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  1. Early-Modern Irreligion and Theological Analogy: A Response to Gavin Hyman’s A Short History of Atheism.Dan Linford - 2016 - Secularism and Nonreligion 5 (1):1-8.
    Historically, many Christians have understood God’s transcendence to imply God’s properties categorically differ from any created properties. For multiple historical figures, a problem arose for religious language: how can one talk of God at all if none of our predicates apply to God? What are we to make of creeds and Biblical passages that seem to predicate creaturely properties, such as goodness and wisdom, of God? Thomas Aquinas offered a solution: God is to be spoken of only through analogy (the (...)
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  • The “who designed the designer?” objection to design arguments.Lloyd Strickland - 2014 - International Journal for Philosophy of Religion 75 (2):87-100.
    One of the most commonly-raised objections to the design argument is the so-called “who designed the designer?” objection, which charges that any designer invoked to explain complexity in the universe will feature complexity of its own, and thus require explanation in terms of design. There are two distinct versions of this objection in the contemporary literature, with it being couched in terms of: (1) Complexity of designer: a designer exhibits complexity, which calls for explanation in terms of design; (2) Complexity (...)
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  • A Permissivist Defense of Pascal’s Wager.Elizabeth Grace Jackson - 2023 - Erkenntnis 88 (6):2315-2340.
    Epistemic permissivism is the thesis that the evidence can rationally permit more than one attitude toward a proposition. Pascal’s wager is the idea that one ought to believe in God for practical reasons, because of what one can gain if theism is true and what one has to lose if theism is false. In this paper, I argue that if epistemic permissivism is true, then the defender of Pascal’s wager has powerful responses to two prominent objections. First, I argue that (...)
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  • Darwin, Design and Dawkins' Dilemma.David H. Glass - 2012 - Sophia 51 (1):31-57.
    Richard Dawkins has a dilemma when it comes to design arguments. On the one hand, he maintains that it was Darwin who killed off design and so implies that his rejection of design depends upon the findings of modern science. On the other hand, he follows Hume when he claims that appealing to a designer does not explain anything and so implies that rejection of design need not be based on the findings of modern science. These contrasting approaches lead to (...)
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