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  1. (1 other version)Can Artificial Intelligence Make Art?Elzė Sigutė Mikalonytė & Markus Kneer - 2022 - ACM Transactions on Human-Robot Interactions.
    In two experiments (total N=693) we explored whether people are willing to consider paintings made by AI-driven robots as art, and robots as artists. Across the two experiments, we manipulated three factors: (i) agent type (AI-driven robot v. human agent), (ii) behavior type (intentional creation of a painting v. accidental creation), and (iii) object type (abstract v. representational painting). We found that people judge robot paintings and human painting as art to roughly the same extent. However, people are much less (...)
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  • A strategy for a philosophy of art.Joseph Margolis - 1979 - Journal of Aesthetics and Art Criticism 37 (4):445-454.
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  • The Madonna of the Future: Essays in a Pluralistic Art World.Arthur C. Danto - 2003 - Journal of Aesthetics and Art Criticism 61 (2):198-201.
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  • Writing with Style.Arturo Fontaine - 2021 - In Lydia Goehr & Jonathan Gilmore (eds.), A Companion to Arthur C. Danto. Hoboken: Wiley. pp. 26–32.
    Arthur Danto believed that “style has to be expressed immediately and spontaneously.” Danto writes that “the question of when is a thing an artwork becomes one with the question of when is an interpretation of a thing an artistic interpretation”. His extensive art criticism focuses, then, on the way artworks are about. The presence of a metaphor and the demand for interpretation are insufficient to draw the demarcation line between art and not‐art. A work of art ought to be “a (...)
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  • (1 other version)The Arts and the Definition of the Human: Toward a Philosophical Anthropology.Joseph Margolis - 2008 - Stanford University Press.
    The definition of the human -- Perceiving paintings as paintings I -- Perceiving paintings as paintings II -- "One and only one correct interpretation" -- Toward a phenomenology of painting and literature -- "Seeing-in," "make-believe," transfiguration" : the perception of pictorial representation -- Beauty and truth and the passing of transcendental philosophy.
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  • The authority of the text.Monroe C. Beardsley - 1992 - In Gary Iseminger (ed.), Intention and interpretation. Philadelphia: Temple University Press. pp. 24--40.
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