Are all forms of difference contained in what is, or is there some form of difference that escapes, negates, or constitutes what is? Parmenides and Heraclitus may have had the greatest effect on how philosophy has answered this question. This paper shows that Heraclitus is not a partisan of difference: identity and difference are mutually generative and equally fundamental. For his part, Parmenides both makes an argument against opposing being and non-being in the False Road Story, and then uses precisely (...) this opposition to put up signs on the Way of Truth. The paper responds to this impasse by making the case that the poem’s philosophical character is didactic, rhetorical, and mythological, which is why both these signs, and the opposition between non-being and being, are presented as names created by mortals. (shrink)

The paper demonstrates that Parmenides’ monism is a logical consequence of his criteria for philosophy, in conjunction with the logical operators he uses, and their holistic connection. Parmenides, I argue, is the first philosopher to set out explicit criteria for philosophy, establishing as criterion not only consistency, but also what I call rational admissibility, the requirement when giving an account of something that the account be based on rational analysis and can withstand rational scrutiny. I give a detailed account of (...) the logical operators Parmenides uses in his argument and of the way in which his notion of being is tailored to fit both them and his criteria for philoso-phy. (shrink)

This paper reconsiders the debates around the interpretation of Parmenides’ Being, in order to draw out the preconceptions that lie behind such debates and to scrutinize the legitimacy of applying them to a text such as Parmenides’ poem. With a focus on the assumptions that have driven scholars to seek clarity within the notoriously ambiguous verse of the poem, I ask whether it is possible to develop an analysis of Parmenides’ Being that is sympathetic both to his clear interest in (...) argument, logic, knowledge and truth and to his ambiguous expression and cultural and literary resonances. (shrink)

Tem-se analisado, recorrentemente, a influência de Homero e de Hesíodo no proêmio do poema de Parmênides. As possíveis influências da poesia órfica tem sido apenas consideradas. Todavia, diversas descobertas de textos órficos aconselham voltar a analisar os vestígios da tradição mistérica, em geral, e órfica, em particular, no poema do filósofo de Eléia, sem minimizar, com isso, as outras influências já postas em relevo. O autor assinalou, em um trabalho anterior, algumas conexões entre Parmênides e os textos órficos; neste artigo, (...) a análise se centra nos pontos de contato com ideias e imagens literárias dos Mistérios que se encontram no proêmio. Não se trata de determinar as crenças do filósofo, senão de situar, no âmbito da tradição, os conteúdos doutrinais e/ou poéticos expressados nesta parte fundamental do seu poema, para fazer ver o que têm de poderosamente originais e, em consequência, tratar de determinar o significado do proêmio no conjunto da obra. (shrink)

Resumen: El presente trabajo esbozará ciertos elementos para una interpretación global del proemio de Parménides, a partir del análisis de uno de sus elementos centrales: las doncellas hijas del sol. Tras examinar las acciones que éstas realizan dentro de la narración, y con el objetivo de defender una interpretación alegórica, se definirá la actividad alegórica arcaica mediante algunos ejemplos. Finalmente, se trazarán los cimientos para una revalorización crítica de la interpretación de sexto Empírico y se argumentará que la alegoría platónica (...) del carro alado como símbolo de la se halla motivada por la ambigüedad intrínseca del relato, ambigüedad que tiene por objeto mostrar la unidad real de los contrarios aparentes a través del símbolo de las doncellas hijas del sol.: This paper will outline several guiding principles concerning a comprehensive interpretation of Parmenides' proem through the analysis of one of its essential elements: the daughters of the Sun. After examining the actions they perform throughout the narrative and in order to defend an allegorical interpretation of them, some features of the archaic allegorical activity will be defined by the analysis of some examples. Finally, we will trace the foundations for a critical reappraisal of Sextus Empiricus' interpretation and we will argue that Plato's allegory of the "winged chariot" as a symbol of the ψυχή in the Phaedrus could well be closely recreating and evoking the Parmenidean myth of the proem. The hermeneutic disjunction may be motivated by the intrinsic ambiguity of the narration, an ambiguity intended to show the real unity of apparent opposites by using the symbol of the daughters of the Sun. (shrink)

The primary interpretative challenge for understanding Parmenides’ poem revolves around explaining both the meaning of, and the relationship between, its two primary sections: a) the positively endorsed metaphysical arguments which describe some unified, unchanging, motionless, and eternal “reality”, and b) the ensuing cosmology, which incorporates the very principles explicitly denied in Aletheia. I will refer to this problem as the “A-D Paradox.” I advocate resolving this paradoxical relationship by reading Parmenides’ poem as a ring-composition, and incorporating a modified version of (...) Palmer’s modal interpretation of Aletheia. On my interpretation, Parmenides’ thesis in Aletheia is not a counter-intuitive description of how all the world must truly be, but rather a radical rethinking of divine nature. Understanding Aletheia in this way, the ensuing “cosmology” can be straightforwardly rejected as an exposition of how traditional, mythopoetic accounts have misled mortals in their understanding of divinity. Not only does this interpretative view provide a resolution to the A-D Paradox, it offers a more holistic account of the poem by making the opening lines of introduction integral to understanding Parmenides’ message. By setting forth its own unacceptable fiction, paralleling the elements of the Doxa in a ring-composition, the Proem simultaneously establishes the scope of the ensuing inquiry, and its target. Maintaining Parmenides’ historical position as the “father of metaphysics,” the narrative that he advanced a strictly secular account of all reality is challenged. Instead, Parmenides is best understood as further advancing Xenophanes’ criticisms of traditional religion, an intellectual relationship which the ancient testimonia strongly supports. (shrink)