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  1. Recovering Rhapsodes.Sheramy Bundrick - 2015 - Classical Antiquity 34 (1):1-32.
    This paper discusses an Athenian calyx krater whose style, shape, and inscription allow attribution to the Pantoxena Painter, a member of the Polygnotan workshop. I argue that the unusual scene on the obverse—with a wreathed, draped youth mounting a bema before Nikai and judges—provides the only known image of a rhapsode from the second half of the fifth century BC and joins the very small group of scenes that depict this contest at all. Given the similarity to images of kitharodes (...)
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