Sometimes in the third-person and sometimes in the first of creativity itself, this transdisciplinary and intercultural essay performs the premise that creativity everywhere is the creatio continua of a cosmopoiesis fully reducible neither to any sum of supposed parts, nor to any terminate, finished totum of viewpoint, event, or objectifiable what. It suggests that in experiencing an ethic of releasement from fixed ego-perspectives in this holism of self-organizingly creative creatio, the contemplative temperament sustainingly embodies the paradoxical ecology of contrasting orientations (...) and their integrated mutual coevolution. (shrink)