Leibniz has been accused of being ambivalent about the nature of sensible qualities such as color, heat, and sound. According to the critics, he unwittingly vacillates between the view that these qualities are really just complex mechanical qualities of bodies and the competing view that they are something like the perceptions or experiences that confusedly represent these mechanical qualities. Against this, I argue that the evidence for ascribing the first approach to Leibniz is rather strong, whereas the evidence for imputing (...) the second approach to him is rather weak. The first, "mechanistic" approach should therefore be regarded as his considered view. (shrink)

The long history of theorizing about perception divides into two quite distinct and irreconcilable camps, one that takes sensory experience to show us external reality just as it is, and one that takes such experience to reveal our own mind. I argue that we should reject both sides of this debate, and admit that the phenomenal character of experience, as such, reveals little about the nature of the external world and even less about the mind.

Leibniz’s claim that it is possible for us to gain metaphysical knowledge through reflection on the self has intrigued many commentators, but it has also often been criticized as flawed or unintelligible. A similar fate has beset Leibniz’s arguments against materialism. In this paper, I explore one of Leibniz’s lesser-known arguments against materialism from his reply to Bayle’s new note L, and argue that it provides us with an instance of a Leibnizian “argument from reflection”. This argument, I further show, (...) does not constitute a flawed appeal to mere introspection, but is in fact securely grounded in an important corollary of the Principle of Sufficient Reason: Leibniz’s Principle of Intelligibility. (shrink)

According to Leibniz's late metaphysics, sensory perception represents to us as extended, colored, textured, etc., a world which fundamentally consists only of non-spatial, colorless entities, the monads. It is a short step from here to the conclusion that sensory perception radically misleads us about the true nature of reality. In this paper, I argue that this oft-repeated claim is false. Leibniz holds that in typical cases of body perception the bodies perceived really exist and have the qualities, both primary and (...) secondary, they are perceived to have. At the same time, Leibniz holds that our perceptions of these bodies are accurate representations of the monads from which the bodies result. The contrary thesis — that our body perceptions are misrepresentations of the monads — stems from a misunderstanding of Leibniz's theory of confused concepts and his phenomenalist account of the nature of body. Clarifying these issues will have important consequences for our understanding of Leibniz's idealistic metaphysics and the manner in which that metaphysical theory is meant to support mechanistic science. (shrink)

This chapter explores the relationship between the views of Leibniz and Berkeley on the fundamental nature of the created universe. It argues that Leibniz concurs with Berkeley on three key points: that in the final analysis there are only perceivers and their contents (subjective idealism), that there are strictly speaking no material or corporeal substances, and that bodies or sensible things reduce to the contents of perceivers (phenomenalism). It then reconstructs his central argument for phenomenalism, which rests on his belief (...) in the infinite division of matter, his doctrine of the ideality of relations, and the traditional principle of the convertibility of being and unity. Finally, it explores Leibniz’s belief that a body having its being in one perceiver can be “founded” on other perceivers, and considers Berkeley’s reasons for opposing such a view. (shrink)

Feminist metaphysics is simultaneously feminist theorizing and metaphysics. Part of feminist metaphysics concerns social ontology and considers such questions as, What is the nature of social kinds, such as genders? Feminist metaphysicians also consider whether gendered perspectives influence metaphysical theorizing; for example, have approaches to the nature of the self or free will been conducted from a masculinist perspective, and would a feminist perspective yield different theories? Some feminist metaphysicians develop metaphysical theories with the aim of furthering certain social goals, (...) such as gender equality. Despite these and other intriguing research projects, feminist metaphysics faces challenges from two flanks: one might argue that "feminist metaphysics" is not metaphysics, or one might argue that it is not feminist. Recently, Elizabeth Barnes has made the case that, since contemporary accounts of the nature of metaphysics focus primarily on the fundamental, they have the problematic implication that feminist metaphysics is not, properly speaking, metaphysics. However, less emphasis has been paid, of late, to the idea that major strands of feminist thought also problematize feminist metaphysics. I will briefly assess the metaphysician's case against feminist metaphysics in Section 2 of this chapter. Then, in Section 3, I will examine in more detail possible feminist concerns over metaphysics. In Section 4, I sketch a different conception of metaphysics that avoids both mainstream and feminist challenges to feminist metaphysics. (shrink)

I argue that Leibniz’s doctrine of sensory representation is intended in part to close an explanatory gap in his philosophical system. Unlike the twentieth century explanatory gap, which stretches between neural states on one side and phenomenal character on the other, Leibniz’s gap lies between experiences of secondary qualities like color and taste and the objects that cause them. The problem is that the precise arrangement and distribution of such experiences can never be given a full explanation. In response, Leibniz (...) appeals to representation. I argue that the sense in which Leibnizian sensations are representations is too weak to close his explanatory gap. In the end, he must appeal to the doctrine of the best possible world. (shrink)

I argue that Leibniz's rejection of the hypothesis of thinking matter on grounds of unintelligibility conflicts with his position on sensible qualities such as color. In the former case, he argues that thought must be a modification of something immaterial because we cannot explain thought in mechanical terms. In the latter case, however, he (rightly) grants that we cannot explain sensible qualities in mechanical terms, that is, cannot explain why a certain complex mechanical quality gives rise to the appearance of (...) a certain sensible quality, even while insisting that sensible qualities are modifications of bodies. I argue that the two cases are analogous in the relevant respects, and that Leibniz's (plausible) position on sensible qualities should have thrown his Principle of Intelligibility into doubt. (shrink)