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Deleuze’s Theory of Sensation: Overcoming the Kantian Duality

In Paul Patton (ed.), Deleuze: A Critical Reader. New York: Blackwell. pp. 29-56 (1996)

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  1. Paint And Suffering: Series And Community In Francis Bacon's Paintings.Jennifer Dyer - 2003 - Animus 8:21-43.
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  • La estética más allá del arte: A propósito de Gilles Deleuze.Laura Llevadot - 2017 - Revista de Filosofia Aurora 29 (46):179.
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  • La individuación, forma y pensamiento: más allá de la forma orgánica en la obra de Gilles Deleuze.Juan David Cárdenas Maldonado - 2013 - Universitas Philosophica 30 (61).
    La tradición filosófica ha identificado con insistencia lanoción de diferencia con la de individuo. Sin embargo, ala luz del pensamiento deleuziano, esta evidencia es puestaen crisis. Para el pensador francés, los individuos son elresultado de procesos intensivos pre-individuales de unagran riqueza. El presente artículo intenta explorar algunasposibles consecuencias de esta intuición en el campo de laestética, la política y el pensamiento.
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  • Thinking in Painting : Gilles Deleuze and the Revolution From Representation to Abstraction.Judy Purdom - unknown
    Reading with Gilles Deleuze, this thesis explores art as a production that abandons representation as a formation of identity in favour of an ontology of becoming. I argue that the move to abstraction in painting resonates with the aim of "thought without image" because it counters representation with a radical materiality that returns painting to the movement of matter. In order to situate Deleuze's thinking on art within a trajectory of a philosophy of becoming I open the thesis with a (...)
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  • Philosophies of Consciousness and the Body.John Protevi - 2009 - In John Mullarkey & Beth Lord (eds.), The Continuum Companion to Continental Philosophy. Continuum. pp. 69-92.
    DEFINING THE LIMITS OF THE FIELD. Because 'consciousness and the body' is central to so many philosophical endeavors, I cannot provide a comprehensive survey of recent work. So we must begin by limiting the scope of our inquiry. First, we will concentrate on work done in English or translated into English, simply to ensure ease of access to the texts under examination. Second, we will concentrate on work done in the last 15 years or so, since the early 1990s. Third, (...)
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  • Deleuze and Wexler: Thinking Brain, Body and Affect in Social Context.John Protevi - unknown
    Forthcoming in Cognitive Architecture: from bio-politics to noo-politics, eds. Deborah Hauptmann, Warren Neidich and Abdul-Karim Mustapha INTRODUCTION The cognitive and affective sciences have benefitted in the last twenty years from a rethinking of the long-dominant computer model of the mind espoused by the standard approaches of computationalism and connectionism. The development of this alternative, often named the “embodied mind” approach or the “4EA” approach (embodied, embedded, enactive, extended, affective), has relied on a trio of classical 20th century phenomenologists for its (...)
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  • Do Not Just Do as I Do: Knowledge and Learning in the Image of Thought.Tano S. Posteraro - 2015 - Deleuze and Guatarri Studies 9 (4):455-474.
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  • From Deleuze and Guattari's Words to a Deleuzian Theory of Reading.Daniel Haines - 2015 - Deleuze and Guatarri Studies 9 (4):529-557.
    While Deleuze and Guattari's passion for certain literature is well known, the nature of a ‘Deleuzian’ literary criticism remains an open question. However, most critics appear to agree that Deleuze and Guattari's comments on meaning and interpretation offer an ontological alternative to the textual focus of deconstruction. Through an interrogation of the difficult style of their books in relation to Plato, Nietzsche and Derrida, this paper offers a different reading of Deleuze and Guattari in relation to literary criticism. Despite appearances, (...)
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  • Deleuze and Beckett: An Immanent Encounter.Magdalena Wisniowska - 2014 - Deleuze and Guatarri Studies 8 (2):173-198.
    Understanding the exact nature of Deleuze's debt to Kant forms a large part of contemporary Deleuzian scholarship, a project made all the more urgent since the publication of Meillassoux's critique of correlationism in 2007. These Kantian readings present Deleuze as someone who continues Kant's transcendental project by reconsidering the nature of ‘immanent critique’. Immanent critique is no longer seen here as part of the critical enquiry into the possible conditions of experience, but as a staging of an encounter with the (...)
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  • Signs Without Name.Nadine Boljkovac - 2011 - Deleuze and Guatarri Studies 5 (2):209-240.
    This paper argues that Chris Marker's 1982 film Sans Soleil derives its affective force from doublings and ‘faces’ of horror and beauty that reveal a twofold synthesis of actual and virtual. While a focus upon the material, ever in relation to transient yet lingering sensations, cannot discharge the power and force of the film, this paper endeavours nevertheless to assess and evoke Marker and Deleuze's own interrogative methods that thoroughly explore, in the manner of a revelatory ‘schizoanalysis’ or empiricism, molecular (...)
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  • Aesthetic Movements of Embodied Minds: Between Merleau-Ponty and Deleuze.Kasper Levin - 2016 - Continental Philosophy Review 49 (2):181-202.
    Animating Maurice Merleau-Ponty’s phenomenological idea of the body as a pre-reflective organizing principle in perception, consciousness and language has become a productive and popular endeavor within philosophy of mind during the last two decades. In this context Merleau-Ponty’s descriptions of an embodied mind has played a central role in the attempts to naturalize phenomenological insights in relation to cognitive science and neuropsychological research. In this dialogue the central role of art and aesthetics in phenomenology has been neglected or at best (...)
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