We trace the difference between the ways in which apes and humans co–operate to differences in communicative abilities, claiming that the pressure for future–directed co–operation was a major force behind the evolution of language. Competitive co–operation concerns goals that are present in the environment and have stable values. It relies on either signalling or joint attention. Future–directed co–operation concerns new goals that lack fixed values. It requires symbolic communication and context–independent representations of means and goals. We analyse these ways of (...) co–operating in game–theoretic terms and submit that the co–operative strategy of games that involve shared representations of future goals may provide new equilibrium solutions. (shrink)

A revised second edition of the text, this work explores the way in which a new approach to the cinema can be combined with a new approach to aesthetics. The book is divided into three main sections: the first deals with the work of S.M. Eisenstein, both as a director and theorist of his art. The second concerns the auteur theory and investigates the recurrence of themes and images throughout a dirrector's career. The third section shows how the study of (...) cinema can be considered as a province of the general study of signs. (shrink)

This succinct and lucid study examines the thought of the philosopher Charles Peirce as it applies to literary theory and shows that his concept of the sign can give us a fresh understanding of literary art and criticism. John Sheriff analyzes the treatment of determinate meaning and contends that as long as we cling to a notion of language that begins with Saussure's dyadic definition of signs, meaning cannot be treated as such any more than can essence or presence. Asserting (...) that Peirce's less familiar position offers a way out of this difficulty, Sheriff first discusses the Saussurean-based theory of meaning and then argues for the advantages of the radically different triadic theory developed by Peirce. Part One of the work reviews and critiques the treatment of meaning in works by Jonathan Culler, Tzvetan Todorov, Stanley Fish, Roland Barthes, and Jacques Derrida, among others. The focus of this section is on the treatment of meaning in structural and post-structural theories and their common basis in Saussurean linguistics. Part Two provides a readable introduction to Peirce's general theory of signs and develops comprehensively the implications of his semiotic. The substitution of his theory for Saussure's opens our eyes to new and cogent answers to many questions relevant to the meaning of texts. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)