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Extended music cognition

Philosophical Psychology 30 (8):1078-1103 (2017)

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  1. Where are virtues?Joshua August Skorburg - 2019 - Philosophical Studies 176 (9):2331-2349.
    This paper argues that the question, ‘where are virtues?’ demands a response from virtue theorists. Despite the polarizing nature of debates about the relevance of empirical work in psychology for virtue theory, I first show that there is widespread agreement about the underlying structure of virtue. Namely, that virtues are comprised of cognitive and affective processes. Next, I show that there are well-developed arguments that cognitive processes can extend beyond the agent. Then, I show that there are similarly well-developed arguments (...)
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  • Aesthetics and the Limits of the Extended Mind.Ted Nannicelli - 2019 - British Journal of Aesthetics 59 (1):81-94.
    This paper seeks to establish closer connections and spur dialogue between philosophers working on 4E cognition and aestheticians. In part, the aim is to offer a critical overview of the ways 4E research might inform our understandings of the arts. Yet it is also partly to flag some potential art-specific challenges to some of the theses found within the 4E literature. I start by examining the strongest extant claims regarding art and active externalism, and argue that it is hard to (...)
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  • A New Mark of the Cognitive? Predictive Processing and Extended Cognition.Luke Kersten - 2022 - Synthese 200 (281):1-25.
    There is a longstanding debate between those who think that cognition extends into the external environment and those who think it is located squarely within the individual. Recently, a new actor has emerged on the scene, one that looks to play kingmaker. Predictive processing says that the mind/brain is fundamentally engaged in a process of minimising the difference between what is predicted about the world and how the world actually is, what is known as ‘prediction error minimisation’. The goal of (...)
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  • The unaffordable and the sublime.Shaun Gallagher - 2022 - Continental Philosophy Review 55 (4):431-445.
    In this paper I examine a set of exceptional aesthetic experiences that remove us from our pragmatic everyday life and involve a specific type of unaffordability. I then extend this notion of unaffordability to experiences of awe and its relation to the sublime. My analysis is guided by considerations of the phenomenologically inspired enactivist approach that supports an affordance-based accounts of aesthetic experience. I review some recent neurophenomenological studies of the experience of awe, and I then sketch out a phenomenology (...)
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