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  1. (1 other version)Revisiting the Pharmacy: Plato, Derrida, and the Morality of Political Deceit.Michael A. Rinella - 2007 - Polis 24 (1):134-153.
    The first section of this article examines Jacques Derrida’s essay ‘Plato’s Pharmacy’, specifically his discussion of the ancient Greek word for drug, pharmakon. It is argued that the rhetorical force of Derrida’s essay has led to the mistaken impression that he and more importantly Plato understood pharmakon to have two possible meanings: remedy or poison. In the second section a number of Platonic and other ancient Greek texts are used to demonstrate that pharmakon signified several additional things, such as painters (...)
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  • Socrates and self-knowledge in Aristophanes' clouds.Christopher Moore - 2015 - Classical Quarterly 65 (2):534-551.
    This article argues that Aristophanes'Cloudstreats Socrates as distinctly interested in promoting self-knowledge of the sort related to self-improvement. Section I shows that Aristophanes links the precept γνῶθι σαυτόν with Socrates. Section II outlines the meaning of that precept for Socrates. Section III describes Socrates' conversational method in theCloudsas aimed at therapeutic self-revelation. Section IV identifies the patron Cloud deities of Socrates' school as also concerned to bring people to a therapeutic self-understanding, albeit in a different register from that of Socrates. (...)
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  • Writing the Manic Subject: Rhetorical Passivity in Plato's Phaedrus.Robin Reames & Courtney Sloey - 2021 - Philosophy and Rhetoric 54 (1):1-24.
    ABSTRACT This essay questions the reading of Plato's Phaedrus according to which writing is understood as a mechanism of objectivity and critical distance. Plato's denomination of writing as a “pharmakon” indicates a deep ambiguity in his definition of writing—an ambiguity embodied in Phaedrus's written speech. The speech triggers both critical analysis and a simultaneous “rhetorical passivity,” whereby upon hearing the speech Socrates is consumed by a manic power. Although Socrates explicitly decries the detrimental consequences of writing in the Myth of (...)
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