Switch to: Citations

Add references

You must login to add references.
  1. Vision and Mind: Selected Readings in the Philosophy of Perception.Alva Noe & Evan Thompson (eds.) - 2002 - MIT Press.
    A collection of works, many of them classics, on the orthodox view of visual perception.
    Download  
     
    Export citation  
     
    Bookmark   22 citations  
  • Defining ‘Intrinsic’.David Lewis & Rae Langton - 2014 - In Robert M. Francescotti (ed.), Companion to Intrinsic Properties. De Gruyter. pp. 17-30.
    Download  
     
    Export citation  
     
    Bookmark   76 citations  
  • Defining 'intrinsic'.Rae Langton & David Lewis - 1998 - Philosophy and Phenomenological Research 58 (2):333-345.
    Something could be round even if it were the only thing in the universe, unaccompanied by anything distinct from itself. Jaegwon Kim once suggested that we define an intrinsic property as one that can belong to something unaccompanied. Wrong: unaccompaniment itself is not intrinsic, yet it can belong to something unaccompanied. But there is a better Kim-style definition. Say that P is independent of accompaniment iff four different cases are possible: something accompanied may have P or lack P, something unaccompanied (...)
    Download  
     
    Export citation  
     
    Bookmark   204 citations  
  • Recognition-by-components: A theory of human image understanding.Irving Biederman - 1987 - Psychological Review 94 (2):115-147.
    Download  
     
    Export citation  
     
    Bookmark   534 citations  
  • The Double Content of Art.John Dilworth - 2005 - Amherst, NY: Prometheus Books.
    The Double Content view is the first comprehensive theory of art that is able to satisfactorily explain the nature of all kinds of artworks in a unified way — whether paintings, novels, or musical and theatrical performances. The basic thesis is that all such representational artworks involve two levels or kinds of representation: a first stage in which a concrete artifact represents an artwork, and a second stage in which that artwork in turn represents its subject matter. "Dilworth applies his (...)
    Download  
     
    Export citation  
     
    Bookmark   10 citations  
  • Vision: object recognition.Michael Tarr - 2002 - In Lynn Nadel (ed.), The Encyclopedia of Cognitive Science. Macmillan.
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  • The Double Content of Art.John Dilworth - 2006 - Journal of Aesthetics and Art Criticism 64 (2):289-291.
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  • Visual object recognition: Do we know more now than we did 20 years ago?Jessie Peissig & Michael J. Tarr - manuscript
    We review the progress made in the field of object recognition over the past two decades. Structural-description models, making their appearance in the early 1980s, inspired a wealth of empirical research. Moving to the 1990s, psychophysical evidence for view-based accounts of recognition challenged some of the fundamental assumptions of structural-description theories. The 1990s also saw increased interest in the neurophysiological study of high-level visual cortex, the results of which provide some constraints on how objects may be represented. By 2000, neuroimaging (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations