In this paper I introduce the ‘changing the subject’ problem. When proponents of animal protection use terms such as dignity and respect they can be fairly accused of shifting debate from welfare to rights because the terms purportedly refer to properties and values that are logically distinct from the capacity to suffer and the moral significance of causing animals pain. To avoid this problem and ensure that debate proceeds in the familiar terms of the established welfare paradigm, I present an (...) expressivist analysis of animal rights vocabulary. When terms such as dignity and respect are understood in line with the theory of moral language use known as expressivism, proponents of animal protection that use these terms can escape the charge of changing the subject. Drawing upon Helm’s theory of love, I show how the usage of rights vocabulary can be respectable way for people to register their concern for the welfare of animals, even at times when it is unlikely that the animals concerned are suffering. Tying rights vocabulary to welfare via expressivism aligns the aims of animal rights with welfare without the theoretical problems associated with attempts to ‘reduce’ dignity or respect to natural behaviour or inherent value. (shrink)

Meursault, the protagonist of Camus' The Stranger, is unable to grieve, a fact that ultimately leads to his condemnation and execution. Given the emotional distresses involved in grief, should we envy Camus or pity him? I defend the latter conclusion. As St. Augustine seemed to dimly recognize, the pains of grief are integral to the process of bereavement, a process that both motivates and provides a distinctive opportunity to attain the good of self-knowledge.

Unpleasant sensations possess a unique ability to make certain aversive actions seem reasonable to us. But what is it about these experiences that give them that ability? According to some recent evaluationist accounts, it is their representational content: unpleasant sensations represent a certain event as bad for one. Unfortunately evaluationism seems unable to make sense of our aversive behavior to the sensations themselves, for it appears to entail that taking a painkiller is akin to shooting the messenger, and is every (...) bit as unreasonable. In this paper I distinguish two versions of the shooting-the-messenger challenge: First, how do we account for the badness of unpleasant sensation? And second, how do we account for our access to that badness? I suggest plausible responses to the first question, but I also argue that the seriousness of the second has not been appreciated. I then propose a solution to the second: when we introspect our pains we also turn our emotional distress inwards, enabling them to represent our pains as bad. (shrink)