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Obituary: Ludwig Wittgenstein

Mind 60 (239):297-298 (1951)

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  1. Bertrand Russell and Ludwig Wittgenstein, personal and academic relationship (3rd edition).Natalia Tomashpolskaia - 2023 - Analítica 3:10-38.
    In this article, the author analyses the relationship between two prominent philosophers of the 20th century in Europe and Great Britain—Ludwig Wittgenstein and Bertrand Russell. According to a lot of correspondence available nowadays we can reconstruct not only the environment of thought in Cambridge in the beginning and the first half of the 20th century but to find out some very personal, subjective grounds for the changes of relationship between thinkers, misunderstandings between them. Such a kind of biographical-historical reconstruction does (...)
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  • Is Incompatibilism Compatible with Fregeanism?Nils Kürbis - 2018 - European Journal of Analytic Philosophy 14 (2):27-46.
    This paper considers whether incompatibilism, the view that negation is to be explained in terms of a primitive notion of incompatibility, and Fregeanism, the view that arithmetical truths are analytic according to Frege’s definition of that term in §3 of Foundations of Arithmetic, can both be upheld simultaneously. Both views are attractive on their own right, in particular for a certain empiricist mind-set. They promise to account for two philosophical puzzling phenomena: the problem of negative truth and the problem of (...)
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  • (1 other version)The philosopher as artist: Ludwig Wittgenstein seen through Edoardo Paolozzi.Wolfgang Huemer - 2019 - In Diego Mantoan & Luigi Perissinotto (eds.), The philosopher and the Artist: Wittgenstein and Paolozzi. Palgrave Macmillan. pp. 31-43.
    In this article I argue that the strong fascination that Wittgenstein has had for artists cannot be explained primarily by the content of his work, and in particular not by his sporadic observation on aesthetics, but rather by stylistic features of his work formal aspects of his writing. Edoardo Paolozzi’s testimony shows that artists often had a feeling of acquaintance or familiarity with the philosopher, which I think is due to stylistic features of his work, such as the colloquial tone (...)
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