The essays collected in Persecution and the Art of Writing all deal with one problem--the relation between philosophy and politics. Here, Strauss sets forth the thesis that many philosophers, especially political philosophers, have reacted to the threat of persecution by disguising their most controversial and heterodox ideas.

THE AUTHOR SHOWS THAT WITTGENSTEIN'S PHENOMENOLOGICAL\nSOUNDING TALK IN "PHILOSOPHICAL INVESTIGATIONS", II, XI,\nABOUT "EXPERIENCING MEANINGS" SHOULD BE UNDERSTOOD AS AN\nALTERNATIVE ACCOUNT OF WHAT WITTGENSTEIN ELSEWHERE REFERS\nTO AS THE "FORM OF LIFE" OR TOTAL CONTEXT WITHIN WHICH\nLINGUISTIC MEANING IS ESTABLISHED AND MAINTAINED. THIS IS\nDONE BY DRAWING CERTAIN ANALOGIES WITH THE EXPERIENCE OF\nSEEING ASPECTS OR SEEING ASPECT SHIFTS FAMILIAR TO\nGESTALTIST PSYCHOLOGY. THESE OTHERWISE PUZZLING PASSAGES\nARE THUS SHOWN TO BE OF A PIECE WITH WITTGENSTEIN'S VIEWS\nAS EXPRESSED IN PART I OF THE "INVESTIGATIONS".

The article contests Affeldt's critique of Mulhall's "Stanley Cavell: Philosophy's Recounting of the Ordinary," by asking how deep the conflict between what Affeldt proposes as Cavell's account of Wittgenstein's notion of grammar and that of Baker and Hacker really goes. It argues that Affeldt's critique is successful against one interpretation of the claims that grammar consists of a framework of rules and that criteria function as a basis for judgment, but that other interpretations of these claims are available and appear (...) consistent with both Cavell's and Wittgenstein's positions. It concludes by suggesting that the real issue is how to combine a sense of the normativity of grammar with that of the role of the personal in grounding grammatical remarks. (shrink)

Granted a certain depth of accuracy in citing an aspect of Spengler as an enactment of an aspect of Wittgenstein's thought, Wittgenstein's difference from Spengler should have depth. One difference can be characterized by saying that in the Investigations Wittgenstein diurnalizes Spengler's vision of the destiny toward exhausted forms, toward nomadism, toward loss of culture, or of home, or community: he depicts our everyday encounters with philosophy, with our ideals, as brushes with skepticism, wherein the ancient task of philosophy, to (...) awaken us, or bring us to our senses, takes the form of returning us to the everyday, the ordinary, every day, diurnally. (shrink)

Friedrich Wilhelm Nietzsche (1844-1900) was a German philosopher. His writing included critiques of religion, morality, contemporary culture, philosophy and science, using a distinctive style and displaying a fondness for aphorism. Nietzsche s influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. He began his career as a philologist before turning to philosophy. At the age of 24 he became Professor of Classical Philology at the University of Basel, but resigned in 1879 due to health problems, which would (...) plague him for most of his life. In 1889 he exhibited symptoms of serious mental illness, living out his remaining years in the care of his mother and sister until his death in 1900. His works include From my Life (1858), On Music (1858), Napoleon III as a President (1862), Free Willand Fate (1862), My Life (1864), The Birth of Tragedy (1872), Richard Wagner in Bayreuth (1876), Human, All-Too-Human (1878), Beyond Good and Evil (1886), The Antichrist (1888) and Ecce Homo (1888). (shrink)

This is Emerson's classic statement of intellectual and moral independence.

Emerson's famous declaration of independence for American literature.