While examining the important role of imagination in making moral judgments, John Dewey and Moral Imagination focuses new attention on the relationship between American pragmatism and ethics. Steven Fesmire takes up threads of Dewey's thought that have been largely unexplored and elaborates pragmatism's distinctive contribution to understandings of moral experience, inquiry, and judgment. Building on two Deweyan notions—that moral character, belief, and reasoning are part of a social and historical context and that moral deliberation is an imaginative, dramatic rehearsal of (...) possibilities—Fesmire shows that moral imagination can be conceived as a process of aesthetic perception and artistic creativity. Fesmire's original readings of Dewey shed new light on the imaginative process, human emotional make-up and expression, and the nature of moral judgment. This original book presents a robust and distinctly pragmatic approach to ethics, politics, moral education, and moral conduct. [The downloadable sample is Chapter Seven, "The Moral Artist."]. (shrink)

Este ensayo considera, dentro de un contexto narrativo, el asunto de cómo llegar a saber de nuestro amor a partir de una comparación entre el comportamiento escéptico y desconfiado del lector de filosofía y el abierto y confiado del lector de relatos. El artículo explica cómo la filosofía permite clarificar la idea del conocimiento del amor por medio del análisis de los conceptos, descubriendo específicamente que es el amor en el alma y como es su conocimiento; y cómo el relato, (...) señala que el carácter las multiples formas de los aspectos en desarrollo y la evolución temporal de lo narrado, no están presentes en las teorías explícitas y reflexivas. Martha Nussbaum afirma que el corazón humano necesita de la reflexión activa, y que para poderle abrir un espacio a las historias de amor, la filosofía debe ser más literaria, debe tener una relación más estrecha con las narraciones y considerar respetuosamente el misterio y los finales abiertos de las mismas. (shrink)

What does it mean to say that imagination plays a role in moral reasoning, and what are the theoretical and practical implications? Engaging with three traditions in moral theory and confronting them with three contexts of moral practice, this book offers a more comprehensive framework to think about these questions. The author develops an argument about the relation between imagination and principles that moves beyond competition metaphors and center-periphery schemas. He shows that both cooperate and are equally necessary to cope (...) with moral problems, and combines insights of different theories and disciplines to explore how this works in practice. (shrink)

Using path-breaking discoveries of cognitive science, Mark Johnson argues that humans are fundamentally imaginative moral animals, challenging the view that morality is simply a system of universal laws dictated by reason. According to the Western moral tradition, we make ethical decisions by applying universal laws to concrete situations. But Johnson shows how research in cognitive science undermines this view and reveals that imagination has an essential role in ethical deliberation. Expanding his innovative studies of human reason in Metaphors We Live (...) By and The Body in the Mind, Johnson provides the tools for more practical, realistic, and constructive moral reflection. (shrink)

The guiding thread of this book is the distinction Colin McGinn draws between perception and imagination.

«Ethics and Imagination» en The Irish Theological Quarterly, nº 52, marzo 1986, pp. 81-95. Una versión un poco diversa y titulada «Imagination» se encuentra en Metaphysics as a Guide to Morals, Londres, Chatto and Windus, 1992, pp. 308-348.

This volume presents new essays on the propositional imagination by leading researchers. The propositional imagination---the mental capacity we exploit when we imagine that everyone is colour-blind or that Hamlet is a procrastinator---plays an essential role in philosophical theorizing, engaging with fiction, and indeed in everyday life. Yet only recently has there been a systematic attempt to give a cognitive account of the propositional imagination. These thirteen essays, specially written for the volume, capitalize on this recent work, extending the theoretical picture (...) of the imagination and exploring the philosophical implications of cognitive accounts of the imagination. The book also investigates broader philosophical issues surrounding the propositional imagination. The first section addresses the nature of the imagination, its role in emotion production, and its sophistication manifestation in childhood. The essays in the second section focus on the nature of pretence and how pretence is implicated in adult communication. The third section addresses the problem of 'imaginative resistance', the striking fact that when we encounter morally repugnant assertions in fiction, we seem to resist imagining them and accepting them as fictionally true. In the final section, contributors explore the relation between imagining, conceiving, and judgements of possibility and impossibility. The Architecture of the Imagination will be an essential resource for the growing number of philosophers and psychologists studying the nature of the imagination and on its role in philosophy, aesthetics, and everyday life. (shrink)

The issues may change with the passing of the years, but the categories of concern change very little: sexuality and the sexes; medical decision-making; justice for the poor, the powerless, the underclass; reproductive decision-making; moral decision-making in business; and personal moral choices. Stevens attempts to present alternative positions on hotly debated new moral issues from a different standpoint, using an ethical pluralism approach. In doing this, he hopes to help readers arrive at their own non-polarized positions by learning from and (...) respecting all parties in the discussion. (shrink)

Moral imagination, according to John Kekes, is indispensable to a fulfilling and responsible life.

Para algunos la empatía es “el centro del universo moral”, mientras que para otros juega un papel secundario o, en todo caso, éticamente poco fiable. Acudiendo tanto a sus precursores filosóficos –como Hume y Smith–, como a sus investigadores contemporáneos en el campo de la psicología – como Hoffman y Batson–, este artículo elabora una defensa ponderada del papel de la empatía en la motivación, el desarrollo y el juicio morales, reconociendo sus limitaciones.