Abstract

This text aims to theoretically think on the performative work devel-oped in the region of Belém, Pará, as attempts to understand its modes of subjectivation related to the narratives of Amazonian culture and identities of the ancestral past that molds the present of the islands around the city, more specifically the Island of Cotijuba. Experiencing these liveliness territories, I absorb myself to comprehend both the imagetic production of this research and the potentialities that emerge when connected through the intentional intervention of the narrative.