference to Aristotle's virtue ethics, as well as by reference to various contemporary metaethical positions that conjoin relational normativity and moral realism. I conclude that the textual evidence Jarrett and Zuk rely on does not suffice to render Spinoza's Ethics unequivocally morally antirealist/constructivist and that the morally realist interpretation remains defensible. (shrink)

Recent literature on Spinoza has emphasized his commitment to universal intelligibility, understood as the claim that there are no brute facts. We draw attention to an important but overlooked element of Spinoza's commitment to intelligibility, and thereby question its most prominent interpretation, on which this commitment results in the priority of conceptual relations. We argue that such readings are both incomplete in their account of Spinozistic intelligibility and mistaken in their identification of the most fundamental relation. We argue that Spinoza (...) is one of the first moderns to address the problem of conditions of intelligibility, and show that, in his metaphysics, expressive relations are best understood as relations of dependence for intelligibility: what a thing ‘expresses’ is its condition of intelligibility, that which determines how, through what concepts, it can be conceived. (shrink)

Commentators standardly ascribe to Spinoza a belief in an exceptionless conceptual closure of mental and physical realms: no intention can allow us to understand a bodily movement, no bodily injury can make intelligible a sensation of pain. This counterintuitive doctrine, most often now referred to as Spinoza's 'attribute barrier', has weighty repercussions for his views on intelligibility, nature of the mind, identity, and causality. I argue against the standard reading of the doctrine, by showing that it produces an inconsistent epistemological (...) picture, contradicting Spinoza's theory of mind and his commitment to universal intelligibility. The alternative account I propose is also philosophically more compelling and plausible as an account of thought in its essential intentionality. (shrink)

This paper examines Spinoza’s view on the consistency of mental representation. First, I argue that he departs from Scholastic tradition by arguing that all mental states—whether desires, intentions, beliefs, perceptions, entertainings, etc.—must be logically consistent. Second, I argue that his endorsement of this view is motivated by key Spinozistic doctrines, most importantly the doctrine that all acts of thought represent what could follow from God’s nature. Finally, I argue that Spinoza’s view that all mental representation is consistent pushes him to (...) a linguistic account of contradiction. (shrink)

Clarke attacks Spinoza's monism on the grounds that it cannot explain how a multiplicity of things follows from one substance, God. This article argues that Clarke assumes that Spinoza's God is countable. It then sketches a way in which multiplicity can follow from God's uncountable nature.

One of the most famous and identifiable of Spinoza’s ideas is his amor Dei intellectualis (the intellectual love of God). It has been argued that this concept is somewhat alien to the main tenets of the Ethics, especially since it is reminiscent of more orthodox religious relations to God, and has a certain mystical (and so, nonrational) quality. In this paper, I will show that it is a consistent development of Spinoza’s interconnected and elaborate theories of knowledge and the affects. (...) Spinoza discusses three kinds of love: passionate love, friendship and the intellectual love of God. The intellectual love of God is nothing but a necessary outcome of Spinoza’s rationalistic project as a whole. Moreover, by culminating his ethical theory with such a concept, Spinoza is placing himself in a rich tradition of thinkers who develop epistemological and ethical systems that put love (either as eros or philia) as the backbone of their philosophy. In order to illustrate the similarities between Spinoza’s philosophical use of love and that of his predecessors, I will address salient features of Plato’s and Aristotle’s thought, emphasizing the relationship between love and ethics, as well as the nature of the philosophical impulse. (shrink)

One of the most famous and identifiable of Spinoza’s ideas is his amor Dei intellectualis (the intellectual love of God). It has been argued that this concept is somewhat alien to the main tenets of the Ethics, especially since it is reminiscent of more orthodox religious relations to God, and has a certain mystical (and so, nonrational) quality.In this paper, I will show that it is a consistent development of Spinoza’s interconnected and elaborate theories of knowledge and the affects. Spinoza (...) discusses three kinds of love: passionate love, friendship and the intellectual love of God.The intellectual love of God is nothing but a necessary outcome of Spinoza’s rationalistic project as a whole. Moreover, by culminating his ethical theory with such a concept, Spinoza is placing himself in a rich tradition of thinkers who develop epistemological and ethical systems that put love (either as eros or philia) as the backbone of their philosophy. In order to illustrate the similarities between Spinoza’s philosophical use of love and that of his predecessors, I will address salient features of Plato’s and Aristotle’s thought, emphasizing the relationship between love and ethics, as well as the nature of the philosophical impulse. (shrink)

Spinoza’s account of memory has not received enough attention, even though it is relevant for his theory of consciousness. Recent literature has studied the “pancreas problem.” This paper argues that there is an analogous problem for memories: if memories are in the mind, why is the mind not conscious of them? I argue that Spinoza’s account of memory can be better reconstructed in the context of Descartes’s account to show that Spinoza responded to these views. Descartes accounted for the preservation (...) of memories by holding that they are brain states without corresponding mental states, and that the mind is able to interpret perception either as new experience or as memory. Spinoza has none of these conceptual resources because of his substance monism. Spinoza accounts for memories as the mind’s ability to generate ideas according to the order of images. This ability consists in the connection of ideas, which is not an actual property, but only a dispositional one and thus not conscious. It is, however, grounded in the actual property of parts of the body, of which ideas are conscious. (shrink)

In this paper, through a close reading of Spinoza's use of common notions I argue for the role of experiential and experimental knowledge in Spinoza's epistemology.

Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...) maintain our power to act in a variety of ways. Humans need such objects because our complex bodies constantly lose or consume many parts necessary to our overall functioning. Notably, Spinoza defines humans’ bodies through this complexity (2p13Sch), so health as maintenance of complexity is a distinctly human endeavor. Further, while art is not the only healthy activity, I argue that art is a particularly potent cure, which explains Spinoza’s otherwise opaque comment that music can cure melancholy (by which he meant a near-total inability to act, akin to death). Rather than only causing frivolous pleasures, art may be as essential to human flourishing as are other human beings in general; other people are “most useful” because of the variety of actions they make possible (4p35Cor & Sch1). Art’s production of a dizzying variety of affects is likewise most useful for health. -/- Having established how art in general affects the individual, I then explain the role of artists in shaping social groups. Artists use vivid and highly charged affective techniques, as do political sovereigns and religious prophets (TTP chapters 1-2 & 15-16). However, sovereigns and prophets are concerned exclusively with “morality,” defined by Spinoza as the use of affects (primarily based on fear and hope) to produce “obedience” in the generic multitude or people at large. An artist, however, rarely causes affects in the whole nation, affecting instead only a smaller niche or “sub-genre” of people. The affects produced in this group are also not identical to those used by sovereigns, since artists do not primarily deploy sad affects of hope and fear but instead use a wide variety of joyful affects. Further, in Spinoza’s analysis of ceremonies (TTP chapter 5), we see how small groups exposed to repeated ceremonies or social practices eventually develop new strengths which they lacked before. Repeated exposure to shared aesthetic “ceremonies” (e.g., live music performances) of the same sub-genre will over time create the capacity of new powers in the sub-genre of people, which distinguishes them from the masses. Spinoza says sovereigns forge a “second nature” for the generic people through affects; we can then affirm that smaller groups exposed to a distinct sub-genre of art can acquire a new “third nature” which will contain unique powers extending beyond healthy maintenance of their existing bodies. That is, art in general is necessary to flourish and remain whole (maintaining health), but it can also occasionally expand what one is to unforeseen heights (through specific artistic sub-genres). (shrink)