According to the quotational theory of meaning ascriptions, sentences like “‘Bruder means brother” are abbreviated synonymy claims, such as “‘Bruder means the same as ‘brother’”. After discussing a problem with Harman’s version of the quotational theory, I present an amended version defended by Field. Then, I address Field’s responses to two arguments against the theory that revolve around translation and the understanding of foreign expressions. Afterwards, I formulate two original arguments against both Harman’s and Field’s versions of the theory. One (...) of them targets the hyperintensionality of quotations and the other raises a problem pertaining to variant spellings of words. (shrink)

Starting with Frege, the semantics (and pragmatics) of quotation has received a steady flow of attention over the last one hundred years. It has not, however, been subject to the same kind of intense debate and scrutiny as, for example, both the semantics of definite descriptions and propositional attitude verbs. Many philosophers probably share Davidson's experience: ‘When I was initiated into the mysteries of logic and semantics, quotation was usually introduced as a somewhat shady device, and the introduction was accompanied (...) by a stern sermon on the sin of confusing the use and mention of expressions’ (Davidson 1979, p. 79). Those who leave it at that, however, miss out on one of the most difficult and interesting topics in the philosophy of language. (shrink)

Semantics traditionally focuses on linguistic meaning. In recent years, the Super Linguistics movement has tried to broaden the scope of inquiry in various directions, including an extension of semantics to talk about the meaning of pictures. There are close similarities between the interpretation of language and of pictures. Most fundamentally, pictures, like utterances, can be either true or false of a given state of affairs, and hence both express propositions (Zimmermann, 2016; Greenberg, 2013; Abusch, 2015). Moreover, sequences of pictures, like (...) sequences of utterances, can be used to tell stories. Wordless picture books, comics, and film are cases in point. In this paper I pick up the project of providing a dynamic semantic account of pictorial story-telling, started by Abusch (2012) and continued by Abusch & Rooth (2017); Maier & Bimpikou (2019); Fernando (2020). More specifically, I propose here a semantics of speech and thought bubbles by adding event reference to PicDRT. To get there I first review the projection-based semantics for pictures (section 1), noting the fundamental distinction between symbolic and iconic meaning that makes speech bubbles especially interesting (section 2). I then review the dynamic PicDRT framework for pictorial narratives (section 3), add events (section 4), and propose an account of speech bubbles as quotational event modification (section 5). I end with a brief look at other conventional, symbolic enrichments in comics (section 6). (shrink)