Switch to: References

Citations of:

Aesthetic Value, Artistic Value, and Morality

In David Coady, Kimberley Brownlee & Kasper Lipper-Rasmussen (eds.), A Companion to Applied Philosophy. Chichester, UK: Blackwell. pp. 514-526 (2016)

Add citations

You must login to add citations.
  1. Art: Brought to You by Creative Machines.Steffen Steinert - 2017 - Philosophy and Technology 30 (3):267-284.
    In this paper, I argue that machines can create works of art. My argument is based on an analysis of the so-called creative machines and focuses on technical functions and intentions. If my proposal is correct, then creative machines are technical artifacts with the proper function to bring about works of art. My account is based on sensible conceptual connections between makers, technical artifacts, intentions, and the creation of art. One upshot of the account presented here is that we do (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  • Passion for the Art of Morally Responsible Technology Development.Sabine Roeser & Steffen Steinert - 2019 - Royal Institute of Philosophy Supplement 85:87-109.
    In this article, we discuss the importance of emotions for ethical reflection on technological developments, as well as the role that art can play in this. We review literature that argues that emotions can and should play an important role in the assessment and acceptance of technological risk and in designing morally responsible technologies. We then investigate how technologically engagedartcan contribute to critical, emotional-moral reflection on technological risks. The role of art that engages with technology is unexplored territory and gives (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • On Snobbery.Zoë A. Johnson King - 2023 - British Journal of Aesthetics 63 (2):199-215.
    This is a paper about the nature of snobbery and the undermining import of a charge of snobbery. On my account, snobs sincerely attempt to identify and correctly evaluate the aesthetically relevant features of an object, but they get things wrong, and their getting things wrong is explained by the fact that they under-value that which they associate with being lower-class. We can see the need for this account by reflecting on examples, and can distinguish it from existing accounts of (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations