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Acknowledgements Five out of the 13 contributions to this volume originate from papers which were presented at the international workshop on “Epistemology, Context, Formalism” held at the MSH-Lorraine in Nancy, France, on November the ... |
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Emma Borg has defined semantic minimalism as the thesis that the literal content of well-formed declarative sentences is truth-evaluable, fully determined by their lexico-syntactic features, and recoverable by language users with no need to access non-linguistic information. The task of this article is threefold. First, I shall raise a criticism to Borg’s minimalism based on how speakers disambiguate homonymy. Second, I will explore some ways Borg might respond to my argument and maintain that none of them offers a conclusive reply (...) |
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Big decisions in a person’s life often affect the preferences and standards of a good life which that person’s future self will develop after implementing her decision. This paper argues that in such cases the person might lack any reasons to choose one way rather than the other. Neither preference-based views nor happiness-based views of justified choice offer sufficient help here. The available options are not comparable in the relevant sense and there is no rational choice to make. Thus, ironically, (...) |
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In this paper, I take issue with the proposal put forward by Mark Richard in When Truth Gives Out (2008) concerning disputes over issues such as who is rich, what is cool, and other issues of similar ilk. Richard holds that the parties in the dispute can truly disagree on whether a given person is rich, but can be both right, if we assume that they have different standards of wealth. Disputes over what is cool are, according to Richard, trickier, (...) |
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Within the philosophy of language, contextualists typically hold (and semantic minimalists deny) that pragmatic elements of an utterance can affect its semantic content. This paper concretizes this debate by analogizing both positions to different kinds of time-travel stories: contextualism is akin to Ludovician narratives that deny the possibility of temporal editing (or “the changing of past events”) while semantic minimalism is aligned with stories that allow the past to be literally altered. By focusing particularly on Denis Villeneuve’s 2016 film Arrival, (...) |
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