In the phenomenology of the consciousness of internal time, Edmund Husserl has frequent recourse to sound and melody as illustrations of the processes that give rise to immanent temporal objects. In Husserl’s analysis, there is a philosophically pregnant tension between the geometrical diagrams representing multiple dimensions of immanent time and his intuition that time-points might be no more than fictions leading to absurdities. In this paper, I will address this tension in order to motivate a complementarity approach to temporal objects (...) such as sound and melody that might illuminate the phenomenology of sound-consciousness. (shrink)

Ce numéro de Philosophiques rend hommage au philosophe d’origine autrichienne Edmund Husserl (1859-1938) à l’occasion de son 150e anniversaire de naissance. Il est consacré à l’oeuvre du jeune Husserl durant la période de Halle (1886-1901) et réunit plusieurs spécialistes des études husserliennes qui jettent un regard neuf sur cette période méconnue dans la philosophie du père de la phénoménologie. Avec un souci de situer Husserl dans le contexte historique auquel appartiennent ses principaux interlocuteurs durant cette période, ces études portent sur (...) des thèmes tels l’intentionnalité dans son rapport à Bernard Bolzano, Franz Brentano et Kazimierz Twardowski ; sa théorie du jugement et des assomptions ; sa philosophie des mathématiques et de la logique ; sa contribution au débat sur la Gestalt ; ses échanges avec le néokantisme de Marbourg, et notamment avec Paul Natorp, etc. Ces études sont suivies d’une disputatio autour d’un ouvrage récent portant sur le projet philosophique de Husserl et le sens de sa phénoménologie aujourd’hui. (shrink)

In 1913, in a draft for a new Preface for the second edition of the Logical Investigations, Edmund Husserl reveals to his readers that "The source of all my studies and the first source of my epistemological difficul­ties lies in my first works on the philosophy of arithmetic and mathematics in general", i.e. his Habilitationsschrift and the Philosophy of Arithmetic: "I carefully studied the consciousness constituting the amount, first the collec­tive consciousness (consciousness of quantity, of multiplicity) in its simplest and (...) higher levels (consciousness of sums, sums of sums etc.). I immediately separated proper (intuitive) and symbolic consciousness, in the characteriza­tion of the former I hit the radical difference of categorial consciousness [...] and sensuous consciousness of unity." Later on, in the Third Investigation, Husserl makes some very specific claims, that are of considerable importance to assess the development of his early works and their relation to his later phenomenology: "This first work of mine (an elaboration of my Habilitationsschrift, [...], 1887) should be compared with all assertions of the present work on compounds, moments of unity, complexes, wholes and objects of higher order. I am sorry that in many recent treatments of the doctrine of "Gestalt-qualities", this work has mostly been ignored, though quite a lot of the thought-content of later treatments by Cornelius, Meinong etc., of questions of analysis, apprehension of plurality and complexion is already to be found, differently expressed, in my Philosophy of Arithmetic. I think it would still be of use today to consult this work on the phenomenological and ontological issues in question, especially since it is the first work that attached importance to acts and objects of higher order and investigated them thoroughly." Hence, at the time of the Ideas, Husserl retrospectively considers his first works4 as being still relevant for phenomenological issues. Not only does Husserl advance a very interesting priority claim with respect to Von Ehrenfels’ development of the notion of Gestalt and Meinong’s development of Gegenstandstheorie, but also a strong affirmation of continuity and coherence of his position from 1887 all the way up to 1913, encompassing the alleged “revolution” in his position from psychologism to anti-psycho­logism in the 1890s. Indeed, according to much of the recent secondary literature, in 1894, right in the middle of the ten “incubation” years between the Philosophy of Arithmetic and the Logical Investigations, Frege’s destruc­tive review would have converted Husserl to antipsychologism practically overnight. This gives us two conflicting interpretations: on the one hand, Husserl himself in 1913 still seems to approve of the Philosophy of Arithmetic and even considers it to contain valuable phenomenological material, on the other, it is routinely dismissed by much of the secondary literature as hope­lessly psychologistic. So which one is it: do we have a phenomenological arithmetic or a psychologistic arithmetic in Husserl’s first book? On balance, I think that Husserl in his Philosophy of Arithmetic developed a position that does not fall prey to the exaggerated and poorly aimed critiques of Frege, while at the same time, as a descriptive psychology of the genesis and constitution of number, it can certainly be considered as providing phenome­nologically meaningful analyses, though of course not made from within an explicitly transcendental phenomenological framework. (shrink)

The purpose of this paper is to stress the constancy of the Husserlian conception of sensible contents. I argue that Husserl, despite some significant changes in his philosophical views between 1901 and 1913, always maintained that sensations have a founding role to play in perceptual experience. The proposed interpretation is build against the idea of a scission in Husserl’s work as regards the status of sensations—an idea which became widespread due to the so-called Fregean readings of phenomenology. Even if the (...) notion of sense gains in importance in the Ideas, I argue that this does not discredit the sensuous stuff when it comes to the constitution of perceptual objects. (shrink)