This paper offers a close reading of Derrida’s essay “Force of Law” that emphasises the twin strengths of a deconstructive approach to questions of law and justice -- textual analysis and political context. Derrida’s interest is in limit or test cases, and so he engages with the fraying edges of the law, its borders, the frontiers that are most heavily policed because they are most fragile, for example capital punishment, genocide, general strikes and terrorism. Derrida undertakes an exploration of violence (...) through a reinterpretation of Walter Benjamin’s “Critique of Violence”. At the heart of Derrida’s difficult argument is a demand for justice that goes beyond the cataloguing of specific injustices, and beyond the terms of Benjamin’s critique. The utopian impulse that underpins “Force of Law” is carried over into Specters of Marx, Derrida’s recent explicit grappling with the legacy of Marxism. The links between these two texts by Derrida implies a sustained politics of radical commitment on the part of deconstruction, a commitment to future forms of legality and egalitarianism, a theory of justice posited upon prescience rather than precedent. (shrink)

But that from which things arise (genesis) also give rise to their passing away (phtora) according to what is necessary (kata to chreon); for things render justice (dike) and pay penalty (tisis) for their injustice (adikias), according to the ordinance of time. The Anaximander Fragment.

Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers—among them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. The Space of Literature , first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading (...) as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarme;, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language. (shrink)