Hua-yen is regarded as the highest form of Buddhism by most modern Japanese and Chinese scholars. This book is a description and analysis of the Chinese form of Buddhism called Hua-yen, Flower Ornament, based largely on one of the more systematic treatises of its third patriarch. Hua-yen Buddhism strongly resembles Whitehead's process philosophy, and has strong implications for modern philosophy and religion. Hua-yen Buddhism explores the philosophical system of Hua-yen in greater detail than does Garma C.C. Chang's _The Buddhist Teaching (...) of Totality _. An additional value is the development of the questions of ethics and history. Thus, Professor Cook presents a valuable sequel to Professor Chang's pioneering work. The Flower Ornament School was developed in China in the late 7th and early 8th centuries as an innovative interpretation of Indian Buddhist doctrines in the light of indigenous Chinese presuppositions, chiefly Taoist. Hua-yen is a cosmic ecology, which views all existence as an organic unity, so it has an obvious appeal to the modern individual, both students and layman. (shrink)

This Source Book is devoted to the purpose of providing such a basis for genuine understanding of Chinese thought (and thereby of Chinese life and culture, ...

Vivekananda ist der berühmteste Schüler des großen Mystikers und Weisen Ramakrishna. Es gelang ihm, eine Brücke von Ost nach West, zwischen den Religionen und Völkern zu schlagen. Sein messerscharfer Verstand, seine außergewöhnliche Denk- und Konzentrationskraft, seine geniale mystische Schau, seine unermüdliche Tatkraft und Menschenliebe und sein gerechter Zorn angesichts der versklavten Massen setzten den heutigen sozialen Strukturwandel in Indien in Bewegung und brachten dem westlichen Menschen neue Impulse zur eigenen geistigen Höherentwicklung. Auf der spirituellen Grundlage des Advaita-Vedanta, der Einheit allen (...) Seins legt er uns als besonders wichtige Form der Gottesverehrung den Dienst am Menschen ans Herz: "Mag ich wieder und wieder geboren werden und tausendfaches Elend erleiden, wenn ich nur den einzigen Gott verehren darf, der existiert, den einzigen Gott, an den ich glaube: die Gesamtsumme aller Seelen." Vivekananda zeigt uns unsere eigene Göttlichkeit und die Methoden, wie wir sie in jedem Augenblick unseres Lebens zum Ausdruck bringen können. Seine Worte lassen die Poesie des göttlichen Einen erklingen und sind, wie Romain Rolland schrieb, "Melodien im Stil Beethovens, erregende Rhythmen in Händels Musik". (shrink)

In Indian philosophy and theology, the ideology of Vedanta occupies an important position. Hindu religious sects accept the Vedantic soteriology, which believes that there is only one conscious reality, Brahman from which the entire creation, both conscious and non-conscious, emanated. Madhusudana Sarasvati, who lived in sixteenth century Bengal and wrote in Sanskrit, was the last great thinker among the Indian philosophers of Vedanta. During his time, Hindu sectarians, rejected monistic Vedanta. Although a strict monist, Madhusudana tried to make a synthesis (...) between his monistic philosophy and his theology of emotional love for God. This book provides the religious context of his extensive and difficult works. This is the only comprehensive study of Madhusudana Sarasvati's thought. (shrink)

This first full-length study of renunication in Sankara's Advaita Vedanta shows that Sankara's position has been misinterpreted by both traditional and modern commentators and brings his actual position to light.