According to a traditional view, there is no categorical difference between the phenomenology of perception and the phenomenology of imagination; the only difference is in degree (of intensity, resolution, etc.) and/or in accompanying beliefs. There is no categorical difference between what it is like to perceive a dog and what it is like to imagine a dog; the former is simply more vivid and/or is accompanied by the belief that a dog is really there. A sustained argument against this traditional (...) view is prosecuted by Sartre, who develops an alternative according to which there is a categorical difference between the two phenomenologies. This paper draws on Sartre’s work in this area to develop a similar account of perception and imagination as categorically different. (shrink)

"'It is clear", wrote Wittgenstein in the Tractatus, "that ethics has nothing to do with punishment and reward in the usual sense of the terms" (6.422). But he insisted also that there must be some kind of ethical punishment and reward; "the reward", he tells us, "must be something pleasant, and the punishment something unpleasant" (ibid.). I argue that we can understand what Wittgenstein meant by "reward" and "punishment" by conceiving these notions as elements in a system of interrelated concepts (...) connected with the idea of law. (shrink)

Festschrift in Honor of Barry Smith on the occasion of his 65th Birthday. Published as issue 4:4 of the journal Cosmos + Taxis: Studies in Emergent Order and Organization. Includes contributions by Wolfgang Grassl, Nicola Guarino, John T. Kearns, Rudolf Lüthe, Luc Schneider, Peter Simons, Wojciech Żełaniec, and Jan Woleński.

Un mince fil dans la vaste littérature sur Kafka concerne la connaissance qu’avait Kafka de la philosophie, et plus précisément l’utilisation, dans les récits de Kafka, de quelques-unes des idées principales de Franz Brentano. Kafka a suivi des cours de philosophie à l’Université Charles, cours donnés par des étudiants de Brentano, Anton Marty et Christian von Ehrenfels. Il fut aussi, pendant plusieurs années, membre d’un groupe de discussion organisé par des partisans orthodoxes de la philosophie brentanienne à Prague. Le présent (...) essai résume ce que l’on sait des relations entretenues par Kafka avec le mouvement brentanien. Il porte sur les idées brentaniennes qui concernent l’évidence de la perception intérieure, la conscience oblique, l’introspection active, le jugement correct et incorrect et la conscience en tant qu’espèce de tribunal intérieur, dans le but d’éclairer certains aspects centraux de l’œuvre de Kafka, incluant son style. Nous porterons une attention particulière sur Die Verwandlung et Der Prozess , et nous offrirons une interprétation de ce dernier texte selon laquelle le procès de Joseph K. se passe entièrement dans l’esprit de K. lui-même. (shrink)

There is a narrow thread in the vast literature on Kafka which pertains to Kafka’s knowledge of philosophy, and more precisely to Kafka’s use in his fictional writings of some of the main ideas of Franz Brentano. Kafka attended courses in philosophy at the Charles University given by Brentano’s students Anton Marty and Christian von Ehrenfels, and was for several years a member of a discussion-group organized by orthodox adherents of the Brentanian philosophy in Prague. The present essay summarizes what (...) is known about Kafka’s relations to the Brentanist movement. It draws on Brentanian ideas on the evidence of inner perception, on oblique consciousness, on active introspection, on correct and incorrect judgment, and on consciousness as a species of inner tribunal, in order to throw light on central features of Kafka’s writings, including stylistic features. Special attention is directed towards Die Verwandlung and Der Prozess, and a reading of the latter is offered according to which the trial of Joseph K. occurs entirely within the mind of K. himself. The revisions in the 1997 version of the paper relate especially to the treatment of Kafka and Brentano in Arnold Heidsieck’s book The Intellectual Contexts of Kafka’s Fiction: Philosophy, Law, Religion of 1994. (shrink)

This book is a survey of the most important developments in Austrian philosophy in its classical period from the 1870s to the Anschluss in 1938. Thus it is intended as a contribution to the history of philosophy. But I hope that it will be seen also as a contribution to philosophy in its own right as an attempt to philosophize in the spirit of those, above all Roderick Chisholm, Rudolf Haller, Kevin Mulligan and Peter Simons, who have done so much (...) to demonstrate the continued fertility of the ideas and methods of the Austrian philosophers in our own day. For some time now, historians of philosophy have been gradually coming to terms with the idea that post-Kantian philosophy in the German-speaking world ought properly to be divided into two distinct traditions which we might refer to as the German and Austrian traditions, respectively. The main line of the first consists in a list of personages beginning with Kant, Fichte, Hegel and Schelling and ending with Heidegger, Adorno and Bloch. The main line of the second may be picked out similarly by means of a list beginning with Bolzano, Mach and Meinong, and ending with Wittgenstein, Neurath and Popper. As should be clear, it is the Austrian tradition that has contributed most to the contemporary mainstream of philosophical thinking in the Anglo-Saxon world. For while there are of course German thinkers who have made crucial contributions to the development of exact or analytic philosophy, such thinkers were outsiders when seen from the perspective of native German philosophical culture, and in fact a number of them found their philosophical home precisely in Vienna. When, in contrast, we examine the influence of the Austrian line, we encounter a whole series of familiar and unfamiliar links to the characteristic concerns of more recent philosophy of the analytic sort. As Michael Dummett points out in his Origins of Analytic Philosophy, the newly fashionable habit of referring to analytic philosophy as "Anglo-American" is in this light a "grave historical distortion". If, he says, we take into account the historical context in which analytic philosophy developed, then such philosophy "could at least as well be called "Anglo-Austrian" (1988, p. 7). Much valuable scholarly work has been done on the thinking of Husserl and Wittgenstein, Mach and the Vienna Circle. The central axis of Austrian philosophy, however, which as I hope to show in what follows is constituted by the work of Brentano and his school, is still rather poorly understood. Work on Meinong or Twardowski by contemporary philosophers still standardly rests upon simplified and often confused renderings of a few favoured theses taken out of context. Little attention is paid to original sources, and little effort is devoted to establishing what the problems were by which the Austrian philosophers in general were exercised -- in spite of the fact that many of these same problems have once more become important as a result of the contemporary burgeoning of interest on the part of philosophers in problems in the field of cognitive science. (shrink)

La philosophie autrichienne, depuis Bolzano jusqu’à Musil et Wittgenstein en passant par Mach et la tradition brentanienne, est marquée par une obsession singulière : la clarté et la précision. Quelques traits de cette obsession, en particulier la critique sévère des différentes formes de bavardage philosophique, sont décrits et situés par rapport à la culture autrichienne en général. Mais chaque vertu a son vice, et les vertus cognitives de la pensée autrichienne n’échappent pas à la règle. Quatre exemples de la pathologie (...) de la précision sont analysés : Freud, Ehrenfels, Weininger et le dernier Husserl .Austrian philosophy from Bolzano, Mach and the Brentanian tradition to Musil and Wittgenstein is characterised by an obsession : clarity and exactness. Some features of this obsession, in particular the harsh criticisms of different types of philosophical blethering, are described, as is their place within Austrian culture. Each virtue has its vice and the cognitive virtues of Austrian thought are no exception. Four examples of the pathology of exactness are analysed : Freud, Ehrenfels, Weininger and the later Husserl. (shrink)

Robert Musil's unfinished novel The Man Without Qualities is testimony that Arthur Schopenhauer's legacy in early-twentieth-century European culture cuts across the familiar opposition between neo-romantic irrationalism and scientific positivism. I adduce evidence in Musil's unfinished novel and contemporaneous essays and journal entries that his utopian vision of an integration of ethical inwardness and scientific objectivity, an integration productive of an existence without qualities, is symptomatic of a Schopenhauerian outlook that prevailed in Europe êntre deux guerres and yielded a crisis of (...) narratives and consequent moral ambivalence. Musil's literary style achieves a vivid rendering of the causes and conditions of the ethical paralysis afflicting the modern self committed to the exploration of inwardness. (shrink)

Adolf Reinach (1883-1917) is most often remembered for his role as a teacher of phenomenology or as a philosopher of law, yet the range of subjects covered in his surviving published and unpublished works is diverse. As scholars such as Kimberley Baltzer-Jaray have argued, Reinach's contributions to philosophy, and in particular his influence on the early phenomena logical movement, have been underestimated in the past. It is of both historical and philosophical importance, therefore, to identify and recognise the contributions that (...) Reinach made across the many fields his works touch upon, including that of ethics. This thesis argues that Reinach made a number of significant contributions towards the development of early phenomenological ethics, and although his works contain neither a complete nor a comprehensive systematic theory of ethics, this is no reason to overlook or dismiss the importance of his work in this field . The thesis demonstrates that Reinach's works on ethics were original; that they influenced other early phenomenologists in the development of their ethical theories; and, ultimately, that they were and remain valuable additions to the field, discussing value-theory, the problem ofnormativity, motivation, freedom and responsibility, and more. This thesis comprises two parts. Part one examines and assesses Reinach's contribution against his immediate philosophical background incorporating a discussion of how Reinach's works on ethics fit into his body of work as well in relation to other contemporary philosophers (e.g., Brentano, Husserl, Scheler, Stein) who advanced the development of early phenomenological ethics. To support the interpretation, part two of the thesis contains appendices of three relevant extracts from Reinach 's published and unpublished works, translated for the first time into English (with original German text supplied). These translations are also intended to be ofvalue in making Reinach's works on ethics more accessible to English-speaking scholarship in the future. (shrink)

Recent work on Austrian philosophy has revealed, hitherto, unsuspected links between Vienna circle positivism on the one hand, and the thought of Franz Brentano and his circle on the other. the paper explores these links, casting light also on the Polish analytic movement, on the development of gestalt psychology, and on the work of Schlick and Neurath.

I argue that Kafka's writings express the idea that our sense of freedom is deceptive. It is deceptive because we cannot discern any proper purpose or destination that would allow us to make truly meaningful choices. Kafka's thought here relates to the existentialist view of Kierkegaard, but it radicalizes that view by depriving it of its teleological dimension.

Otto Weininger’s Sex and Character interprets Kant’s categorical imperative in a way which takes it to imply that all human relations, including human sexual relations, are immoral; it is thus in a certain sense impossible to lead a moral life on this earth. We discuss Weininger’s ideas on man, woman, value and intellect, and describe their influence among the Central European intellectuals of his day, including Wittgenstein, and also including Karl Kraus.