The translation of honraisei as “authenticity” has caused scholars to compare Watsuji with Heideggerian and Taylorian accounts of authenticity. In this article, it will be demonstrated that this translation of “authenticity” is misleading insofar as it suggests a sense of subjective individuality as prevalent within Western philosophical thought. However, rather than rejecting a Watsujian account of authenticity, it will be argued that we can salvage this understanding by rethinking honraisei as a distinctly Japanese approach to authenticity and one which is (...) underpinned by the Buddhist concept of emptiness. (shrink)

With a focus on the question of visuality in Heidegger's sustained involvement with Daoist and Zen thought, this paper discusses the interchange between Heidegger and Hisamatsu at a 1958 colloquium. In light of the key concerns – visuality, art, and the empty origin of manifestation – it interrogates three texts,“The Origin of the Work of Art,”Parmenides, and“Art and Space,”concerning visuality, the play of the glance, writing, space and place, and the Graeco-Asian though of phainesthai. In conclusion, it addresses the opening (...) for a philosophical consideration of abstract painting that these analyses provide. (shrink)