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  1. Symbolic Pregnance, Concrescence, and the Unconscious: E. Cassirer and S. Langer.Carole Maigné - 2019 - Journal of Aesthetics and Phenomenology 6 (2):137-151.
    This paper questions the apparent silenc of Cassirer’s Philosophy of Symbolic Forms on the unconscious, in its double sense of the psychic structure and of the description of the imperceptible. Although Cassirer is engaged in a very fine phenomenological analysis of our experience of the world, under the prism of a critic of culture, and although he does not believe in the evidence of the self, the absence of the unconscious from his account shows precisely the force of his conceptualization (...)
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  • Le Maître de la lampe.Paul Germain - 1974 - Dialogue 13 (2):299-325.
    Dans son livre American Philosophy and the Future, Michael Novak nous rappelle que nous vivons sous la menace des conflits nucléaires. Si nous n'y prenons garde, nous dit-il, nous serons bientôt dans l'impossibilité de philosopher. Cet avertissement a de quoi nous étonner. Y aurait-il des bombes atomiques sans une philosophie de la bombe?Il y aurait bien d'autres objets, les uns plus extraordinaires que les autres, que nous apporte à un rythme toujours plus accéléré la nouvelle technologic et sur lesquels il (...)
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  • Memory, imagination, and the cognitive value of the arts.Donald Dryden - 2004 - Consciousness and Cognition 13 (2):254-267.
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  • Art as a metaphor of the mind: A neo-Jamesian aesthetics embracing phenomenology, neuroscience, and evolution.Andrea Lavazza - 2008 - Phenomenology and the Cognitive Sciences 8 (2):159-182.
    This paper focuses on the emergent neo-Jamesian perspective concerning the phenomenology of art and aesthetic experience. Starting from the distinction between nucleus and fringe in the stream of thought described by William James, it can be argued that our appreciation of a work of art is guided by a vague and blurred perception of a much more powerful content, of which we are not fully aware. Accordingly, a work of art is seen as a kind of metaphor of our mental (...)
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  • Computational models and empirical constraints.Zenon W. Pylyshyn - 1978 - Behavioral and Brain Sciences 1 (1):98-128.
    It is argued that the traditional distinction between artificial intelligence and cognitive simulation amounts to little more than a difference in style of research - a different ordering in goal priorities and different methodological allegiances. Both enterprises are constrained by empirical considerations and both are directed at understanding classes of tasks that are defined by essentially psychological criteria. Because of the different ordering of priorities, however, they occasionally take somewhat different stands on such issues as the power/generality trade-off and on (...)
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  • A collective fixation of meaning.Carlo Brentari - 2019 - Evolutionary Linguistic Theory 1 (2):143-161.
    The present contribution aims at offering an exposition and a critical evaluation of the philosophical-anthropological theory of the origin of language developed by the American philosopher Susanne K. Langer (1895–1985). Langer’s theory traces human language and, in particular, its denotative and communicative functions, back to the expressive vocal utterances of the pre-human beings from which humanity would have derived. In her inquiry, Langer refers in particular to the article “The festal origin of the human speech” (1891–92), written by the psychologist (...)
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  • “In my head, I have a cleaning lady:” Symbol form and symbolic intention in the everyday use of money.Julia Keller, Karl Chan-Brown & Marie McNabb - 2020 - Semiotica 2020 (235):119-151.
    Money is a symbol. Beginning with this simple notion, we have completed a qualitative study of how money exists in people’s everyday lives and how it is used symbolically. A review of the financial, economic, psychological, and semiotic literature shows that even though money is written and talked about exhaustively, little symbol theory appears in economic writing, and we rarely found money mentioned in semiotic texts. We used a qualitative, phenomenological approach to identify critical thematic elements and underlying structures of (...)
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