Nihilism and Reality in Akira Kurosawa's Rashomon (1949 movie)

Abstract

This essay is part of a doctoral dissertation presented to the Department of Philosophy, University of São Paulo, in 1993, named 'Genealogy of the Real' . Its core idea is a Nietzschean approach to a masterpiece among philosophical inspired movies, namely, Akira Kurosawa's Rashomon, which surely touches deep groundings of the concept of truth and reality.

Author's Profile

Marcos Wagner Da Cunha
University of São Paulo (PhD)

Analytics

Added to PP
2019-11-30

Downloads
339 (#45,044)

6 months
83 (#44,897)

Historical graph of downloads since first upload
This graph includes both downloads from PhilArchive and clicks on external links on PhilPapers.
How can I increase my downloads?