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The Woman-and-Tree Motif in the Ancient and Contemporary India

In Retracing the Past: Historical Continuity in Aesthetics from a Global Perspective. Santa Cruz: International Association for Aesthetics. pp. 79-93 (2017)

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  1. The Philosophy of Landscape.Georg Simmel - 2007 - Theory, Culture and Society 24 (7-8):20-29.
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  • On the Object of Figuration.Jean-Louis Schefer, Dalia Judovitz & Timothy Corrigan - 1983 - Substance 12 (2):26.
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  • Appreciating Nature on Its Own Terms.Yuriko Saito - 1998 - Environmental Ethics 20 (2):135-149.
    I propose that the appropriate appreciation of nature must include the moral capacity for acknowledging the reality of nature apart from humans and the sensitivity for listening to its own story. I argue that appreciating nature exclusively as design is inappropriate to the extent that we impose upon nature a preconceived artistic standard as well as appreciation based upon historical/cultural/literary associationsinsofar as we treat nature as a background of our own story. In contrast, aesthetic appreciation informed by our attempt to (...)
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  • Rethinking Modernity.Jacques Rancière - 2014 - Diacritics 42 (3):6-20.
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  • Remembering the Historical Present.Harry Harootunian - 2007 - Critical Inquiry 33 (3):471.
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  • The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.
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  • Embodied meanings, isotypes, and aesthetical ideas.Arthur C. Danto - 2007 - Journal of Aesthetics and Art Criticism 65 (1):121–129.
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  • High and low art, and high and low audiences.Ted Cohen - 1999 - Journal of Aesthetics and Art Criticism 57 (2):137-143.
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  • The artworld.Arthur Danto - 1964 - Problemos 82:184-193.
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