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  1. TrGF 2.624 – A Euripidean Fragment.Christoph Riedweg - 1990 - Classical Quarterly 40 (01):124-.
    In the authoritative new collection of the Tragicorum Graecorum Fragmenta , a five-trimeter passage appears as No. 624 in the second volume which contains the ‘Fragmenta adespota’. Whereas Nauck placed the lines among the ‘Fragmenta dubia et spuria’ of Euripides , Kannicht and Snell separate them totally from the Euripidean fragments and associate them with various pseudepigraphical pieces of tragic poetry which are commonly thought to have originated in the ‘workshop of a Jewish forger’. The purpose of my article is (...)
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  • Herodas' Mimiamb 7: Dancing Dogs and Barking Women.Eva Anagnostou-Laoutides - 2015 - Classical Quarterly 65 (1):153-166.
    Herodas'Mimiamb7 has often attracted scholarly attention on account of its thematic preoccupation with the sexuality of ordinary people, thus offering a realistic and exciting glimpse of everyday life in the eastern Mediterranean of the third centuryb.c.e. In addition, his obscure reference in lines 62–3 to the obsession of women and dogs with dildos has been the focus of long-standing scholarly debate: while most scholars agree that the verses employ a metaphor, possibly of obscene nature, their exact meaning is still to (...)
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