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  1. Sensation and Perception in the History of Experimental Psychology. [REVIEW]V. C. A. - 1944 - Journal of Philosophy 41 (12):334-335.
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  • Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture.Leonard B. Meyer - 1967 - University of Chicago Press.
    Meyer makes a valuable statement on aesthetics, criteria for assessing great works of music, compositional practices and theories of the present day, and predictions of the future of Western culture. His postlude, written for the book's twenty-fifth anniversary, looks back at his thoughts on the direction of music in 1967.
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  • On 'Gestalt Qualities' (Trans. B. Smith).C. Von Ehrenfels & Barry Smith - 1988 - In Barry Smith (ed.), Foundations of Gestalt Theory. Philosophia. pp. 82--117.
    The theory of Gestalt qualities arose from the attempt to explain how a melody is distinct from the collection of the tones which it comprehends. In this essay from 1890 Christian von Ehrenfels coined the term 'Gestaltqualität' to capture the idea of a pattern which is comprehensible in a single experience. This idea can be applied not only to melodies and other occurrent patterns, but also to continuant patterns such as shapes and colour arrays such as the array of a (...)
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  • The World as Will and Representation.Arthur Schopenhauer & E. F. J. Payne - 1958 - New York: Falcon's Wing Press.
    "The world is my representation" is, like the axioms of Euclid, a proposition which everyone must recognize as true as soon as he understands it, ...
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  • Aesthetics and Psychobiology.D. E. Berlyne - 1973 - Journal of Aesthetics and Art Criticism 31 (4):553-553.
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  • Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture.Mark Debellis - 1997 - Journal of Aesthetics and Art Criticism 55 (3):335-337.
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  • This Is Your Brain on Music: The Science of a Human Obsession.Jenefer Robinson - 2008 - Journal of Aesthetics and Art Criticism 66 (1):91-94.
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  • The World as Will and Representation.Lewis White Beck - 1959 - Philosophy and Phenomenological Research 20 (2):279-280.
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  • Kinematic Specification of Dynamics as an Informational Basis for Person-and-Action Perception: Expectation, Gender Recognition, and Deceptive Intention.Sverker Runeson & Gunilla Frykholm - 1983 - Journal of Experimental Psychology: General 112 (4):585-615.
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  • Music, the Arts, and Ideas. Patterns and Predictions in Twentieth-Century Culture.Morse Peckham - 1970 - History and Theory 9 (1):127.
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  • Sensation and Perception in the History of Experimental Psychology.Harlow W. Ades - 1943 - Philosophy and Phenomenological Research 4 (1):104-106.
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  • Basic Emotions, Relations Among Emotions, and Emotion-Cognition Relations.Carroll E. Izard - 1992 - Psychological Review 99 (3):561-565.
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  • Capgras Delusion: A Window on Face Recognition.Hadyn D. Ellis & Michael B. Lewis - 2001 - Trends in Cognitive Sciences 5 (4):149-156.
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  • Cross-Modal Interactions in the Perception of Musical Performance.Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley & Daniel J. Levitin - 2006 - Cognition 101 (1):80-113.
    We investigate the dynamics of sensory integration for perceiving musical performance, a complex natural behavior. Thirty musically trained participants saw, heard, or both saw and heard, performances by two clarinetists. All participants used a sliding potentiometer to make continuous judgments of tension (a measure correlated with emotional response) and continuous judgments of phrasing (a measure correlated with perceived musical structure) as performances were presented. The data analysis sought to reveal relations between the sensory modalities (vision and audition) and to quantify (...)
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  • On Gestalt-Qualities.Christian Von Ehrenfels - 1937 - Psychological Review 44 (6):521-524.
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  • Neurophysiological Evidence for Simulation and Action.J. Decety - 2002 - In Jérôme Dokic & Joëlle Proust (eds.), Simulation and Knowledge of Action. John Benjamins.
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  • Conscious Experience and Autonomic Response to Emotional Stimuli Following Frontal Lobe Damage.Alfred W. Kaszniak, Sheryl L. Reminger, Steven Z. Rapcsak & Elizabeth L. Glisky - 1999 - In S. Hameroff, A. Kaszniak & David Chalmers (eds.), Toward a Science of Consciousness Iii: The Third Tucson Discussions and Debates. MIT Press.
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