The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture.

In _Facing the Planetary_ William E. Connolly expands his influential work on the politics of pluralization, capitalism, fragility, and secularism to address the complexities of climate change and to complicate notions of the Anthropocene. Focusing on planetary processes—including the ocean conveyor, glacier flows, tectonic plates, and species evolution—he combines a critical understanding of capitalism with an appreciation of how such nonhuman systems periodically change on their own. Drawing upon scientists and intellectuals such as Lynn Margulis, Michael Benton, Alfred North Whitehead, (...) Anna Tsing, Mahatma Gandhi, Wangari Maathai, Pope Francis, Bruno Latour, and Naomi Klein, Connolly focuses on the gap between those regions creating the most climate change and those suffering most from it. He addresses the creative potential of a "politics of swarming" by which people in different regions and social positions coalesce to reshape dominant priorities. He also explores how those displaying spiritual affinities across differences in creed can energize a militant assemblage that is already underway. (shrink)

Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting (...) meanings of the term. Beginning with the Platonic doctrine of imitation, they chart the concept's appropriation and significance in the aesthetic theories of Aristotle, Molière, Shakespeare, Racine, Diderot, Lessing, and Rousseau. They examine the status of mimesis in the nineteenth-century novel and its reworking by such modern thinkers as Benjamin, Adorno, and Derrida. Widening the traditional understanding of mimesis to encompass the body and cultural practices of everyday life, their work suggests the continuing value of mimetic theory and will prove essential reading for scholars and students of literature, theater, and the visual arts. (shrink)

Davon ausgehend, dass Natur und Kultur das gemeinsame Erbe des Menschen bilden, wird dargestellt, was wir unter dem Anthropozän verstehen. Es werden die ungewollten Wirkungen der Industrialisierung und Modernisierung untersucht. Dazu gehören der Klimawandel, die Zerstörung der Biodiversität, die gestörten biogeochemischen Kreisläufe, die Versauerung der Ozeane und die Verschmutzung des Planeten mit der Gefahr der Zerstörung der Lebensgrundlagen der Menschen, Tiere und Pflanzen. Welche Rolle spielen in diesem Prozess die Maschinen? Ohne ihre Erfindung wäre es nicht zu diesem Prozess mit (...) seinen zahlreichen Nebenwirkungen gekommen. Ihre Entwicklung reicht von der Dampfmaschine über die Prothetik bis zur Robotik. Ein wichtiger Motor der Entwicklung sind heute die digitale Kultur und die Künstlichen Intelligenz. Lassen sich diese auch für die nachhaltige Entwicklung nutzen? Ohne die Digitalisierung wäre es nicht zu den Entwicklungen der Gentechnologie gekommen. Mit der Erfindung und Nutzung der CRISPR-Technologie werden Eingriffe in die Evolution möglich, die sich als eine Zuspitzung der Dynamik des Anthropozäns begreifen lassen. Gibt es Möglichkeiten, die Gefährdungen und die negativen Auswirkungen dieser Entwicklungen zu vermeiden oder sie sogar zu kompensieren? Hier entstehen viele nicht einfach beantwortbare anthropologische Fragen, die für ein historisch und kulturell reflexives (Selbst-)Verständnis des Menschen von zentraler Bedeutung sind. (shrink)

"Aujourd'hui l'abstraction n'est plus celle de la carte, du double, du miroir ou du concept. La simulation n'est plus celle d'un territoire, d'un être référentiel, d'une substance. Elle est la génération par les modèles d'un réel sans origine ni réalité : hyperréel. Le territoire ne précède plus la carte, ni ne lui survit. C'est désormais la carte qui précède le territoire précession des simulacres c'est elle qui engendre le territoire et s'il fallait reprendre la fable, c'est aujourd'hui le territoire dont (...) les lambeaux pourrissent lentement sur l'étendue de la carte. C'est le réel, et non la carte, dont des vestiges subsistent çà et là, dans les déserts qui ne sont plus ceux de l'Empire, mais le nôtre. Le désert du réel lui-même." P. [4] of cover. (shrink)

The same neural structures involved in the unconscious modeling of our acting body in space also contribute to our awareness of the lived body and of the objects that the world contains. Neuroscientific research also shows that there are neural mechanisms mediating between the multi-level personal experience we entertain of our lived body, and the implicit certainties we simultaneously hold about others. Such personal and body-related experiential knowledge enables us to understand the actions performed by others, and to directly decode (...) the emotions and sensations they experience. A common functional mechanism is at the basis of both body awareness and basic forms of social understanding: embodied simulation. It will be shown that the present proposal is consistent with some of the perspectives offered by phenomenology. (shrink)

_The Phantom of the Ego _is the first comparative study that shows how the modernist account of the unconscious anticipates contemporary discoveries about the importance of mimesis in the formation of subjectivity. Rather than beginning with Sigmund Freud as the father of modernism, Nidesh Lawtoo starts with Friedrich Nietzsche’s antimetaphysical diagnostic of the ego, his realization that mimetic reflexes—from sympathy to hypnosis, to contagion, to crowd behavior—move the soul, and his insistence that psychology informs philosophical reflection. Through a transdisciplinary, comparative (...) reading of landmark modernist authors like Nietzsche, Joseph Conrad, D. H. Lawrence, and Georges Bataille, Lawtoo shows that, before being a timely empirical discovery, the “mimetic unconscious” emerged from an untimely current in literary and philosophical modernism. This book traces the psychological, ethical, political, and cultural implications of the realization that the modern ego is born out of the spirit of imitation; it is thus, strictly speaking, not an ego, but what Nietzsche calls, “a phantom of the ego.” _The Phantom of the Ego _opens up a Nietzschean back door to the unconscious that has mimesis rather than dreams as its _via regia,_ and argues that the modernist account of the “mimetic unconscious” makes our understanding of the psyche new. (shrink)

"Girard fuses literary, psychological, and anthropological texts in order to view the activity of mimesis. This includes the phenomena of scapegoating, victimage, and sacrifice. They, in turn, serve as starting points for a breathtakingly daring and encompassing theory of the origins of human culture. In an era of interdisciplinary studies, this volume stands alone."--"Choice.".